Author: Mordecai Martin

TALK TO ME: NOLCHA FOX

I love putting odd images together, playing with alternate definitions of words, twisting the end. My adult me is the one who figures out where to submit the glorious mess I make of a poem. – Nolcha Fox

TALK TO ME: ALEAH DYE

I think the brevity comes somewhat from the fact that I see this glow, this halo, around my intimacy so clearly. I see it, I feel it, I say it. And that’s that. It comes (ah, another pun!) easy. – Aleah Dye

TALK TO ME: MORDECAI MARTIN W/ JOAN KWON GLASS

I sometimes feel like I can’t fully represent any group. But maybe that’s a vehicle for art in and of itself: not to be boxed in, not to follow any prescribed norms for one culture. – Joan Kwon Glass

TALK TO ME: MORDECAI MARTIN WITH ARDEN HUNTER

“When I’m in the middle of creating I’m actually not very reflective; I don’t sit back and think, ‘why am I doing it this way?’ I just get a bit possessed by it and power through”. – Arden Hunter

TALK TO ME: SAMANTHA FAIN

“It may be too niche at times, I’m sure, but overall I think its goals are the same as those without a tv show backdropped in it: to (maybe re)create characters and a world that describes how they live beside or with their sadness”. – Samantha Fain

TALK TO ME: CLAIRE TAYLOR

“I wonder if I can write an entire manuscript centered around the lines from [the Growing Pains] theme song. And that is what I did”. – Claire Taylor

TALK TO ME: AMANDA McLEOD

“And that in-between is what I wanted to look at in Heartbreak Autopsy. I’ve known a lot of people who’ve walked around wondering where their happily ever after is – this book is for them”. – Amanda McLeod

TALK TO ME: COLIN BANCROFT

“The language of wrestling is poetic because it’s filled with metaphor and allusion and countless other vehicles for expression.” – Colin Bancroft

TALK TO ME: MORDECAI MARTIN W/ LANNIE STABILE

“The reverence isn’t in the experiences, it’s in the powerful men. A woman is supposed to feel flattered when a man finds her irresistible. This book is a middle finger to that expectation”. – Lannie Stabile

TALK TO ME: “MY GOAL IS TO REPLICATE THE DEVASTATION” – LYNN(E) SCHMIDT

To tell our story, and to help tell other people, “Hey it’s okay if you’re fucked up for a long time after your dog dies.” Grief is such a wild journey, and it is different for all of us.

“MY MFA ONLY MADE MY BLENDER WHIR FASTER”: TALK TO ME: CHRISTINE SLOAN STODDARD

I used discarded camera and computer parts to print into clay tablets. I bleached chicken bones, spray-painted various objects, drew large-scale oil pastel scenery, and cut up old books all for art installations.

“THE READER THINKS THEY’RE IN ON THE JOKE”. – TALK TO ME: SHAWN BERMAN

I’m inspired a lot by stand-up comedians, so a lot of my work is me pretending I’m on stage telling a joke, trying to draw the audience in. – Shawn Berman

“TODAY WE ARE A WHITE-WING DOVE, TOMORROW WE ARE A SPIRIT” TALK TO ME: KHALISA RAE

Because so many false narratives are being told about Black bodies, it is so crucial to tell the truth about what happens to us and the crimes that are committed against us. I think the true art is sharing the horror in a way that isn’t just trauma porn, but it’s art for a purpose.

“CONFUSION, DESPAIR, OR HOPE” – TALK TO ME: JIYE LEE

“CONFUSION, DESPAIR, OR HOPE” – TALK TO ME: JIYE LEE

I hope to get the same emotions across whether that be confusion, despair, or hope to the readers and to enforce that in such a way it leaves them thinking about the poems for a while.

“LETTING THE POEMS SAY MORE THAN I WAS AWARE THEY WANTED TO SAY” – TALK TO ME: KATE FOX

“LETTING THE POEMS SAY MORE THAN I WAS AWARE THEY WANTED TO SAY” – TALK TO ME: KATE FOX

I think the rewards of communicating through neurodivergence are not using up energy on masking and hiding. Plus then embodying the fact that humans think/feel/experience the world differently. 

“IT’S RIGHT UNDER OUR FEET THE WHOLE TIME” – TALK TO ME: JENI DE LA O

“IT’S RIGHT UNDER OUR FEET THE WHOLE TIME” – TALK TO ME: JENI DE LA O

there are thousands of Amanda Gormans submitting poems right now, being read and rejected right now, by readers and editors who simply haven’t the refined palate to discern a truffle from button mushroom. 

“MUCH OF POP CULTURE STEMS FROM MY CULTURE” – TALK TO ME: CHRIS L. BUTLER

“MUCH OF POP CULTURE STEMS FROM MY CULTURE” – TALK TO ME: CHRIS L. BUTLER

I think you have to be a bit selfish if you’re going to employ this style as a writer. When I say selfish I don’t mean greedy, but rather authentic.

“AN EXERCISE IN LEARNING TO SURRENDER.” TALK TO ME: JONATHAN KOVEN

“AN EXERCISE IN LEARNING TO SURRENDER.” TALK TO ME: JONATHAN KOVEN

I think there’s a level of trusting that people will empathize with my story, and if not my story, then the music of my words.

“I DON’T KNOW IF MY DREAMS SAY ANYTHING TO ME AT ALL” – TALK TO ME: RACHEL CROSBIE

“I DON’T KNOW IF MY DREAMS SAY ANYTHING TO ME AT ALL” – TALK TO ME: RACHEL CROSBIE

When I was younger, I felt more comfortable writing in different character voices. I don’t think I had enough emotional maturity to tap into something completely personal

“WHICH REQUIRES ME TO BEND LANGUAGE TO MY WILL” – TALK TO ME: TAYLOR BYAS

“WHICH REQUIRES ME TO BEND LANGUAGE TO MY WILL” – TALK TO ME: TAYLOR BYAS

I absolutely code switch because there isn’t an aspect of my life that doesn’t request that sort of labor from me. It’s built into my life, and therefore it manifests in my poetry. – Taylor Byas

“I CAN’T TALK ABOUT HERITAGE WITHOUT TALKING ABOUT RHYTHM” – TALK TO ME: JASON B. CRAWFORD

“I CAN’T TALK ABOUT HERITAGE WITHOUT TALKING ABOUT RHYTHM” – TALK TO ME: JASON B. CRAWFORD

That’s just it, dance is part of the language. Trying to figure out how to express me loving my friends sometime is about twerking with them. Sometimes it’s just watching them do it