REVIEW: WOUND FROM THE MOUTH OF A WOUND – TORRIN A. GREATHOUSE (MILKWEED EDITIONS)
Her poems don’t just show the reader these issues, they pull the reader into them, making them wear them like a skin.
THE VOICE OF SMALL PRESS POETRY
REVIEW: WOUND FROM THE MOUTH OF A WOUND – TORRIN A. GREATHOUSE (MILKWEED EDITIONS)
Her poems don’t just show the reader these issues, they pull the reader into them, making them wear them like a skin.
REVIEW: SPECTRUM OF FLIGHT – DAVID HANLON (ANIMAL HEART PRESS)
Utilizing the layout of text on the page, suggestive titles and clever wordplay, he creates an intricate narrative that enhances the reading experience.
REVIEW: RUSTED BELLS AND DAISY BASKETS – ANDREA PANZECA (FINISHING LINE PRESS)
… she shows the grittiness of her fighter self in her dreams, while simultaneously rejecting the idea of men as saviors.
REVIEW: AT FIRST & THEN – DANIELLE ROSE (BLACK LAWRENCE PRESS)
if Rose decided to give a craft talk on titles alone, I would slam my fist, fanning with twenties, on the table and scream, “Here, take my money!” – Lannie Stabile
REVIEW: LIFE IN SPACE – GALINA RYMBU ( TR. JOAN BROOKS) (UGLY DUCKLING PRESSE/AFTER HOURS EDITIONS)
Sex is set against a backdrop of war and politics, so devoid of emotion and joy you can “count the bites and hickeys from dead lovers.”
REVIEW: THE TALES OF FLAXIE CHAR – ELIZABETH HORNER TURNER (DANCING GIRL PRESS)
“…explores the line between the fantastical and insanity in a woman pushed to the brink by tragedy…”
REVIEW: THE TALE OF TURKISH CARPET – JACQUELINE SAPHRA (BAD BETTY PRESS)
The poem is a great tale of how we ‘interpret’ other people’s lives when we go to other’s cultures and yet might forget the constraints on our own, thinking them normal. Until – it all gets too much.
WOMEN WRITERS OVER 30: REVIEW: LARARIUM – RAY BALL (VARIANT LIT)
She says “snakes always my company” and just like Medusa she apparently has the power to elicit stoicism in her father. In this way, she is taking some of the power back from her father in their difficult relationship. However, also just like Medusa she is mortal, as seen in the line “cannot shed their skins.”
REVIEW: BODEGA NIGHT PIGEON RIOT – AMANDA DEUTCH (ABOVE/GROUND PRESS)
Like riding in the car, riding the subway is a moment where many people wrestle with their thoughts. Sometimes these thoughts are a diagnosis of the self, other times they are external, a commentary on the troubles of the world around us.
LENNY – S1/EP1: SO, WHAT NOW?
I’d like to believe that there’s another story inside of me. One that’s finding the deep and intricate words to move me forward from when I considered that I’d lost my touch. Quiet as it’s kept, I’ve already written what I consider to be the best work of my life. So, what now?
REVIEW: TO FALL FABLE – ALICE WICKENDEN (VARIANT LIT)
It’s all the obstacles in the way of self-discovery. It’s the fantasy of the moment. It’s the newness of everything. It’s doing something that might change your life, and should. Just not sure how.
REVIEW: F LETTER – GALINA RYMBU, EUGENE OSTASHEVSKY, AINSLEY MORSE, EDS. (Isolarii)
Am I a poet or a poetess? Do I need to embrace a male style of writing, of interest, of canon, or someone else’s definition of radical feminist poetry?
REVIEW: THE CANDLELIGHT MASTER – MICHAEL LONGLEY (WAKE FOREST PRESS)
“This is a collection about the power of aging. He shows us how the lives of old poets companion us on our journey….” – Jessica Mookherjee
REVIEW: THE CARTOON DIARIES – DAVID O’NAN (SELF-PUBLISHED)
This collection acts as a roadmap through the never ending cacophony – the voices, the fears, the Gods, and the everlasting sense that if you were to slow down for one moment you may never start again.
REVIEW: THE GULL AND THE BELL TOWER – KARI FLICKINGER (FEMME SALVÈ BOOKS/ANIMAL HEART PRESS)
We never really escape our own disasters. In fact, “owning them is an irredeemable trait”. It’s unsettling, it’s frightening, but it does turn glass to stone. It does, however, create beauty.