Though book burning may appear historically and practically extreme in comparison to book bans, consider that one of the guiding principles of book burning is public spectacle. – Ronnie K. Stephens
Refreshingly amusing poetry that captures the fallibility of human experience––and with witty titles. – Caitie L. Young
Luckily I clean it up well
Yeah prepare for the tide
Not a stain on me
We take off on our ride
– Reggie Johnson
Join Chris in a sit-down with the legendary Sandra Cisneros, author of Woman Without Shame (Alfred A. Knopf), about passions, process, pitfalls, and poetry!
“This collection is a testament to love beyond mortal remains, beyond the bleak stillness of nights and days consumed by stages of grief….” – A.R. Salandy
Jones reaffirms his place as one of the most talented living poets writing in English with this collection, demonstrating an ever-evolving mastery of language and a distinct eye for structural balance. – Ronnie K. Stephens
Join Chris in a sit-down with Aurielle Marie, author of Gumbo Ya Ya (University of Pittsburgh Press), about passions, process, pitfalls, and poetry!
His use of structure, rhythm and extended metaphor are among the best, and his particular utilization of the crow throughout A Shiver in the Leaves sets this debut apart as one of the most layered, complex collections of the year. – Ronnie K. Stephens
Join Chris in a sit-down with @ink_just_ink, EiC of @StanzaCannon and author of 61 Central (@FLPress), about passions, process, pitfalls, and poetry!
I love putting odd images together, playing with alternate definitions of words, twisting the end. My adult me is the one who figures out where to submit the glorious mess I make of a poem. – Nolcha Fox
Xie’s use of the imperative voice, intentionally or not, mirrors the language in Kincaid’s text, and both authors use the imperative specifically to convey expectations to younger generations of women. – Ronnie K. Stephens
She brought me back to when I was a little girl, feeling very much alone, seeking refuge in books that I didn’t know yet would have been with me while growing up. – Valentina Lenardi
Dramamine because I’m sick of you
When patience ran thin
Where was thick for you?
What didn’t click for you?
– Reggie Johnson
Join Chris in a sit down with H. MELT, about passions, process, pitfalls, and Poetry!
It’s a testament to all of us holding depression and joy in both hands, to everyone that has ever felt their world could end before the sun goes down. – Caitie L. Young
You’re no longer a need
No longer a want
A picture in my mind
My dreams you won’t haunt
– Reggie Johnson
The poems are clearly the work of someone who has dedicated significant time to craft, & who approaches language like an anthropologist or philosopher might. – Ronnie K. Stephens
Join Chris in a sitdown with actor, writer, producer, and all-around bad-ass Buddy Wakefield, about passions, process, pitfalls, and poetry!
At the heart of the poem is an image of the author’s passport, effectively bridging mythos and history to highlight a long and violent legacy of colonialism and its impact on colonized peoples. – Ronnie K. Stephens
No matter the companionship
Friend, coworker or foe
You’ll never catch me banana slip
I literally never think about you
I just stack chips and I dip
– Reggie Johnson
Join Chris in a sitdown with Maya Marshall, author of All the Blood Involved in Love and an Editor at Haymarket Books, about passions, process, pitfalls, and poetry!
Winters offers a layered and thoughtful critique of the immigrant experience in America, the nuances of her relationship with her father and how borders operate in our lives. – Ronnie K. Stephens
Now we just on the road
No one knows where we going
Has the love come and gone
Did we miss the moment?
– Reggie Johnson
Join Chris in a sitdown with Brian Tierney, the author of Rise and Float (Milkweed), about passions, process, pitfalls, poetry, and a whole lot of music!
Rachel McKibbens “The Widower” captures students because it’s visceral, emotional, and refuses to be ignored. – Ronnie K. Stephens
I had thoughts
Deep thoughts
Of me, myself and the pen
Replay the moment in my head
Not taking it for granted again
Some people say they family
And they never been a kin
– Reggie Johnson
Join Chris in a sitdown with I.S. Jones, author of Spells of My Name, and Editor at Frontier Poetry, about passions, process, pitfalls, and Poetry!
Soto’s poems are meant to be rough, triggering at times, and cut straight to the point. Readers can’t help but understand the message, empathize, and feel like we’re supposed to fix things ourselves.
Hey how you doing?
Are you getting tired yet?
I might forgive you
But I never forget
– Reggie Johnson
The language, lyrically dispensed in its distinct style, portrays bravery and reveals a poet whose voice is both an ache and a cure. – Martins Deep
Join Chris in a sitdown with Esteban Rodriguez, author of Ordinary Bodies (word west press 2022), about passions, process, pitfalls, and poetry! LISTEN IN HERE Esteban Rodríguez is the author of six poetry collections, most recently Ordinary Bodies (word west press 2022), and the essay collection Before the Earth
The risk of centering a speaker who is, at times, painfully self-involved is significant, but Chen balances these sentiments with frequent moments of grace, desire and appreciation. – Ronnie K. Stephens
There is a fine line
In the root of good and evil
So stop it with this balancing act
– Reggie Johnson
Vuong uses structure to further disrupt linear fluidity. His poems frequently utilize a style of enjambment that eschews natural speech, presenting fragments that time and again force the reader forward. – Ronnie K. Stephens
Join Chris of The Poetry Question in a sit-down with Poet-Historian, Ronnie K. Stephens to talk about passions, process, pitfalls, and poetry!
𝐏𝐎𝐄𝐓𝐑𝐘? 𝐅𝐔𝐂𝐊 𝐘𝐄𝐀𝐇.
It’s the only shirt your kid’s teacher won’t dress code them on.
Maya Marshall’s debut interrogates the current sociopolitical nature and its threat to reproductive rights, choice, and Blackness. – Caitie L. Young
They don’t like us outside
But now we ain’t gonna be inside
From the inside, I can see your insides
Looks like y’all don’t like yourself inside
y’all should’ve kept your opinions inside
– Reggie Johnson
Brookins, Melt, and Tran all address the process of naming and unnaming from different perspectives. Together, these poems will help foster understanding and empathy around the language we use with one another. – Ronnie K. Stephens
Join Chris in conversation with Khalisa Rae, author of Ghost in a Black Girl’s Throat (Red Hen Press), about passions, process, pitfalls, and poetry!
Paul Tran’s long-awaited debut collection, All the Flowers Kneeling, is a fierce reminder that Tran is one of the most talented and visceral poets writing in America today. – Ronnie K. Stephens
Not into too many surprises
Unless it’s a special occasion
And whenever I’m with you
It’s a cause for a celebration
– Reggie Johnson
Join Chris Margolin in conversation with Mahogany L. Brown, author of Woke Baby, Chlorine Sky, and Vinyl Moon (Penguin Random House), about passions, process, pitfalls, and Poetry!
Running from the fears
When it’s coming from the inside
No more counted out
No where for me to hide
Who knows what happens when
Pain and perseverance collides?
– Reggie Johnson
Order your copy of A.R. Salandy’s Half-Bred! Only 100 copies available!
Join Chris Margolin of The Poetry Questions in a sit-down with Jennifer Huang, author of Return Flight (Milkweed Editions), to talk about passions, process, pitfalls, and poetry!
This shows Kahlo’s defiance as both lasting and as the catalyst for her own breaking point. Even when exploring Kahlo’s death, Horan stays true to the voice she has established for Kahlo. – Elisabeth Horan
It happens every blue moon
When it aligns, we eclipse
I love everything about you
Fingertips to your lips
– Reggie Johnson
Sit down with Chris and Courtney Margolin, as they talk with Ada Limón, author of The Hurting Kind (Milkweed Editions), about passions, process, pitfalls, and poetry!
Dear God. Dear Bones. Dear Yellow. is the divine feminine’s wrath with no apologies, and yes, you should say thank you. – Lyra Thomas
Thanni paints the scenery for us clearly—the love between families, the high stakes involved in pursuing change (fly/break, free/remembered), and nestled in these intense bonds, intense violence. – Jeni De La O
Discussing mental health in the classroom can be incredibly daunting, especially as educators face public criticism and accusations of indoctrinating students. – Ronnie K. Stephens
These poems rip at the meat, bone, and marrow of aspects of the institution that has settled in the hearts and minds of our societal zeitgeist. – Melissa Ferrer
Sometimes I feel overwhelmed and I just need to breathe
Inhale exhale put my mind at ease
– Reggie Johnson
Each section speaks to a specific season, emphasizing the passage of time and its effect on our understanding of the world around us. – Ronnie K. Stephens
Perhaps we have all, as in the poem, lost someone and looked up, perceived heaven, and asked for a sign, a response, but were left only in our wonder. – Cait L. Young
Does drained looked good on me?
The pressures of life begin to sink in
And it’s like someone left the water running
Washing ourselves of the sins
But it feels like I’m taking a ho bath
– Reggie Johnson
If I was going to try and convince someone that poetry is our most important verbal art, I would start with The Hurting Kind. – Ronnie K. Stephens
The way the chips have fallen
Lays simple and plain
I have a duality of someone’s success is being someone else’s pain
– Reggie Johnson
Gotta be
Honest
My attitude
The fondest
Holding back?
Nothing’s promised
Sleeping on me
I’m an alarmist
– Reggie Johnson
I think the brevity comes somewhat from the fact that I see this glow, this halo, around my intimacy so clearly. I see it, I feel it, I say it. And that’s that. It comes (ah, another pun!) easy. – Aleah Dye
For me it’s sink or swim
Too many people I extended branches
And gone out on a limb
The switch up is contagious
Many do it on a whim
– Reggie Johnson
These are poems that do not lend themselves to passive reading, but rather demand deep internal reflection and renewed engagement with the most basic, unanswerable questions of human existence. – Ronnie K. Stephens
Scheelk offers first-hand accounts of the effects of misdiagnosis, queer identity, and the intersections of these as an autistic person. – Caitie L. Young
This month, I’m sharing some of my favorite pedagogical practices to introduce during National Poetry Month, as well as some of the poems I return to in my classes year after year. – Ronnie K. Stephens
Don’t give me material
If you’re reading this it’s too late
Don’t end up becoming one of my mistakes
– Reggie Johnson
The Body Myth (The Hunger Journal) by Hannah Land is beauty in words, harmonic sounds and striking imagery, all to narrate an all too familiar painful story. – Valentina Lindardi
Join Chris in a one-on-one with EiC of Riot in Your Throat Press and author of and Winner of the Jack McCarthy book prize (Write Bloody, 2023), Courtney LeBlanc, about passions, process, pitfalls, and Poetry!
Shutter is equally successful for its accessibility and relatability, centering poems that are at once concretely grounded in personal experience and immediately familiar to any reader who experiences self-doubt, heartbreak, and loneliness. – Ronnie K. Stephens
Get ready to submit your manuscripts! This year’s submissions are FREE; however, to make that happen we need your help!
At the end of the day
We ain’t seeing eye to eye
I swear I don’t see you crossing t’s
And I don’t see you dotting I’s
This only a percentage of this income
But we ain’t talking pies
She can hit that 3.14 stance
And I ain’t talking pi’s
– Reggie Johnson
This entire collection is a canal–a wrenching chasm opening for rebirth–a witness to the psyche, split apart, in a world ruled by men who abandoned their humanity for the sake of domination. – Melissa Ferrer
Join Chris and Courtney in a sit down with Kristin Garth, the Editor in Cheif of Pink Plastic House, for a conversation about passions, process, pitfalls, and poetry!
“Against Heaven is an ode to blackness with a question mark to Black Christianity. It is a tribute to queerness and transness. It is a love letter to polyamory, and the lovers had and yet to have….” Lyra Thomas
We can’t control the games people play
We just hope we don’t get played
And the sad part is when I did
At first I would’ve stayed
Then later I prayed
Prayed that I never be someone else’s prey
– Reggie Johnson
Join Chris in a one-on-one sit down with Shaindel Beers, Poetry Editor of Contrary, about passions, process, pitfalls, and poetry!
Again and again, we see the speaker face the tension of negotiating and accepting who they are up against the self-limiting modes of the world they live in. – Steve Henn
Check my words
Check the diction
Best believe
Don’t want no friction
– Reggie Johnson
Each poem is a subtle reminder that those who experience mental illness are not alone. – Caitie L. Young
Join Chris & Courtney of The Poetry Question in a sit down with Julian Randall, author of Refuse (Pitt, 2018), Pilar Ramirez & the Escape from Zafa (Holt), and the upcoming The Dead Don’t Need Reminding: Essays (Bold Type Books), about passions, process, pitfalls, and poetry.
In this speaker’s world, loneliness becomes a proper noun. A thing of beauty. A thing that will grow into its own season. – Amanda Rabaduex
I sometimes feel like I can’t fully represent any group. But maybe that’s a vehicle for art in and of itself: not to be boxed in, not to follow any prescribed norms for one culture. – Joan Kwon Glass
77 days into this year and I believe I’m making progress
Things have been a hard pill to swallow
However I managed to digest
Recycling old recounts and in the end I just digress
Told myself to focus more and worry less
Will lead to more success
– Reggie Johnson
His poems are full of the energy and playfulness and good humor of a poet who takes things thoughtfully but not too seriously. – Steve Henn
These are painful in a glorious way – a healing kind of hurt. This collection offers a safe space for queerness and self and love. – Courtney Margolin
Join Chris and Courtney in a sitdown with Jason B. Crawford, author of Year of the Unicorn Kidz (Sundress Publications), about passions, process, pitfalls, and poetry!
Done feeding off the anguish
This is not another anthem
This problem is continuous
This one time isn’t random
Done being the star of your show
Quit entertaining your fandom
Quit acting like a child
Stop doing your temper tantrums
– Reggie Johnson
Mar brings us to a past world, painted as vividly as ours, made of pretty words and tragic events that leave us feeling wet and sticky, as if the algae of the lake refuse to let us free from it. – Valentina Linardi
Join Chris and Courtney Margolin of The Poetry Question in a sitdown with Saeed Jones, author of Alive at the End of the World (Coffee House Press), about passions, process, pitfalls, and poetry!
With a hint of irony she reminds us of all the rules we’ve been exposed to growing up, of the smallest signs we have to use every day to express ourselves in front of the societal expectations. – Valentina Linardi
Discussing you only as nouns
When the actions made you a verb
No review of you in my book
I’ll just remember you as blurb
– Reggie Johnson
This collection of life-flowers reminds us that life may be ordinary, but this ordinary may just be lovely enough to convince us that we want to be in it. – Melissa Ferrer
Join Chris and Courtney in a sit down with Kyle Tran Myhre (Guante), author of Not a Lot of Reasons to Sing, But Enough (Button Poetry), about passions, process, pitfalls, and poetry!
[This collection takes a] hard look at the challenges of existing in exile, of growing accustomed to the comforts of America, and of conflicting feelings around claiming a home to which the speaker cannot return. – Ronnie K. Stephens
“The activist in me wants students to grapple with how form, and departure from form, serves as commentary on systemic oppression and gatekeeping”. – Ronnie K. Stephens
The nightmare is when all the magic stops
Boogeyman syndrome, stay away
– Reggie Johnson
“Whether through trauma endured in war, drug use, or poor living environment, Uttich pulls the reader into a leaving with traces of those absences”. – Catie L. Young
Join Chris and Courtney of The Poetry Question in a sit down with Mx. Faylita Hicks, author of Hoodwitch (Acre Books) and EiC of Black Femme Collective, about passions, process, pitfalls, and Poetry! LISTEN IN HERE: https://anchor.fm/tpq20/episodes/MX–FAYLITA-HICKS-e1f0ctn FAYLITA HICKS (she/they) is the author of HoodWitch (Acre Books, 2019), a finalist
“The idea of losing blood to be filled with salvation, to make sacrifices, to hitchhike trying to find a way home – these speak to overarching themes throughout”. – Amanda Rabaduex
“When I’m in the middle of creating I’m actually not very reflective; I don’t sit back and think, ‘why am I doing it this way?’ I just get a bit possessed by it and power through”. – Arden Hunter
