REPLAYS: BRYSON TILLER – LIKE CLOCKWORK
In an industry where the price of fame can change a person for better or worse, Bryson Tiller has remained himself through it all.
white people, do not recognize the need for succor in Black women, as early as ZERO years old. Their screams (voiced concerns or cries for help) appear no more urgent or fearsome than the twinkling of Christmas lights
My life is falling apart.
Slipping from my grasp,
While I hold it together,
I can’t understand
The reason for my circumstance.
I moved in slowly.
Circled my situation intently.
Vulture picking the carcass,
Of who I was and used to be.
My past became nourishment…
REVIEWS & CONVERSATIONS: PALM LINES – JONATHAN KOVEN (TOHO PUBLISHING)
Since completing its pages, I daydream of skies raining amethyst and words of wisdom yelled from random apartments windows.
REVIEW: THE WORLD ISN’T THE SIZE OF OUR NEIGHBORHOOD ANYMORE – AUSTIN DAVIS (WEASEL PRESS)
It’s an age of transition, somewhere between childhood and adulthood, on the blurry path to independence.
REVIEW: LESBIAN FASHION STRUGGLES – CAROLINE EARLEYWINE (SIBLING RIVALRY PRESS)
What does it mean to live within a body that has been projected upon and harmed? What does it mean to want to be seen anyway?
It was only a matter of time.
Our existence would only exist
In this chapter of my life.
The length was still undefined.
And with words
Lost in translation,
We exist on borrowed time.
Moments stolen from my dreams…
But I had to accept that
We were no longer
I took days of distance,
Contemplated all my exes,
Reflected & Reminisced,
Made a few decisions
On how to measure…
The depths of this experience
REPLAYS – What It Feels Like by Nipsey Hussle & Jay Z
In times where open dialogue surrounding different political issues have come to the forefront, the fact the discussion is happening is evident we are witnessing our own revolution in this lifetime.
POETRY IN CINEMA: YOU DESERVE MUCH BETTER IN YOUR LIFE
Animal ‘imprinting’ is hard wired, mechanical almost, just like Lorenz’s ducks, humans attach to anything in that critical period of childhood– whatever its shortcomings.
REVIEW: LOOK LOOK LOOK – CALLISTA BUCHEN (BLACK LAWRENCE PRESS)
There’s a sense of absence in this first section as the mother’s body becomes a singular state once again, but there’s also a slip from autonomy.
#TPQ5: HALLE PRENETA
What will Halle Preneta include in today’s #TPQ5? Find out inside!
Random analogies and metaphors,
Simple words and phrases,
Popular for mass consumption.
I desire none of that.
REVIEW: SELF-PORTRAIT AS A SINKING SHIP – ERICA ABBOTT (TOHO PUBLISHING)
At times, certain stanzas feel like diary entries not meant for us to read– intimate glimpses into tormenting experiences: the illness of a parent, the paralysis of true friendship, the lure of self-harm, the temptation of suicide. –
#TPQ5: JADE HURTER
What will Jade Hurter include in today’s #TPQ5? Find out inside!
REVIEW: YOU WERE SUPPOSED TO BE A FRIEND – ASHLEY ELIZABETH (NIGHTINGALE & SPARROW PRESS)
…Dear John letter, ending with the words, “you are hurting me. i am letting you. i do not want to.” There it is, cut and dry: a breakup. Except it’s not.
WORKING ANIMALS – LIAM BATES (BROKEN SLEEP BOOKS)
After reading this body of work, I discuss its topics and subject matter with a respect that I did not expect to have when starting it.
YELLOW JOURNALISM: THANK YOU FOR THE CONTENT – REGGIE JOHNSON (RAD PRESS BOOKS)
One of my favorite wordplay moments, in this collection, can be seen in the confidence exuded in lines like “Reciprocation at its simplicity, You was the one taking shots, And now you stay missing me” (I Love Me).
REVIEW: GHOST FACE – GREG SANTOS (DC BOOKS)
But if who we are is a combination of our past and present, environmental and biological, how can we really know ourselves if we don’t look?
POETRY IN CINEMA: YOU WERE LOST AND GONE FOREVER, OH MY DARLING
Their flaws are immediate; “I’m a vindictive little bitch truth be told” she tells him. While he ruminates that he falls in love with anyone who gives him attention. – Jessica Mookherjee
REVIEW: IF YOU DISCOVER A FIRE — SHAUN ROBINSON (BRICK BOOKS)
You start in one place—a forest on fire, a restaurant where you’re stacking individual creamers into a tower, falling in love wearing colorful pants—and by the end, you realize you’ve run into yourself.
REVIEW: MOTH FUNERALS – GAIA RAJAN (GLASS POETRY PRESS)
It’s innocence in a sense because while we all have to grow up, but it’s still okay and sad and happy and other adjectives. But to be Blackbird, or a lonely doll in a fancy dollhouse, or be “ball-gowned, butcher knifed” would be a story to be told.
REPLAYS: VIBEZ – ZAYN
This column will take a look at songs from week to week that I can’t get enough of and deep dive into my own thoughts in regards to them. The first track comes from Zayn, best known for being in the pop group, One Direction,
REVIEW: FOEVERHAUS – KAILEY TEDESCO (WHITE STAG PUBLISHING) – review by Kristin Garth
There is a candy-coated communion of saints inside these poems that encapsulates the terror of treats of childhood. A “peppermint Jesus” and “cinnamon virgin” cohabitate in these pages with the Bloody Mary.
#TPQ5: DAVID HANLON
What will David Hanlon include in today’s #TPQ5? Find out inside!
REVIEW: IR /RATIONAL – KALEB TUTT (ROARING JUNIOR PRESS)
If you have ever wondered if “that” one in a million situation could happen, Tutt has opened the floor for its discussion. – Bradley Galimore
REVIEW: WOUND FROM THE MOUTH OF A WOUND – TORRIN A. GREATHOUSE (MILKWEED EDITIONS)
it is of value, why try to fix the other parts, “…make them/more normal”? Would it be better to embrace the body in its natural state? – Martha Warren
#TPQ5: STEVEN ALEXANDER COUSLER
What will Steven Alexander Cousler include in today’s #TPQ5? Find out inside!
REVIEW: IMPERMANENCE – COLIN BANCROFT (MAYTREE PRESS)
When relationships end, or flowers wither, or family passes away, we hold onto whatever we feel will give us some type of permanence, but in the end, no matter how hard we try, everything dies. Everything ends. But if we accept the beauty of the process, we can carry each moment with us until we ourselves are no more.
POWER OF POETRY #127: ANNE FRICKE
Sometimes the moments are tense, and the uncomfortable stretching and growing of the audience are palpable. Other times, the open-hearted connections embrace the poet with unshakable support.
REVIEW: WAYS WE VANISH – TODD DILLARD (OKAY DONKEY PRESS)
We are the hopes and dreams of those who would not live to see us get there – because death, and not for any other reason; however, those times where new life beckons as old life waves goodbye can bring light enough to brighten the sky to an otherwise desolate moment.
So am I making closing remarks?
Or is this a follow up discussion?
I just wanna avoid un-alerted spoilers,
And their possible repercussions.
#TPQ5: COLLIN JONES
What will Collin Jones include in today’s #TPQ5? Find out inside!
REVIEW: NEW DISEASE STREETS – DAVID O’NAN (SELF-PUBLISHED)
New Disease Streets isn’t going to calm your senses or negate your fears about the current state of the world, but it will remind you that even when all the stars are punched from the sky, there will continue to be a guiding light – even if it’s only peeking through holes in your quilt.
REVIEW: WOUND FROM THE MOUTH OF A WOUND – TORRIN A. GREATHOUSE (MILKWEED EDITIONS)
Her poems don’t just show the reader these issues, they pull the reader into them, making them wear them like a skin.
I listened to a song that made me think of you.
An album I hadn’t heard later,
I feel like I knew you better than when
I invested time in knowing you.
What happens when you wonder,
If to be with someone
Means just putting up with each other,
Or finding another person
Who thinks about these things too,
As you both say nothing,
And simply exist
In this gray area?
REVIEW: RUSTED BELLS AND DAISY BASKETS – ANDREA PANZECA (FINISHING LINE PRESS)
… she shows the grittiness of her fighter self in her dreams, while simultaneously rejecting the idea of men as saviors.
POETRY IN CINEMA: IT’S NOT AN EASY THING TO MEET YOUR MAKER – JESSICA MOOKHERJEE
This week I tackle the poetry in Ridley Scott’s Blade Runner and specifically the use of William Blake’s poem, America: A Prophecy.
Moisturized and slightly,
Smoother than silk…
Is the spot in which I bask
In my after glow.
Your satisfaction in tow,
You told me:
“We are each other.
We exist with one another…
In our current and past lives…
We will always be together.”
REVIEW: THE TALES OF FLAXIE CHAR – ELIZABETH HORNER TURNER (DANCING GIRL PRESS)
“…explores the line between the fantastical and insanity in a woman pushed to the brink by tragedy…”
REVIEW: THE TALE OF TURKISH CARPET – JACQUELINE SAPHRA (BAD BETTY PRESS)
The poem is a great tale of how we ‘interpret’ other people’s lives when we go to other’s cultures and yet might forget the constraints on our own, thinking them normal. Until – it all gets too much.
POETRY IN CINEMA: IT DOESN’T REALLY RHYME THOUGH
Maybe because Paterson stands for more then the poet, he stands for the poetry of a place, the breath, a name, a location inspiring the life that poetry can give a person’s mind. – Jessica Mookherjee
#TPQ5: LINDSEY HEATHERLY
What will Lindsey Heatherly include in today’s #TPQ5? Find out inside!
In front of the sink,
Move your toothbrush
And look up into the mirror.
Let me embarrass my mother in ways
She hopes to never have to discuss…
Or at least never imagined to.
WOMEN WRITERS OVER 30: REVIEW: LARARIUM – RAY BALL (VARIANT LIT)
She says “snakes always my company” and just like Medusa she apparently has the power to elicit stoicism in her father. In this way, she is taking some of the power back from her father in their difficult relationship. However, also just like Medusa she is mortal, as seen in the line “cannot shed their skins.”
#TPQ5: SHAWN BERMAN
What will Shawn Berman include in today’s #TPQ5? Find out inside!
POETRY & CINEMA: MISTAH KURTZ – HE DEAD – JESSICA MOOKHERJEE
Elliot and Coppola, both modernist poets, do the age old job of the poet, to tell tales of war and the heroes of war. They do it, like Kurtz, with awareness of poetry, with images of beauty.