“Mai Der Vang masters contemporary poetic structures, grounds her verse in vivid and haunting imagery, and carries a central narrative throughout the collection”. – Ronnie K. Stephens
“I wonder if I can write an entire manuscript centered around the lines from [the Growing Pains] theme song. And that is what I did”. – Claire Taylor
Chris sits down for a one-on-one conversation with Jose Hernandez Diaz, Editor of Frontier Poetry, on passions, process, pitfalls, and poetry!
And how did you throw it away
That’s the words I mustered up to say
How you just throw it away
You did everything to go and not stay
How you gonna throw it away
Thankful that you let us go separate ways
How you gonna throw it away
– Reggie Johnson
Courtney & Chris Margolin sit down with Rita Mookerjee of Honey Literary to discuss all things passions, process, pitfalls, and poetry!
“Hendrix does not shy away from the complex, daily horrors that were ushered in, and the microscopic to multidimensional trauma that came from hearing the city cheer nightly, like a ritual or like war”. – Rachael Crosbie
Chris Margolin sits down one-on-one with Ariana Brown, author of We Are Owed, for a conversation about passions, process, pitfalls, and poetry!
If heaven had visiting hours
I’d probably cry and never want to leave
If time could stand still for a second
I would beg and plead
Until the next time I see you all
Hopefully you’ll have stories for me
– Reggie Johnson
Courtney and Chris Margolin sit down with Chen Chen for a conversation about passions, process, pitfalls, and Poetry. They might also talk about Russian literature, Buffy, and the horrors of getting sucked down a mall escalator. This is quite the conversation!
“It is a compelling masterpiece of a book that I recommend to all who love visual poetry and those willing to delve into something new.” – Kari Flickinger
Courtney and Chris sit down with Dare Williams for a conversation about passions, process, pitfalls, and poetry!
You used to eat away at my psyche
Listening to my mind thinking you like me
New checks turned into Nikes
New balances turned into might be’s
– Reggie Johnson
“Each poem acts as a space that was once inhabited with the speaker or those they hold dear. Each poem holds a period of time”. – Whitney Hansen
Chris and Courtney sit down with Deesha Philyaw to talk about passions, process, pitfalls, and poetry!
“Antrobus includes several poems that recall experiences with incarcerated people, and alludes to his own arrest. These poems speak to the terrible relationship between disability and incarceration by humanizing their subjects.” – Ronnie K. Stephens
Chris sits down for a one-on-one conversation with Sarah Kersey about passions, process, pitfalls, and Poetry!
“I have also tried to be somebody that I’m not. It hurts to crack yourself into multiple parts. It is the loudest noise. It breaks you”. – Alex Dang
“Davis invites the readers to join and spark change in the infrastructure of the country to bring about a revolution”. – Reggie Johnson
Chris and Courtney sit down with Denzel Scott to discuss passions, process, pitfalls, and poetry!
“Pineda isn’t injecting a false sense of optimism into her collection, but rather the whole narrative arc is meticulously designed, starting with the positives before masterfully shifting into the reality”. – Joseph Edwin Haegar
“Rappers like Andre Benjamin remind me that poems are the tender glove we need during despair, and the spiked bat of words that can be wielded against injustice” – Chris L. Butler
Chris sits down with Todd Dillard, author of Ways We Vanish (Okay Donkey), to talk about passions, process, pitfalls, and poetry.
“Hopefully this will allow us all to go out into the world exposed, tongues out in absolute defiance of everything that would dare try to break us”. – Ronnie K. Stephens
Courtney and Chris sit down with George Abraham, author of Birthright (Button Poetry), to talk about passions, process, pitfalls, and poetry!
“Parker is someone who immediately displays a deep understanding of the human condition. She’s also terrifyingly comfortable with vulnerability, unique for first collections”. – Ronnie K. Stephens
“And that in-between is what I wanted to look at in Heartbreak Autopsy. I’ve known a lot of people who’ve walked around wondering where their happily ever after is – this book is for them”. – Amanda McLeod
Courtney and Chris Margolin sit down with Danez Smith this week to discuss Passions, Process, Pitfalls, and Poetry!
Courtney sits down with the legendary Ebony Stewart for a special one-on-one edition of TPQ20
“If someone is perceived as “conventionally attractive” then their pain is taken more seriously, or to be frank, people care more about their suffering.” – I.S. JONES
Courtney and Chris Margolin sit down with Sam Herschel Wein to talk about Passions, Process, Pitfalls, and Poetry.
“… the poems also work to remind readers about the oft-ignored moments of grace that surround difficult times”. – Ronnie K. Stephens
“…ensure that your art is a voice for generations to come and to be a leader in your own revolution”. – Reggie Johnson
Seeking permanence in these verses
Been playing out my own story to find what my worth is
My purpose
– Reggie Johnson
“Poetry is something I love deeply, mainly because those from whom I have learned the most, personally and professionally, have been poets. I’ve never encountered a lesson that wouldn’t benefit from the inclusion of a poem or three”. – Ronnie K. Stephens
We are so excited to bring you the teaser for our debut podcast, TPQ20, where Courtney and Chris Margolin talk to writers about passions, process, pitfalls, and Poetry! Make sure to share, subscribe, rate, and review!
“When you’re an 8th grader with a blog where you write sad heartbreak lyrics, a lot of forehead acne, and long, swoopy bangs in hopes it covers it up, something’s gotta give. I had to own up to something, and the thing I took back was my smile.” – Alex Dang
I want something natural
No challenge too great to handle
No trying to boast or ramble
Love is here to be gambled
So I don’t want a sample
I want something that’s ample
– Reggie Johnson
Snapshots of a life lived with those small mundane moments that create someone’s very existence, only to shatter our hopes that it’d turn out differently…. – @Joseph Edwin Haeger
“The language of wrestling is poetic because it’s filled with metaphor and allusion and countless other vehicles for expression.” – Colin Bancroft
180 discusses the notion that as things around you move so quickly, it’s ok to slow down and reflect, restart or refocus. No matter how many times, I learned to continue to do what’s necessary in order to continue doing what you love.
But what stands out most in You Better Be Lightning is grace, for themselves and, often, for those who have harmed them.
Certain artists captivate me with the shock value they bring when it comes to the music they release… Listening to this song recently had the same reaction I had when listening to it the first time and I was able to curate a new piece. Enjoy!
In the beginning stages of my writing, I just wanted to mimic the musicality of the artists to improve my writing abilities.
This book isn’t about what we wish we could have said. No, it’s a collection full of things we’re too afraid to talk about.
The song served as a reintroduction for my love for writing. For the first time, I was able to combine my love for both music and writing together.
Butler uses a seamless combination of 90s pop culture and imagery with slick rhymes and beautiful sonic and tonal qualities. These are poems that demand to be performed on a stage and to be read studiously at your desk. The musicality he brings elevates the feeling of nostalgia into a full soundtrack; you can see the protagonist walking to their perfect theme song. – Alex Dang
“The reverence isn’t in the experiences, it’s in the powerful men. A woman is supposed to feel flattered when a man finds her irresistible. This book is a middle finger to that expectation”. – Lannie Stabile
There is a sense of independence and protest, a polite shake of the head at social norms that says, “Thanks, but no thanks. We have our own way of doing things”. – Lannie Stabile
My love for music dates back to me being a kid, where whenever my mom needed to occupy my time while she was busy, she would turn on the music videos.
Khalisa Rae sat down with Gabrielle Bates, poet, podcast host, educator, gorgeous-picture taker, and all-around good person.
Pilgrim Bell takes you to a different you, past, present, and future. Each poem twisted my reality in such a way that it didn’t fully twist back. A new flexibility.
When mother tongue is villain, are you person or correction? When God and mother are both concerned with safety, but neither with voice, does safety exist?
But, damn, Poetry, you always have a way of bringing me right back. Because it turns out every writer, narrator, and subject matter, has a different make, model, obstacle, feel, and endgame. Plotlines do change. Stories do unfold. Forms to do come together. Characters do come to life.
Bloodwarm has the ability to turn heads, create conversation, and lead you toward change.
Because it’s not easy to discover your voice or yourself inside a world that doesn’t love you – or at least doesn’t love you back.
What sustains us? What nourishes our bones and our souls? How do we sustain each other? In the space between our most authentic selves and our most complicated desires, how do we connect with one another?
Should’ve learned to love me
By asking questions
Instead of taking my actions for granted
And second guessing
My motives
My intentions
All in all, it’s a one for one exchange of the original myth, albeit more fleshed out, modern, and quietly queer. – Lannie Stabile
This chapbook showcases a voice reclaiming words meant to hurt, detailing the traits wanted in a lover, and reminding the reader “not to accept what’s in front of you / at face value.”
She says her time is money
And I don’t have time to waste
Tired of dealing with the same dudes
Done with the copy and paste
Babygirl just like wine and I’m trying to have a taste
What makes The Dandelion Speaks of Survival special is that it is more than a collection by a Black writer, but rather an Ode to Blackness.
In each poem, readers can feel the undeniable aspect that, like nearly all mixtapes, this chapbook is for somebody (at the very least, the amalgamation of “you” that exists in all of our longings).
Filled with positivity
Strengthening my sanity
Took last year
As a moment of clarity
The things you see now
Bask in the rarity
To tell our story, and to help tell other people, “Hey it’s okay if you’re fucked up for a long time after your dog dies.” Grief is such a wild journey, and it is different for all of us.
Didn’t know what depression felt like
Until I was nineteen
It took my crown and the jewels
And said it was fit to be king
At what point does language become meaningless? When does language actually lose its power?
I been doing this here since Wayne’s dedication
I been doing this here, hear the dedication
I’ve been doing this hair, na look at the transformation
Went bald on everyone
And look how things shaping up
If you ain’t growing with me
Then you had to be cut
Animals burn. Volcanos erupt. We aren’t told the story necessarily as it is; we are told how it feels to live and remember it.
I used discarded camera and computer parts to print into clay tablets. I bleached chicken bones, spray-painted various objects, drew large-scale oil pastel scenery, and cut up old books all for art installations.
I can be your new edition
Can you stand the rain
And when the grey clouds roll away
Does the sun reveal your pain
But as the moments move forward, nothing breaking through the quiet, we are met with the release of breath the speaker has been holding for far too long
This week’s #REPLAYS takes on “Love Line,” the newest track from British producer Shift K3Y, featuring Tinashe.
If this is what it means to be godly, why would anyone stay? And if you are already considered to be straying, why not have some fun with it?
“Home-Going Celebration” is a sly poem that bubbles with contradictions. An elegy rooted in mourning, the language pops with the dizzy rush of one sip too many.
I’m inspired a lot by stand-up comedians, so a lot of my work is me pretending I’m on stage telling a joke, trying to draw the audience in. – Shawn Berman
If I wanted someone to switch up on me, I’d take my talents to Nintendo
Opened up to you just to be shut out like a window
The price I paid for your love as you sent it to others like Venmo
See What Life is Like, is dark and brutal, unsparing in ugly detail. But during a first aid course last week, I couldn’t stop thinking about how smart and accurate her writing is.
Because so many false narratives are being told about Black bodies, it is so crucial to tell the truth about what happens to us and the crimes that are committed against us. I think the true art is sharing the horror in a way that isn’t just trauma porn, but it’s art for a purpose.
REPLAYS: MET HIM LAST NIGHT – DEMI LOVATO & ARIANA GRANDE
Bogeyman in my mind
Trying to creep into reality
Defeated him in the past
So right now he mad at me
REPLAYS: PinkPantheress – Pain
And I 99.9% mean when I say
I’m glad I washed my hands of any
And everything surrounding the pain
REVIEW: HOW OFTEN I HAVE CHOSEN LOVE – XIAO YUE SHAN (FRONTIER POETRY)
Shan’s natural metaphors connect the experiences in this collection to a deep relationship with the physical world, grounding these stories into the earth.
REVIEW: PERHAPS THERE IS A SKY WE DON’T KNOW: A REIMAGINING OF SAPPHO – ANNE PEDONE
Pedone’s poems are more demure than a cleverly placed erection joke, however. She unironically uses words like nectar, taste, and swollen…
CHAPBOOK CONTEST: SUBMISSIONS OPEN!
Submit your chapbook manuscripts to The Poetry Question! Guest Judges: Sofia Fey & Chris L. Butler.
“CONFUSION, DESPAIR, OR HOPE” – TALK TO ME: JIYE LEE
I hope to get the same emotions across whether that be confusion, despair, or hope to the readers and to enforce that in such a way it leaves them thinking about the poems for a while.
REPLAYS – Sip It by Iggy Azalea
The journey of an artist can be filled with highs and lows. Some meet roadblocks trying maintain success. One factor is the record label. Because of this, many artists, choose to go Independent. One of these is Australian rapper, Iggy Azalea.
REVIEW: DUNCE – MARY RUEFLE (WAVE POETRY)
The poem claims to forbid but finds that grief is not powerful enough to truly erase the names of things.
BROWN STUDY: “SELF PORTRAIT AS A MERMAID OR DEAD GIRL” – GAIA RAJAN
I started thinking about who owns grief, how memory and grief affect the body, and soon enough, the poem turned into an elegy for someone I’ve lost.
REVIEW: STRANGERS – ROB TAYLOR (BIBLIOASIS)
Even if it can be painful, love will not settle down into abstraction. It reaches its fingers into the world, pinches and pulls.
REPLAYS: MY TIME IS NOW – TONE
Whether it’s released during an album’s rollout, planned or unplanned, music listeners ultimately hear that the time is now.
REVIEW: COMB – SHADAB ZEEST HASHMI (SABLE BOOKS)
Migration challenges us to examine the “essence” of what makes us, us, and Hashmi duly documents the details.
GETTING THE GURLZ W/ SOFIA FEY & KHALISA RAE: AIREA D. MATTHEWS
“…in America, the plight of black womxn is fraught with neglect and abuse, where some who behold both our intellect and beauty can’t seem to assert us as either”.
REVIEW: WE ARE ALL SOMEBODY: A POETRY ANTHOLOGY WRITTEN BY STREET CHILDREN GLOBALLY (FLY ON THE WALL PRESS)
These are the voices and verses of street children. Their stories of hardship and trauma, their dreams and hopes.
REVIEW: GIRLS LIKE US – ELIZABETH HAZEN (ALAN SQUIRE PUBLISHING)
Hazen has an acute ability to make a reader feel many unwanted things. Like recollection. Like commiseration. Like retroactive fear.
REPLAYS: PEACHES – JUSTIN BIEBER
We’ll be the one Justin sang about
saying love was until the end of time.
REVIEW: NEON HOLLYWOOD COWBOY – MATT MITCHELL (BIG LUCKS)
Made to look like a vinyl, the Neon Hollywood Cowboy fails not to be a soundtrack fit for queering what we know as the cowboy, the body, the wild west as depicted in hollywood.
REPLAYS: HEARTBREAK ANNIVERSARY – GIVEON
I love the emotion as his baritone voice accentuates the rawness and sincerity in its lyrics. The relatability of the song draws people in and you cannot help but sing along.
HUSTLE & BUSINESS OF POETRY – KHALISA RAE AND SOFIA FEY
Ranging from tips & tricks, to gripes, to gratitude, we have a lot to say! Welcome to the Hustle & Business of Poetry.
REVIEW: GHOST IN A BLACK GIRL’S THROAT – KHALISA RAE (RED HEN PRESS)
This is a rally cry for self-hood. For respect. For dreams once had that can be had again. This is written to give voice to the timid, a path to the promise of never again escaping the you who you always thought you could be.
REVIEW: THE MATRIX – N.H. PRITCHARD (PRIMARY INFORMATION and UGLY DUCKLING PRESS)
The collection is ultra-visual, a singing arrangement of offerings that has eyes of its own, old eyes that gaze at us from source, unblinking, revealing nothing (and everything).
REPLAYS: BEAUTIFUL MISTAKE – MAROON 5 & MEGAN THEE STALLION
Beautiful Mistakes has just thrown its hat in the ring for Song of the Summer. As the weather warms up, I can bet we will hear this song blast all over the airwaves soon.
