Bennett has established himself as an intensely patient and deliberate writer capable of upending genre as seamlessly as he upends our understanding of the world. – Ronnie K. Stephens
This year I been moving different
People acting mad funny – Peter griffin
People shooting for the stars
When they should’ve just stayed wishing
– Reggie Johnson
Take it back to the time
To who was really riding with me
And not just in the passenger seat
– Reggie Johnson
Blood again on my cardigan
Yes, we could’ve been more than friends
– Reggie Johnson
Bet
I’m over here just matching my energy
You sigh in relief
But there ain’t no relief in me
– Reggie Johnson
Franny Choi’s “Wildlife” and “Demilitarized Zone” both offer excellent frameworks to facilitate lessons that center retrofitted memory and alternate history as a cathartic process. – Ronnie K. Stephens
Join Chris of The Poetry Question in conversation with Courtney Faye Taylor, author of Concentrate (Graywolf Press) and winner of the Cave Canem Poetry Prize, about passions, process, pitfalls, and Poetry!
I ain’t mixy
If my actions change
Adjusting to your nonsense
Now all of sudden I’m acting strange
– Reggie Johnson
The equation is one, in which, survival and domestic intimacy, are constants. It is true then, that emet ezell was first, a witness, before being identified as a poet. – Martins Deep
Join Chris of The Poetry Question in a sit down with Luther Hughes, author of Shiver in the Leaves, about passions, process, pitfalls, and Poetry.
Join Chris in a sit down with Saida Agostini Bostic, author of Let the Dead In (Alan Squire Publishing), about passions, process, pitfalls, and Poetry!
Debut author Jayme Ringleb has mastered the art of language that yearns, of metronomic white space that beats with all the quiet inevitability of an unrequited heart. – Ronnie K. Stephens
This collection of poems is a mosaic of mirrors, reflecting the innerman with the wavelength of an x-ray. – Martins Deep
Luckily I clean it up well
Yeah prepare for the tide
Not a stain on me
We take off on our ride
– Reggie Johnson
Join Chris in a sit-down with the legendary Sandra Cisneros, author of Woman Without Shame (Alfred A. Knopf), about passions, process, pitfalls, and poetry!
Jones reaffirms his place as one of the most talented living poets writing in English with this collection, demonstrating an ever-evolving mastery of language and a distinct eye for structural balance. – Ronnie K. Stephens
Join Chris in a sit-down with Aurielle Marie, author of Gumbo Ya Ya (University of Pittsburgh Press), about passions, process, pitfalls, and poetry!
His use of structure, rhythm and extended metaphor are among the best, and his particular utilization of the crow throughout A Shiver in the Leaves sets this debut apart as one of the most layered, complex collections of the year. – Ronnie K. Stephens
I love putting odd images together, playing with alternate definitions of words, twisting the end. My adult me is the one who figures out where to submit the glorious mess I make of a poem. – Nolcha Fox
Xie’s use of the imperative voice, intentionally or not, mirrors the language in Kincaid’s text, and both authors use the imperative specifically to convey expectations to younger generations of women. – Ronnie K. Stephens
Dramamine because I’m sick of you
When patience ran thin
Where was thick for you?
What didn’t click for you?
– Reggie Johnson
Join Chris in a sit down with H. MELT, about passions, process, pitfalls, and Poetry!
It’s a testament to all of us holding depression and joy in both hands, to everyone that has ever felt their world could end before the sun goes down. – Caitie L. Young
You’re no longer a need
No longer a want
A picture in my mind
My dreams you won’t haunt
– Reggie Johnson
The poems are clearly the work of someone who has dedicated significant time to craft, & who approaches language like an anthropologist or philosopher might. – Ronnie K. Stephens
At the heart of the poem is an image of the author’s passport, effectively bridging mythos and history to highlight a long and violent legacy of colonialism and its impact on colonized peoples. – Ronnie K. Stephens
Winters offers a layered and thoughtful critique of the immigrant experience in America, the nuances of her relationship with her father and how borders operate in our lives. – Ronnie K. Stephens
Rachel McKibbens “The Widower” captures students because it’s visceral, emotional, and refuses to be ignored. – Ronnie K. Stephens
Soto’s poems are meant to be rough, triggering at times, and cut straight to the point. Readers can’t help but understand the message, empathize, and feel like we’re supposed to fix things ourselves.
Hey how you doing?
Are you getting tired yet?
I might forgive you
But I never forget
– Reggie Johnson
The language, lyrically dispensed in its distinct style, portrays bravery and reveals a poet whose voice is both an ache and a cure. – Martins Deep
The risk of centering a speaker who is, at times, painfully self-involved is significant, but Chen balances these sentiments with frequent moments of grace, desire and appreciation. – Ronnie K. Stephens
There is a fine line
In the root of good and evil
So stop it with this balancing act
– Reggie Johnson
Vuong uses structure to further disrupt linear fluidity. His poems frequently utilize a style of enjambment that eschews natural speech, presenting fragments that time and again force the reader forward. – Ronnie K. Stephens
𝐏𝐎𝐄𝐓𝐑𝐘? 𝐅𝐔𝐂𝐊 𝐘𝐄𝐀𝐇.
It’s the only shirt your kid’s teacher won’t dress code them on.
Maya Marshall’s debut interrogates the current sociopolitical nature and its threat to reproductive rights, choice, and Blackness. – Caitie L. Young
They don’t like us outside
But now we ain’t gonna be inside
From the inside, I can see your insides
Looks like y’all don’t like yourself inside
y’all should’ve kept your opinions inside
– Reggie Johnson
Not into too many surprises
Unless it’s a special occasion
And whenever I’m with you
It’s a cause for a celebration
– Reggie Johnson
Paul Tran’s long-awaited debut collection, All the Flowers Kneeling, is a fierce reminder that Tran is one of the most talented and visceral poets writing in America today. – Ronnie K. Stephens
Running from the fears
When it’s coming from the inside
No more counted out
No where for me to hide
Who knows what happens when
Pain and perseverance collides?
– Reggie Johnson
Order your copy of A.R. Salandy’s Half-Bred! Only 100 copies available!
Thanni paints the scenery for us clearly—the love between families, the high stakes involved in pursuing change (fly/break, free/remembered), and nestled in these intense bonds, intense violence. – Jeni De La O
Discussing mental health in the classroom can be incredibly daunting, especially as educators face public criticism and accusations of indoctrinating students. – Ronnie K. Stephens
Sometimes I feel overwhelmed and I just need to breathe
Inhale exhale put my mind at ease
– Reggie Johnson
Does drained looked good on me?
The pressures of life begin to sink in
And it’s like someone left the water running
Washing ourselves of the sins
But it feels like I’m taking a ho bath
– Reggie Johnson
I think the brevity comes somewhat from the fact that I see this glow, this halo, around my intimacy so clearly. I see it, I feel it, I say it. And that’s that. It comes (ah, another pun!) easy. – Aleah Dye
This month, I’m sharing some of my favorite pedagogical practices to introduce during National Poetry Month, as well as some of the poems I return to in my classes year after year. – Ronnie K. Stephens
This entire collection is a canal–a wrenching chasm opening for rebirth–a witness to the psyche, split apart, in a world ruled by men who abandoned their humanity for the sake of domination. – Melissa Ferrer
This collection of life-flowers reminds us that life may be ordinary, but this ordinary may just be lovely enough to convince us that we want to be in it. – Melissa Ferrer
The nightmare is when all the magic stops
Boogeyman syndrome, stay away
– Reggie Johnson
“The idea of losing blood to be filled with salvation, to make sacrifices, to hitchhike trying to find a way home – these speak to overarching themes throughout”. – Amanda Rabaduex
Stewart is at her best, masterfully blending her understanding of craft with her keen ear for orality to offer a collection readers will be talking about for years. – Ronnie K. Stephens
Join Chris and Courtney in a sit down with @CropTopAssassin, author of The Porch (@yesyesbooks), in a conversation about passions, process, pitfalls, and poetry!
So when it’s all said and done
It’s done, nothing to be said
– Reggie Johnson
There’s a deep hurt I feel when I share my food with others and they respond with, “That looks gross!” – Alex Dang
Chris sits down for a one-on-one conversation with Taylor Byas, author of Bloodwarm (Variant Lit), for a conversation about passions, process, pitfalls, and poetry!
“I wonder if I can write an entire manuscript centered around the lines from [the Growing Pains] theme song. And that is what I did”. – Claire Taylor
“Hendrix does not shy away from the complex, daily horrors that were ushered in, and the microscopic to multidimensional trauma that came from hearing the city cheer nightly, like a ritual or like war”. – Rachael Crosbie
The song served as a reintroduction for my love for writing. For the first time, I was able to combine my love for both music and writing together.
My love for music dates back to me being a kid, where whenever my mom needed to occupy my time while she was busy, she would turn on the music videos.
All in all, it’s a one for one exchange of the original myth, albeit more fleshed out, modern, and quietly queer. – Lannie Stabile
This chapbook showcases a voice reclaiming words meant to hurt, detailing the traits wanted in a lover, and reminding the reader “not to accept what’s in front of you / at face value.”
I been doing this here since Wayne’s dedication
I been doing this here, hear the dedication
I’ve been doing this hair, na look at the transformation
Went bald on everyone
And look how things shaping up
If you ain’t growing with me
Then you had to be cut
I used discarded camera and computer parts to print into clay tablets. I bleached chicken bones, spray-painted various objects, drew large-scale oil pastel scenery, and cut up old books all for art installations.
This week’s #REPLAYS takes on “Love Line,” the newest track from British producer Shift K3Y, featuring Tinashe.
If this is what it means to be godly, why would anyone stay? And if you are already considered to be straying, why not have some fun with it?
“Home-Going Celebration” is a sly poem that bubbles with contradictions. An elegy rooted in mourning, the language pops with the dizzy rush of one sip too many.
I’m inspired a lot by stand-up comedians, so a lot of my work is me pretending I’m on stage telling a joke, trying to draw the audience in. – Shawn Berman
Because so many false narratives are being told about Black bodies, it is so crucial to tell the truth about what happens to us and the crimes that are committed against us. I think the true art is sharing the horror in a way that isn’t just trauma porn, but it’s art for a purpose.
REPLAYS: PinkPantheress – Pain
And I 99.9% mean when I say
I’m glad I washed my hands of any
And everything surrounding the pain
CHAPBOOK CONTEST: SUBMISSIONS OPEN!
Submit your chapbook manuscripts to The Poetry Question! Guest Judges: Sofia Fey & Chris L. Butler.
“CONFUSION, DESPAIR, OR HOPE” – TALK TO ME: JIYE LEE
I hope to get the same emotions across whether that be confusion, despair, or hope to the readers and to enforce that in such a way it leaves them thinking about the poems for a while.
REVIEW: DUNCE – MARY RUEFLE (WAVE POETRY)
The poem claims to forbid but finds that grief is not powerful enough to truly erase the names of things.
BROWN STUDY: “SELF PORTRAIT AS A MERMAID OR DEAD GIRL” – GAIA RAJAN
I started thinking about who owns grief, how memory and grief affect the body, and soon enough, the poem turned into an elegy for someone I’ve lost.
REVIEW: STRANGERS – ROB TAYLOR (BIBLIOASIS)
Even if it can be painful, love will not settle down into abstraction. It reaches its fingers into the world, pinches and pulls.
REPLAYS: MY TIME IS NOW – TONE
Whether it’s released during an album’s rollout, planned or unplanned, music listeners ultimately hear that the time is now.
GETTING THE GURLZ W/ SOFIA FEY & KHALISA RAE: AIREA D. MATTHEWS
“…in America, the plight of black womxn is fraught with neglect and abuse, where some who behold both our intellect and beauty can’t seem to assert us as either”.
REPLAYS: PEACHES – JUSTIN BIEBER
We’ll be the one Justin sang about
saying love was until the end of time.
HUSTLE & BUSINESS OF POETRY – KHALISA RAE AND SOFIA FEY
Ranging from tips & tricks, to gripes, to gratitude, we have a lot to say! Welcome to the Hustle & Business of Poetry.
“IT’S RIGHT UNDER OUR FEET THE WHOLE TIME” – TALK TO ME: JENI DE LA O
there are thousands of Amanda Gormans submitting poems right now, being read and rejected right now, by readers and editors who simply haven’t the refined palate to discern a truffle from button mushroom.
REVIEW: TRICKS OF LIGHT – THADDEUS RUTKOWSKI (GREAT WEATHER FOR MEDIA)
He seems to consider care to be of utmost concern, not just for family, but also for strangers.
POWER OF POETRY #128: JANE ROSENBERG LAFORGE
Our classmates were the children of rock stars, writers, critics,visual artists, film editors and movie executives. But everyone in the neighborhood seemed famous to us, just for having been there.
#TPQ5: MIKE HICKMAN
What will Mike Hickman include in today’s #TPQ5? Find out inside!
REVIEW: WISCONSIN DEATH TRIP – JESSIE LYNN McMAINS (BONE & INK PRESS)
They are unafraid to show the awfulness and bitterness, old beliefs and traditions, terrible acts inflicted by the people who inhabit the snowy state.
REPLAYS: Streets by Doja Cat
Whether it’s released during an album’s rollout, planned or unplanned, music listeners ultimately choose the success as we see in Doja Cat’s single, ‘Streets’.
REVIEW: THE SAMURAI – LINDA M. CRATE (YELLOW ARROW PUBLISHING)
Or perhaps she felt this unfamiliarity with her body all along and only made sense of the reason why after her discovery of the reincarnation. – Robin D. Hendricks
REVIEW: SENTIMENTAL VIOLENCE — GABRIELLE HOGAN (GHOST CITY PRESS)
As we all know, though, joy does not exist without violence — not for Tonya, and not for any of us.
REPLAYS: ESCOBAR – Xponentbeatz featuring Kriiispy & Halfofyou
This column will take a look at songs from week of which I can’t get enough, and deep dive into my own thoughts in regards to them.
#TPQ5: SAMUEL ADEYEMI
What will Samuel Adeyemi include in today’s #TPQ5? Find out inside!
“WHICH REQUIRES ME TO BEND LANGUAGE TO MY WILL” – TALK TO ME: TAYLOR BYAS
I absolutely code switch because there isn’t an aspect of my life that doesn’t request that sort of labor from me. It’s built into my life, and therefore it manifests in my poetry. – Taylor Byas
POWER OF POETRY #125: THE POWER & RISE OF UNDERGROUND VOICES – Mbizo CHIRASHA
“From the time of our birthing to these days of maturation, we are all shaped, serenaded and entertained by sweet ancient lullabies, drum beat throbs and early morning birdsongs.”
POWER OF POETRY #104: MARTHA WARREN
“But instead of giving up, I think of this: My most successful poem ever, in my opinion, was so because it provided comfort.”
WE HAVE THE GREATEST COMMUNITY
This is not a post about poetry. This is a post about reaching out to the community for help in a time of need. The outpouring of love and help thus far has been beyond overwhelming. We are humbled and grateful.
OPEN SUBMISSION: TPQ POETRY PAMPHLET SERIES #1
Submit your manuscript today!
“We are maps to the present and the past. An erasure poem of everything that has been a part of our life. It’s cloudy, dense, and filled with fog. And then everything repeats…”
It’s an encyclopedia of the seedy, the attractive, the “I” of life within modern times and modern body. It’s sort of like the words many want to say, but then get caught up in the moment, and can’t remember what they were thinking anymore.
I believe the intensity of a poem, the dense nature of a line, the possibilities of syntax, and all aspects that make up a poem work together to become a fitting medium for tragedy.
It’s the push-and-pull of one language and culture erasing the other; it’s the beauty and decay of both. It’s the changes that feel like too much change. The Sea that Beckoned is the tightrope walk between being ourselves and the self we may yet become.
