“…let us be intentional in recognizing the incredible contributions that women of color have made & continue to make, not just in literature but in all fields”. – Ronnie K. Stephens
Join Chris and Courtney of The Poetry Question in a sit down with Gabrielle Bates about passion, process, pitfalls, and poetry!
Because it’s not easy to discover your voice or yourself inside a world that doesn’t love you – or at least doesn’t love you back.
What sustains us? What nourishes our bones and our souls? How do we sustain each other? In the space between our most authentic selves and our most complicated desires, how do we connect with one another?
In each poem, readers can feel the undeniable aspect that, like nearly all mixtapes, this chapbook is for somebody (at the very least, the amalgamation of “you” that exists in all of our longings).
Didn’t know what depression felt like
Until I was nineteen
It took my crown and the jewels
And said it was fit to be king
REVIEW: GIRLS LIKE US – ELIZABETH HAZEN (ALAN SQUIRE PUBLISHING)
Hazen has an acute ability to make a reader feel many unwanted things. Like recollection. Like commiseration. Like retroactive fear.
REPLAYS: HEARTBREAK ANNIVERSARY – GIVEON
I love the emotion as his baritone voice accentuates the rawness and sincerity in its lyrics. The relatability of the song draws people in and you cannot help but sing along.
REVIEW: BY BUS – ERICA VAN HORN (UGLY DUCKLING PRESSE)
You find yourself next to the man licking the eczema on his arm, or next to the singing bus driver. Some of the people you meet on the bus will be lovely; others will be objectionable.
REVIEW: LESBIAN FASHION STRUGGLES – CAROLINE EARLEYWINE (SIBLING RIVALRY PRESS)
What does it mean to live within a body that has been projected upon and harmed? What does it mean to want to be seen anyway?
REPLAYS – What It Feels Like by Nipsey Hussle & Jay Z
In times where open dialogue surrounding different political issues have come to the forefront, the fact the discussion is happening is evident we are witnessing our own revolution in this lifetime.
POETRY IN CINEMA: YOU DESERVE MUCH BETTER IN YOUR LIFE
Animal ‘imprinting’ is hard wired, mechanical almost, just like Lorenz’s ducks, humans attach to anything in that critical period of childhood– whatever its shortcomings.
#TPQ5: HALLE PRENETA
What will Halle Preneta include in today’s #TPQ5? Find out inside!
REVIEW: SELF-PORTRAIT AS A SINKING SHIP – ERICA ABBOTT (TOHO PUBLISHING)
At times, certain stanzas feel like diary entries not meant for us to read– intimate glimpses into tormenting experiences: the illness of a parent, the paralysis of true friendship, the lure of self-harm, the temptation of suicide. –
#TPQ5: JADE HURTER
What will Jade Hurter include in today’s #TPQ5? Find out inside!
POETRY IN CINEMA: YOU WERE LOST AND GONE FOREVER, OH MY DARLING
Their flaws are immediate; “I’m a vindictive little bitch truth be told” she tells him. While he ruminates that he falls in love with anyone who gives him attention. – Jessica Mookherjee
REVIEW: IF YOU DISCOVER A FIRE — SHAUN ROBINSON (BRICK BOOKS)
You start in one place—a forest on fire, a restaurant where you’re stacking individual creamers into a tower, falling in love wearing colorful pants—and by the end, you realize you’ve run into yourself.
REVIEW: FOEVERHAUS – KAILEY TEDESCO (WHITE STAG PUBLISHING) – review by Kristin Garth
There is a candy-coated communion of saints inside these poems that encapsulates the terror of treats of childhood. A “peppermint Jesus” and “cinnamon virgin” cohabitate in these pages with the Bloody Mary.
#TPQ5: DAVID HANLON
What will David Hanlon include in today’s #TPQ5? Find out inside!