All in all, it’s a one for one exchange of the original myth, albeit more fleshed out, modern, and quietly queer. – Lannie Stabile
Animals burn. Volcanos erupt. We aren’t told the story necessarily as it is; we are told how it feels to live and remember it.
REVIEW: THE WORLD ISN’T THE SIZE OF OUR NEIGHBORHOOD ANYMORE – AUSTIN DAVIS (WEASEL PRESS)
It’s an age of transition, somewhere between childhood and adulthood, on the blurry path to independence.
REVIEW: LOOK LOOK LOOK – CALLISTA BUCHEN (BLACK LAWRENCE PRESS)
There’s a sense of absence in this first section as the mother’s body becomes a singular state once again, but there’s also a slip from autonomy.
REVIEW: YOU WERE SUPPOSED TO BE A FRIEND – ASHLEY ELIZABETH (NIGHTINGALE & SPARROW PRESS)
…Dear John letter, ending with the words, “you are hurting me. i am letting you. i do not want to.” There it is, cut and dry: a breakup. Except it’s not.
WORKING ANIMALS – LIAM BATES (BROKEN SLEEP BOOKS)
After reading this body of work, I discuss its topics and subject matter with a respect that I did not expect to have when starting it.
YELLOW JOURNALISM: THANK YOU FOR THE CONTENT – REGGIE JOHNSON (RAD PRESS BOOKS)
One of my favorite wordplay moments, in this collection, can be seen in the confidence exuded in lines like “Reciprocation at its simplicity, You was the one taking shots, And now you stay missing me” (I Love Me).
REVIEW: FOEVERHAUS – KAILEY TEDESCO (WHITE STAG PUBLISHING) – review by Kristin Garth
There is a candy-coated communion of saints inside these poems that encapsulates the terror of treats of childhood. A “peppermint Jesus” and “cinnamon virgin” cohabitate in these pages with the Bloody Mary.
REVIEW: LET’S PHOTOGRAPH GIRLS ENJOYING LIFE – JASMINE GRAY (BROKEN SLEEP BOOKS)
This small poetry collection hits hard, it makes us voyeur and complicit in the diminishment of what gender and sex are.
Rev by @jessmkrjy
#TPQ5: WARREN CZAPA
What will Warren Czapa, longlisted for the Troubadour International Poetry Prize, include in today’s #TPQ5? Find out inside!
Her work explores the sheer vastness of the Canadian landscape with a personal lens; experiences we cannot share are made beautiful and engaging.
Brumett walks through “butcher paper bed sheets” because sometimes that’s how it feels to evolve. Sometimes you have to discover the clitoris and learn about dolphin masturbation in order to get to the part where we can leave legacies and deal with cleaning out memories from closets.
from “Crown” In this photograph, I am a girl child. My thoughts come out in my hands and my hair. If only I could realize it. Be just the person I just am. With What is a Domicile, Joanna Penn Cooper has essentially written the ironic version of “Easy Like