It’s a testament to all of us holding depression and joy in both hands, to everyone that has ever felt their world could end before the sun goes down. – Caitie L. Young
Winters offers a layered and thoughtful critique of the immigrant experience in America, the nuances of her relationship with her father and how borders operate in our lives. – Ronnie K. Stephens
“We love our families as hard as we can. We push forward. We learn languages that don’t lead us to shame because sometimes we “live in a perpetual state of I don’t know”. – Chris Margolin
REVIEW: GHOST IN A BLACK GIRL’S THROAT – KHALISA RAE (RED HEN PRESS)
This is a rally cry for self-hood. For respect. For dreams once had that can be had again. This is written to give voice to the timid, a path to the promise of never again escaping the you who you always thought you could be.
It’s the way society sees itself but refuses to remedy anything. There are no roses growing here. This is sidewalk chalk guiding readers through each crack in the concrete.
POETRY’S DEAD (UNDEAD UNDEAD UNDEAD) – JESSIE LYNN McMAINS
All poems are about ghosts, even if they’re not about ghosts. They’re all haunted by the traces of memory (the poet’s own memory, but also the ghosts of history that each word carries with it).
Wars are waged. Bodies are born and bathed and dying. Language is lost. Friends and lovers, too. If we are “guardians of God’s words” then what is it exactly that we are guarding
Reading Lyd Haven’s work makes me want them to win. Makes my real world seem to fade away, replaced with someone I want to see succeed despite and because of their troubles.
