Tag: high school

THE STUDY OF HUMAN LIFE – JOSHUA BENNETT (PENGUIN POETS)

Bennett has established himself as an intensely patient and deliberate writer capable of upending genre as seamlessly as he upends our understanding of the world. – Ronnie K. Stephens

REPLAYS: FEEL ALRIGHT BY KRIIISPY

This year I been moving different
People acting mad funny – Peter griffin
People shooting for the stars
When they should’ve just stayed wishing
– Reggie Johnson

REPLAYS: ICU BY COCO JONES

You
Yes you
I need you
– Reggie Johnson

REPLAYS: SHIRT BY SZA

Blood again on my cardigan
Yes, we could’ve been more than friends
– Reggie Johnson

REPLAYS: BET BY RUSS

Bet
I’m over here just matching my energy
You sigh in relief
But there ain’t no relief in me
– Reggie Johnson

SPEAK FREELY: MEMORY AND ALTERNATE HISTORIES AS CATHARSIS

Franny Choi’s “Wildlife” and “Demilitarized Zone” both offer excellent frameworks to facilitate lessons that center retrofitted memory and alternate history as a cathartic process. – Ronnie K. Stephens

TPQ20 – S4EP2: COURTNEY FAYE TAYLOR

Join Chris of The Poetry Question in conversation with Courtney Faye Taylor, author of Concentrate (Graywolf Press) and winner of the Cave Canem Poetry Prize, about passions, process, pitfalls, and Poetry!

REPLAYS: MIXY BY QUAVO, TAKEOFF & SUMMER WALKER

I ain’t mixy
If my actions change
Adjusting to your nonsense
Now all of sudden I’m acting strange
– Reggie Johnson

REVIEW: BETWEEN EVERY BIRD, OUR BONES – EMET EZELL (NEWFOUND)

The equation is one, in which, survival and domestic intimacy, are constants. It is true then, that emet ezell was first, a witness, before being identified as a poet. – Martins Deep

TPQ20 – S4EP1: LUTHER HUGHES

Join Chris of The Poetry Question in a sit down with Luther Hughes, author of Shiver in the Leaves, about passions, process, pitfalls, and Poetry.

TPQ20 Logo in TPQ Green with a Microphone in the middle

TPQ20 – SAIDA AGOSTINI BOSTIC

Join Chris in a sit down with Saida Agostini Bostic, author of Let the Dead In (Alan Squire Publishing), about passions, process, pitfalls, and Poetry!

REPLAYS: OUTSIDE BY BRYSON TILLER

Luckily I clean it up well
Yeah prepare for the tide
Not a stain on me
We take off on our ride
– Reggie Johnson

TPQ20 Logo in TPQ Green with a Microphone in the middle

TPQ20: S3EP14 – SANDRA CISNEROS

Join Chris in a sit-down with the legendary Sandra Cisneros, author of Woman Without Shame (Alfred A. Knopf), about passions, process, pitfalls, and poetry!

REVIEW: ALIVE AT THE END OF THE WORLD – SAEED JONES (COFFEE HOUSE PRESS)

Jones reaffirms his place as one of the most talented living poets writing in English with this collection, demonstrating an ever-evolving mastery of language and a distinct eye for structural balance. – Ronnie K. Stephens

TPQ20: S3EP13 – AURIELLE MARIE

Join Chris in a sit-down with Aurielle Marie, author of Gumbo Ya Ya (University of Pittsburgh Press), about passions, process, pitfalls, and poetry!

REVIEW: A SHIVER IN THE LEAVES – LUTHER HUGHES (BOA EDITIONS)

His use of structure, rhythm and extended metaphor are among the best, and his particular utilization of the crow throughout A Shiver in the Leaves sets this debut apart as one of the most layered, complex collections of the year. – Ronnie K. Stephens

TALK TO ME: NOLCHA FOX

I love putting odd images together, playing with alternate definitions of words, twisting the end. My adult me is the one who figures out where to submit the glorious mess I make of a poem. – Nolcha Fox

Speak Freely: Imperative Voice and the Performance of Womanhood

Xie’s use of the imperative voice, intentionally or not, mirrors the language in Kincaid’s text, and both authors use the imperative specifically to convey expectations to younger generations of women. – Ronnie K. Stephens

REPLAYS: TOXIC BY YG

Dramamine because I’m sick of you
When patience ran thin
Where was thick for you?
What didn’t click for you?
– Reggie Johnson

TPQ20 Logo in TPQ Green with a Microphone in the middle

TPQ20: S3EP11 – H. MELT

Join Chris in a sit down with H. MELT, about passions, process, pitfalls, and Poetry!

REVIEW: LOTUS & THE APOCALYPSE – AUSTIN DAVIS (OUTCAST PRESS)

It’s a testament to all of us holding depression and joy in both hands, to everyone that has ever felt their world could end before the sun goes down. – Caitie L. Young

REPLAYS: PICTURE IN MY MIND BY PINK PANTHERESS & SAM GELLAITRY

You’re no longer a need
No longer a want
A picture in my mind
My dreams you won’t haunt
– Reggie Johnson

REVIEW: MAGNOLIA – NINA MINGYA POWLES (TIN HOUSE)

The poems are clearly the work of someone who has dedicated significant time to craft, & who approaches language like an anthropologist or philosopher might. – Ronnie K. Stephens

REVIEW: THE WET HEX – SUN YUNG SHIN (COFFEE HOUSE PRESS)

At the heart of the poem is an image of the author’s passport, effectively bridging mythos and history to highlight a long and violent legacy of colonialism and its impact on colonized peoples. – Ronnie K. Stephens

REVIEW: SO, STRANGER – TOPAZ WINTERS (BUTTON POETRY)

Winters offers a layered and thoughtful critique of the immigrant experience in America, the nuances of her relationship with her father and how borders operate in our lives. – Ronnie K. Stephens

SPEAK FREELY: MEANING AND METAPHOR IN RACHEL MCKIBBENS’ “THE WIDOWER”

Rachel McKibbens “The Widower” captures students because it’s visceral, emotional, and refuses to be ignored. – Ronnie K. Stephens

REVIEW: DIARIES OF A TERRORIST – CHRISTOPHER SOTO (COPPER CANYON PRESS)

Soto’s poems are meant to be rough, triggering at times, and cut straight to the point. Readers can’t help but understand the message, empathize, and feel like we’re supposed to fix things ourselves.

REPLAYS: THE SIGN BY LIZZO

Hey how you doing?
Are you getting tired yet?
I might forgive you
But I never forget
– Reggie Johnson

REVIEW: LET THE DEAD IN – SAIDA AGOSTINI (ALAN SQUIRE PUBLISHING)

The language, lyrically dispensed in its distinct style, portrays bravery and reveals a poet whose voice is both an ache and a cure. – Martins Deep

REVIEW: YOUR EMERGENCY CONTACT HAS EXPERIENCED AN EMERGENCY – CHEN CHEN (BOA EDITIONS LTD)

The risk of centering a speaker who is, at times, painfully self-involved is significant, but Chen balances these sentiments with frequent moments of grace, desire and appreciation. – Ronnie K. Stephens

REVIEW: TIME IS A MOTHER – OCEAN VUONG (PENGUIN PRESS)

Vuong uses structure to further disrupt linear fluidity. His poems frequently utilize a style of enjambment that eschews natural speech, presenting fragments that time and again force the reader forward. – Ronnie K. Stephens

SATURDAY T-SHIRT ALERT

𝐏𝐎𝐄𝐓𝐑𝐘? 𝐅𝐔𝐂𝐊 𝐘𝐄𝐀𝐇.
It’s the only shirt your kid’s teacher won’t dress code them on.

REVIEW: ALL THE BLOOD INVOLVED IN LOVE (HAYMARKET BOOKS)

Maya Marshall’s debut interrogates the current sociopolitical nature and its threat to reproductive rights, choice, and Blackness. – Caitie L. Young

REPLAYS: SURPRISE BY CHLÖE BAILEY

Not into too many surprises
Unless it’s a special occasion
And whenever I’m with you
It’s a cause for a celebration
– Reggie Johnson

REVIEW: ALL THE FLOWERS KNEELING – PAUL TRAN (PENGUIN POETS)

Paul Tran’s long-awaited debut collection, All the Flowers Kneeling, is a fierce reminder that Tran is one of the most talented and visceral poets writing in America today. – Ronnie K. Stephens

REPLAYS: SAVE ME BY DANNY LONDON & HALFOFYOU

Running from the fears
When it’s coming from the inside
No more counted out
No where for me to hide
Who knows what happens when
Pain and perseverance collides?
– Reggie Johnson

RELEASE DAY: HALF-BRED – ANTHONY SALANDY

Order your copy of A.R. Salandy’s Half-Bred! Only 100 copies available!

BROWN STUDY: Ọbáfẹ́mi Thanni

Thanni paints the scenery for us clearly—the love between families, the high stakes involved in pursuing change (fly/break, free/remembered), and nestled in these intense bonds, intense violence. – Jeni De La O

SPEAK FREELY: MENTAL HEALTH AND THE POETICS OF COLLECTIVE HEALING

Discussing mental health in the classroom can be incredibly daunting, especially as educators face public criticism and accusations of indoctrinating students. – Ronnie K. Stephens

REPLAYS: WAVES – RUSS

Sometimes I feel overwhelmed and I just need to breathe

Inhale exhale put my mind at ease
– Reggie Johnson

SPEAK FREELY: NATIONAL POETRY MONTH EDITION

This month, I’m sharing some of my favorite pedagogical practices to introduce during National Poetry Month, as well as some of the poems I return to in my classes year after year. – Ronnie K. Stephens

REVIEW: SPELLS OF MY NAME – I.S. JONES (NEWFOUND)

This entire collection is a canal–a wrenching chasm opening for rebirth–a witness to the psyche, split apart, in a world ruled by men who abandoned their humanity for the sake of domination. – Melissa Ferrer

REPLAYS: LITTLE STORY – KEHLANI

The nightmare is when all the magic stops
Boogeyman syndrome, stay away
– Reggie Johnson

REVIEW: BLOODFRESH BY EBONY STEWART (BUTTON POETRY)

Stewart is at her best, masterfully blending her understanding of craft with her keen ear for orality to offer a collection readers will be talking about for years. – Ronnie K. Stephens

TPQ20 Logo in TPQ Green with a Microphone in the middle

TPQ20: S2EP5 – JAE NICHELLE

Join Chris and Courtney in a sit down with @CropTopAssassin, author of The Porch (@yesyesbooks), in a conversation about passions, process, pitfalls, and poetry!

SPEAK FREELY: EBONY STEWART TRANSFORMS LIVED EXPERIENCES INTO AWARD-WINNING LITERATURE

“…let us be intentional in recognizing the incredible contributions that women of color have made & continue to make, not just in literature but in all fields”. – Ronnie K. Stephens

REPLAYS: SET IN STONE – DANNY LONDON

So when it’s all said and done
It’s done, nothing to be said
– Reggie Johnson

EVERYTHING IS A POEM: SPAM AND SOY SAUCE SCRAMBLED EGGS WITH RICE

There’s a deep hurt I feel when I share my food with others and they respond with, “That looks gross!” – Alex Dang

TALK TO ME: CLAIRE TAYLOR

“I wonder if I can write an entire manuscript centered around the lines from [the Growing Pains] theme song. And that is what I did”. – Claire Taylor

REPLAYS: OVER – DRAKE

The song served as a reintroduction for my love for writing. For the first time, I was able to combine my love for both music and writing together.

REPLAYS: CAN’T TOUCH THIS – MC HAMMER

My love for music dates back to me being a kid, where whenever my mom needed to occupy my time while she was busy, she would turn on the music videos.

REPLAYS: SEEING GREEN BY NICKI MINAJ, DRAKE, & LIL’ WAYNE

I been doing this here since Wayne’s dedication
I been doing this here, hear the dedication
I’ve been doing this hair, na look at the transformation
Went bald on everyone
And look how things shaping up
If you ain’t growing with me
Then you had to be cut

“MY MFA ONLY MADE MY BLENDER WHIR FASTER”: TALK TO ME: CHRISTINE SLOAN STODDARD

I used discarded camera and computer parts to print into clay tablets. I bleached chicken bones, spray-painted various objects, drew large-scale oil pastel scenery, and cut up old books all for art installations.

REPLAYS: “LOVE LINE” – SHIFT K3Y & TINASHE

This week’s #REPLAYS takes on “Love Line,” the newest track from British producer Shift K3Y, featuring Tinashe.

REVIEW: GOD’S BOY – ANDREW HAHN (SIBLING RIVALRY PRESS)

If this is what it means to be godly, why would anyone stay? And if you are already considered to be straying, why not have some fun with it?

BROWN STUDY: “HOME-GOING CELEBRATION” BY KHALISA RAE

“Home-Going Celebration” is a sly poem that bubbles with contradictions. An elegy rooted in mourning, the language pops with the dizzy rush of one sip too many.

“THE READER THINKS THEY’RE IN ON THE JOKE”. – TALK TO ME: SHAWN BERMAN

I’m inspired a lot by stand-up comedians, so a lot of my work is me pretending I’m on stage telling a joke, trying to draw the audience in. – Shawn Berman

“TODAY WE ARE A WHITE-WING DOVE, TOMORROW WE ARE A SPIRIT” TALK TO ME: KHALISA RAE

Because so many false narratives are being told about Black bodies, it is so crucial to tell the truth about what happens to us and the crimes that are committed against us. I think the true art is sharing the horror in a way that isn’t just trauma porn, but it’s art for a purpose.

CHAPBOOK CONTEST: SUBMISSIONS OPEN!

CHAPBOOK CONTEST: SUBMISSIONS OPEN!

Submit your chapbook manuscripts to The Poetry Question! Guest Judges: Sofia Fey & Chris L. Butler.

“CONFUSION, DESPAIR, OR HOPE” – TALK TO ME: JIYE LEE

“CONFUSION, DESPAIR, OR HOPE” – TALK TO ME: JIYE LEE

I hope to get the same emotions across whether that be confusion, despair, or hope to the readers and to enforce that in such a way it leaves them thinking about the poems for a while.

REVIEW: DUNCE – MARY RUEFLE (WAVE POETRY)

REVIEW: DUNCE – MARY RUEFLE (WAVE POETRY)

The poem claims to forbid but finds that grief is not powerful enough to truly erase the names of things.

BROWN STUDY: “SELF PORTRAIT AS A MERMAID OR DEAD GIRL” – GAIA RAJAN

BROWN STUDY: “SELF PORTRAIT AS A MERMAID OR DEAD GIRL” – GAIA RAJAN

I started thinking about who owns grief, how memory and grief affect the body, and soon enough, the poem turned into an elegy for someone I’ve lost.

REVIEW: STRANGERS – ROB TAYLOR (BIBLIOASIS)

REVIEW: STRANGERS – ROB TAYLOR (BIBLIOASIS)

Even if it can be painful, love will not settle down into abstraction. It reaches its fingers into the world, pinches and pulls.

REPLAYS: MY TIME IS NOW – TONE

REPLAYS: MY TIME IS NOW – TONE

Whether it’s released during an album’s rollout, planned or unplanned, music listeners ultimately hear that the time is now.

GETTING THE GURLZ W/ SOFIA FEY & KHALISA RAE: AIREA D. MATTHEWS

GETTING THE GURLZ W/ SOFIA FEY & KHALISA RAE: AIREA D. MATTHEWS

“…in America, the plight of black womxn is fraught with neglect and abuse, where some who behold both our intellect and beauty can’t seem to assert us as either”.

REPLAYS: PEACHES – JUSTIN BIEBER

REPLAYS: PEACHES – JUSTIN BIEBER

We’ll be the one Justin sang about 
saying love was until the end of time.

HUSTLE & BUSINESS OF POETRY – KHALISA RAE AND SOFIA FEY

HUSTLE & BUSINESS OF POETRY – KHALISA RAE AND SOFIA FEY

Ranging from tips & tricks, to gripes, to gratitude, we have a lot to say! Welcome to the Hustle & Business of Poetry.

REVIEW: TRICKS OF LIGHT – THADDEUS RUTKOWSKI (GREAT WEATHER FOR MEDIA)

REVIEW: TRICKS OF LIGHT – THADDEUS RUTKOWSKI (GREAT WEATHER FOR MEDIA)

He seems to consider care to be of utmost concern, not just for family, but also for strangers.

POWER OF POETRY #128: JANE ROSENBERG LAFORGE

POWER OF POETRY #128: JANE ROSENBERG LAFORGE

Our classmates were the children of rock stars, writers, critics,visual artists, film editors and movie executives. But everyone in the neighborhood seemed famous to us, just for having been there.

#TPQ5: MIKE HICKMAN

#TPQ5: MIKE HICKMAN
What will Mike Hickman include in today’s #TPQ5? Find out inside!

REVIEW: WISCONSIN DEATH TRIP – JESSIE LYNN McMAINS (BONE & INK PRESS)

REVIEW: WISCONSIN DEATH TRIP – JESSIE LYNN McMAINS (BONE & INK PRESS)

They are unafraid to show the awfulness and bitterness, old beliefs and traditions, terrible acts inflicted by the people who inhabit the snowy state.

“AN EXERCISE IN LEARNING TO SURRENDER.” TALK TO ME: JONATHAN KOVEN

“AN EXERCISE IN LEARNING TO SURRENDER.” TALK TO ME: JONATHAN KOVEN

I think there’s a level of trusting that people will empathize with my story, and if not my story, then the music of my words.

REPLAYS: Streets by Doja Cat

REPLAYS: Streets by Doja Cat

Whether it’s released during an album’s rollout, planned or unplanned, music listeners ultimately choose the success as we see in Doja Cat’s single, ‘Streets’.

REVIEW: SENTIMENTAL VIOLENCE — GABRIELLE HOGAN (GHOST CITY PRESS)

REVIEW: SENTIMENTAL VIOLENCE — GABRIELLE HOGAN (GHOST CITY PRESS)

As we all know, though, joy does not exist without violence — not for Tonya, and not for any of us.

#TPQ5: SAMUEL ADEYEMI

#TPQ5: SAMUEL ADEYEMI
What will Samuel Adeyemi include in today’s #TPQ5? Find out inside!

“WHICH REQUIRES ME TO BEND LANGUAGE TO MY WILL” – TALK TO ME: TAYLOR BYAS

“WHICH REQUIRES ME TO BEND LANGUAGE TO MY WILL” – TALK TO ME: TAYLOR BYAS

I absolutely code switch because there isn’t an aspect of my life that doesn’t request that sort of labor from me. It’s built into my life, and therefore it manifests in my poetry. – Taylor Byas

#TPQ5: S.T. BRANT

#TPQ5: S.T. BRANT

What will S. T. Brant, a high school teacher from Las Vegas, include in today’s #TPQ5? Find out inside!
@terriblebinth

WE HAVE THE GREATEST COMMUNITY

WE HAVE THE GREATEST COMMUNITY

This is not a post about poetry. This is a post about reaching out to the community for help in a time of need. The outpouring of love and help thus far has been beyond overwhelming. We are humbled and grateful.

OPEN SUBMISSION: TPQ POETRY PAMPHLET SERIES #1

OPEN SUBMISSION: TPQ POETRY PAMPHLET SERIES #1

Submit your manuscript today!

POWER OF POETRY #46: rob mclennan

For me, writing evolved into a way to better comprehend, articulate and even reshape the world. Now the work that excites me is writing that is exploratory

POWER OF POETRY #35: “Dreams/Facts” – Matthew Mayfield

POWER OF POETRY #35: “Facts/Dreams” – Matthew Mayfield: “….I strive to be that ONE person who keeps you closer to Life and
one step away from the trigger.”

THE POWER OF POETRY #21: RONNIE K. STEPHENS

THE POWER OF POETRY – Ronnie K. Stephens There is no origin story, here. No single point on the broadside of this universe. For me, poetry has been a series of planets dotting up the sky when I’m not looking, and suddenly I’m thirty-two with a galaxy spread out around

THE POWER OF POETRY #13: “YOU TALK TOO MUCH” – CRISTOPHER GIBSON

  You Talk Too Much – Cristopher Gibson   “CRISTOPHER!” Is what I recall most about school, the dinner table, church, or really anywhere I was with other people as a child. Anyone who knows me knows that I talk…a lot. As a kid this was in hyper drive. I

THE POWER OF POETRY #10: “WHAT POETRY MEANS TO ME” – CLEMENTINE von RADICS

WHAT POETRY MEANS TO ME            – CLEMENTINE von RADICS What Poetry Means To Me   “Make your own Bible. Select and collect all the words and sentences that in all your readings have been to you like the blast of a trumpet.” -Ralph Waldo Emerson

THE POWER OF POETRY #7: BLYTHE BAIRD

   THE POWER OF POETRY By Blythe Baird The first time I was exposed to spoken word poetry, I was a sophomore in high school. It was a strike of pure luck. My first day back at school after months of intensive rehabilitation for mental and physical health issues, a