REVIEW: ALL THE BLOOD INVOLVED IN LOVE (HAYMAKET BOOKS)
Maya Marshall’s debut interrogates the current sociopolitical nature and its threat to reproductive rights, choice, and Blackness. – Caitie L. Young
For me it’s sink or swim
Too many people I extended branches
And gone out on a limb
The switch up is contagious
Many do it on a whim
– Reggie Johnson
These are poems that do not lend themselves to passive reading, but rather demand deep internal reflection and renewed engagement with the most basic, unanswerable questions of human existence. – Ronnie K. Stephens
Join Chris and Courtney Margolin of The Poetry Question in a sitdown with Saeed Jones, author of Alive at the End of the World (Coffee House Press), about passions, process, pitfalls, and poetry!
This collection of life-flowers reminds us that life may be ordinary, but this ordinary may just be lovely enough to convince us that we want to be in it. – Melissa Ferrer
“Whether through trauma endured in war, drug use, or poor living environment, Uttich pulls the reader into a leaving with traces of those absences”. – Catie L. Young
Not a care in the world
Learning about one’s self
Take what I know now
And protect myself and mental health
Protect my peace
Now I’m up here living with my life on a lease
– Reggie Johnson
Connotary is an incantation into remembrance. And an edification from where one has been and is always going. And still is also this gift, this display, of honor and renewal. – Melissa Ferrer
Join Chris & Courtney of The Poetry Question in a sit-down conversation with Joan Kwon Glass, author of Night Swim (Diode Editions), about passions, process, pitfalls, and poetry!
Join Chris and Courtney of The Poetry Question in a sit down with Gabrielle Bates about passion, process, pitfalls, and poetry!
What sustains us? What nourishes our bones and our souls? How do we sustain each other? In the space between our most authentic selves and our most complicated desires, how do we connect with one another?
In each poem, readers can feel the undeniable aspect that, like nearly all mixtapes, this chapbook is for somebody (at the very least, the amalgamation of “you” that exists in all of our longings).
Didn’t know what depression felt like
Until I was nineteen
It took my crown and the jewels
And said it was fit to be king
REVIEW: COMB – SHADAB ZEEST HASHMI (SABLE BOOKS)
Migration challenges us to examine the “essence” of what makes us, us, and Hashmi duly documents the details.
REVIEW: GIRLS LIKE US – ELIZABETH HAZEN (ALAN SQUIRE PUBLISHING)
Hazen has an acute ability to make a reader feel many unwanted things. Like recollection. Like commiseration. Like retroactive fear.
REPLAYS: HEARTBREAK ANNIVERSARY – GIVEON
I love the emotion as his baritone voice accentuates the rawness and sincerity in its lyrics. The relatability of the song draws people in and you cannot help but sing along.
REVIEW: GHOST IN A BLACK GIRL’S THROAT – KHALISA RAE (RED HEN PRESS)
This is a rally cry for self-hood. For respect. For dreams once had that can be had again. This is written to give voice to the timid, a path to the promise of never again escaping the you who you always thought you could be.
REVIEW: BY BUS – ERICA VAN HORN (UGLY DUCKLING PRESSE)
You find yourself next to the man licking the eczema on his arm, or next to the singing bus driver. Some of the people you meet on the bus will be lovely; others will be objectionable.
REVIEW: LESBIAN FASHION STRUGGLES – CAROLINE EARLEYWINE (SIBLING RIVALRY PRESS)
What does it mean to live within a body that has been projected upon and harmed? What does it mean to want to be seen anyway?