REVIEW: I’M ALWAYS SO SERIOUS BY KARISMA PRICE (SARABANDE BOOKS)
I’m Always So Serious is among the best debuts in American poetry, and Price has established herself as one of the most preeminent voices of her generation. – Ronnie K. Stephens
I’m Always So Serious is among the best debuts in American poetry, and Price has established herself as one of the most preeminent voices of her generation. – Ronnie K. Stephens
Franklin releases a fine collection, laced with the feminist struggle for freedom from patriarchy, love, loss, death, the finality of things, grief. – Michael Imossan
The debut chapbook of a young, burgeoning talent in the broader literary sphere, Browne utilizes content, form, and structure in natural harmony to baptize us in the arteries of our lands. – Helena Pantsis
Spruijt-Metz deftly explores the complexities of memory, healing, and the divine, delving into the profound connection between the present moment and beyond. – Martins Deep
Buffalo Girl is one of the most nuanced, complex and unique collections of the year. – Ronnie K. Stephens
Voz is a collection filled with adventures, beaches and forgiveness. – Michael Imossan
This is a collection that far exceeds what readers might expect from a debut, quickly situating Abimbola as a preeminent and philosophical voice in American poetry. – Ronnie K. Stephens
Taylor’s newest is a bold affirmation of denial which is the first stage of grieving, how one refuses to acknowledge the “dead overrunning one’s street”. – Michael Imossan
Etlinger’s The Weather Gods lives in the in-between—somewhere in the middle of ghosts and spirit, love and loss, memories and moments. – Michael Imossan
Thomas gives readers the rare occasion to listen to, not judge or direct, the kid that lives in all of us. – KB Brookins
Matthew Guenette navigates through past and present tragedies in a way that envisages the future. – Michael Imossan
Margaret Wack’s dexterity is sprawled across the pages of her debut collection which is vivid, intense and heartwarming. – Ejiro Edward
Browne has repeatedly asserted herself as one of the most preeminent voices in America, and her work has always been unflinching and vulnerable. – Ronnie K. Stephens
The reader is transported into the heart of myth by Jessica’s uncanny ability to capture its essence, with such depth that it is both haunting and indelible. – Martins Deep
Jason treats all subject matter with such delicateness that it proves almost impossible for language to account for them. – Michael Imossan
Told from a standpoint of bed rest, Elizabeth Metzger analyzes how the body pays the price of bearing something as fragile as another self twice as susceptible to vulnerability. – Martins Deep
In A Home To Crouch In, Blanton introduces readers to the life of an urban recluse speaker who finds solace in a bottle of cheap liquor and a poetry book in his rundown apartment. – Caleb Jones
Join Chris in conversation with former United States Poet Laureate and author of Musical Tables (Random House), Billy Collins, about passions, process, pitfalls, and Poetry!
Olzmann’s choice to fully immerse himself in the epistle offers a chance to display his range of voice, to give space to seemingly disparate social inequities, to remain constantly intimate in his conversation with the reader.
Overdue for a reset
Been climbing mountains and mountains
But I haven’t peaked yet
Still gotta eat yet
– Reggie Johnson
Who’s gonna love you
If you can’t love yourself
Because the actions that you did
Were bad for my mental health
– Reggie Johnson
It happens every blue moon
When it aligns, we eclipse
I love everything about you
Fingertips to your lips
– Reggie Johnson
For me it’s sink or swim
Too many people I extended branches
And gone out on a limb
The switch up is contagious
Many do it on a whim
– Reggie Johnson
These are poems that do not lend themselves to passive reading, but rather demand deep internal reflection and renewed engagement with the most basic, unanswerable questions of human existence. – Ronnie K. Stephens
Scheelk offers first-hand accounts of the effects of misdiagnosis, queer identity, and the intersections of these as an autistic person. – Caitie L. Young
The Body Myth (The Hunger Journal) by Hannah Land is beauty in words, harmonic sounds and striking imagery, all to narrate an all too familiar painful story. – Valentina Lindardi
Join Chris and Courtney in a sit down with Kristin Garth, the Editor in Cheif of Pink Plastic House, for a conversation about passions, process, pitfalls, and poetry!