QOTD – December 3rd – Best of the Year?

It’s the time of year when all the major entertainment magazines start releasing their “2013 Best of Blah Blah Blah” lists. I find it all pretty humorous, and then I like to watch the sales numbers jump after Best Mag Quarterly says that Album by So-So-and-the-no-one-knows-them tops the list. It says a lot about the way that media truly controls its audience. Every year, our local hipster rag publishes a top 10 list of bands that have barely played shows in town, but are somehow the GREATEST BANDS EVER, and then they race back into obscurity, but not before selling way too many copies of their never-to-be-listened-to-again album.

So, let’s jump past the pseudo-mainstream-media, and send it out to you:

What is your “2013 best of” list? It might not be something that came out this year, but maybe something of which you’ve discovered this year, and fallen in love.

Favorite album?

Favorite Book?

Favorite Song?

Favorite Poem?

Favorite Poetry Question Article/Interview/Prompt/Question?

Favorite Adventure Spot?

Favorite Food?

Favorite ___________ ?

The Daily Prompt – November 25 – Playlist for Writing

Rules:

1. Use the prompt in the way it’s intended (starting a sentence, the title of the piece, theme, etc)

2. You may write in any format you see fit (fiction, non-fiction, poem, song, script, etc.)

3. Post your piece of writing in the comments section of the website to be considered for the ‘Best Of’ section.

The Prompt:

What type of music drives your writing process?

What type of music drives your editing process?

QOTD – Musical Connections…

This morning, Spotify 90′s radio played Colorblind by Counting Crows while I was brushing my teeth.

Obviously, if you are my age, when hearing this song, your mind automatically rushes to Ryan Phillipe riding up an escalator to stop Reese Witherspoon from getting on that airplane. It is unavoidable.

The Summer of ’69 always reminds me of the summer of ’99. We listened to the song a lot that summer and, while that summer would no longer be considered “the best days of my life” there is something in the lyrics, feeling, and sweet, sweet Bryan Adams crooning that captures and speaks to youth- that feeling of having the world in front of you and at your feet.

In that moment, I was atop the world with College, the real world, and adulthood waiting for me but yet to challenge me. The world of childhood had been conquered and the rest was waiting to topple.

In my newly acquired sentimentality, that summer could be the inciting incident that lead to my education, my career, meeting my wife, becoming who I am… but when I look back now, that summer seemed to last forever.

When I hear Three Little Birds by Bob Marley it always reminds me of Azlan. Sometimes I remember the good times and I laugh and laugh uncontrollably. Sometimes I cry because he left us to soon.

QOTD – What songs elicit strong memories or strong emotions for you?

music_brain-299x300

Daily Prompt- November 11th

Rules:

1. Use the prompt in the way it’s intended (starting a sentence, the title of the piece, theme, etc)

2. You may write in any format you see fit (fiction, non-fiction, poem, song, script, etc.)

3. Post your piece of writing in the comments section of the website to be considered for the ‘Best Of’ section.

 

The Prompt-

Turn on the radio and write something inspired by the first song you hear.

QOTD- How Did That Song Get Stuck In My Head?

TM-00103_Catchy_Tunes

 

At this point, I’ve gotten so used to having tiny headphones in my ears that I don’t even notice they’re there any more.

Many are the times that I will go to get up from my desk or take off my jacket only to be startled by the feeling of something tugging on my head. It’s only then that I will realize that the pleasant tunes I’d been enjoying hadn’t emanated from my head fully formed like some sort of grungy Athena from Seattle. Rather, they had been the result of the Genius function on my iPod, taking a Pearl Jam song and running with it. The realization always bums me out a little.

When I was a young dreamer I used to imagine a world where my favorite music followed me everywhere I went. I found myself disillusioned with repetitive radio stations and frustrated by portable cd players that skipped with every step. Little did I know that a genie in a turtle neck named Steve Jobs was about to grant me that wish, and that soon everyone would be walking to class like a zombie, staring at the ground and wandering in front of traffic with buds in their ears and a never-ending stream of music at their fingertips.

There were a few unforeseen consequences. People speak to each other less now, but they walk in front of moving trains more. It also had the effect of causing me to internalize the music that I am now able to listen to at all times. It has given me the ability to get songs stuck in my head constantly. No trigger is too small. If I read two words on a billboard that also appear prominently in a song I am familiar with I immediately hear the melody in my ears. It then moves into my brain and hangs out there until I am thoroughly baffled by its presence, having forgotten about the billboard that started it all almost as quickly as I read it.

“Walking on Sunshine? Where’d that come from?”

“When was the last time I listened to Meat Loaf?”

“Who sings that song that’s like, ‘bah bah be be dah bah, bababa’?”

These are thoughts I have several times a day. I’m not saying I blame Apple and their products for my fraying sanity, but they aren’t helping.

What song is stuck in your head today?

Is it awesome? I bet it isn’t awesome.

 

INTERVIEW: Guilty Simpson on Poetry as Music

Guilty-Simpson

 

 

Guilty Simpson is one of those rappers that if you’re a true hip hop head, you’ve been following for a long time. He was J Dilla’s favorite emcee, and much like GZA, can string together stories with ease. He’s a captivating figure, and one of the most well spoken MCs in today’s world. We had a chance to catch up with Guilty, and you can read our interview below.

 

************************************************************

 

TPQ: Set the scene for us: Where do you do the majority of your writing? What does it look like?

Guilty: in my car. I like to write about what I see a lot. Sometimes I go to crowded places and write about the things I notice that stand out. Sometimes without a beat.

TPQ: You’ve had the opportunity to work with some of the best in the business – Black Milk, Madlib, Dilla. What was the best advice they gave you? What did you learn from them?

Guilty: they are all studio rats they live in the lab. They taught me great things happen in the lab working on your craft. Sometimes when artists get fame it’s tough to get them to go back to the studio. I’ve learned to love my job when no one is looking telling me I’m the greatest. I love my job, not just the spoils. I’d rather do the studio than the club.

TPQ: You are very much a storyteller in your lyrics. You’ve always reminded me of GZA, in the way that you use your songs to truly paint a picture, rather than just spout words. “I’m the City” is one of the best examples of that. What moves you to write in the manner that you do?

Guilty: Reflection is the key. Now that I’m older I can observe how much I didn’t know, even as a grown man. So most stories I tell are from personal memory. It’s rough telling someone else’s story, so I just tell mines. Through reflection.

TPQ: What do you feel is the major connection between poetry and rap? How can I, as an educator, prove that rap is, as The Grouch told me, “Relevant American Poetry”?

Guilty: it’s poetry to music. Even those that don’t acknowledge it, still imo are still displaying poetry. Poetry is the power of words and the music is the vehicle the poetry uses. I feel it’s impossible for poetry to hinder any thought you want to convey as a rapper. It’s gives the writer range to tell the same story many different ways.

TPQ: If you could sit down for a drink with one artist, musician, writer, or historical figure, who would it be, and what would you discuss?

Guilty: I’d have to say ex Football player Jim Brown. We would discuss how he impacts people he comes into contact with. He goes to prisons and talks to lifers and felons with violent crimes about ways they can impact their communities. Growing up in a rough Detroit neighborhood, I notice how some men and women are idolized for destructive activities they committed while free.
I’d love for those people to have a voice through incarceration to tell the younger people what their lives have become. I think it’s irresponsible to influence kids to sell drugs or kill, and not tell them the whole story. Whole story meaning the results of their actions. Kids like to listen to those that really did it. That takes the preaching element out of the equation to me.

The Daily Prompt – September 23rd – What Does Music Mean?

Rules:

1. Use the prompt in the way it’s intended (starting a sentence, the title of the piece, theme, etc)

2. You may write in any format you see fit (fiction, non-fiction, poem, song, script, etc.)

3. Post your piece of writing in the comments section of the website to be considered for the ‘Best Of’ section.

 

The Prompt:

Write an 8 line poem about what music means for your life.

Album Review – The Underachievers “Lords of Flatbush” Great Sounds from Brooklyn

image

Brooklyn hip-hop duo, and members of the Beast Coast hip-hop movement, The Underachievers have dropped their second mixtape. Two young artists from the Flatbush neighborhood of Brooklyn, Issa Dash and AK are emcees, who until recently, had no intentions of rapping seriously. This mixtape is very different from their debut tape “Indigoism” which was mostly about psychedelic substances and being gods among men.

These two have begun to see the success and response that they have gotten with their music, and with their signing to Flying Lotus’ label Brainfeeder, they have gotten more serious about perfecting their craft. This is very obvious with this mixtape, the lyrics are more serious and less about tripping on various psychedelics. On the track “Melody of the Free” AK says ” Got a momma back at home the only woman I need/ Hoping that her son prosper so she finally free;” he is saying that his mother is supporting him on his dream and she hoping that he becomes successful, he doesn’t need the girls that want him when he has his mom behind him.

This mixtape has already received much buzz from their fans and critics alike. I like this mixtape very much, the only fault that I find in it is that I wish this was longer – I’d love to hear more of what The Underachievers come up with, hopefully there is an album in the near future. These two young MCs show much talent, the Beast Coast movement has taken the world by storm. This is another example of the many great sounds coming out of New York in the past year.

Album Review – A$AP Ferg “Traplord”

ASAP_Ferg_Trap_Lord

What can I say about this album? Well, before I officially start this review I will say that I have not stopped listening to this album since I began to listen to it yesterday.

Member of the hip-hop collective A$AP Mob, A$AP Ferg releases his debut album titled “Trap Lord” officially tomorrow. For those who are not familiar with hip-hop culture the word “Trap” simply means to hustle, so for Ferg to call himself the Trap Lord means that he is a lord of hustling. While when most think of hustling they think of drug dealing, this not necessarily the only way to hustle it is just one of many ways. This album features great production from the likes of Jim Jonsin who has produced some of the biggest names in the rap industry, and features artists such as fellow A$AP Monb member A$AP Rocky, 1/4 of the hip-hop supergroup SchoolBoy Q, and legendary hip-hop group Bone Thugs-n-Harmony. Since this albums inception Ferg has dropped 3 singles: Work(Remix) featuring- A$AP Rocky, Trinidad James, French Montana, and SchoolBoy Q, Shabba featuring-A$AP Rocky, and Hood Pope. Comparing “Trap Lord” to A$AP Rocky’s “Long. Live. A$AP” that released earlier this year, A$AP Ferg is not quite on the same level as Rocky. This is a positive though, Ferg and Rocky are two different people – since Ferg is a hustler it means that he will do all that it takes to make it he has that drive, that ambition that many artist lack. I can see Ferg perfecting his art as he continues to create more music and eventually getting to the same level as A$AP Rocky if not surpassing him in terms of popularity.

One song that really stood out to me was one of the singles off this album “Hood Pope,” it’s one of the slower tracks with a smooth, easy going beat – not something that would really get someone hyped up but rather chill and focus more on the lyrics. A$AP Ferg has chosen to take a more conscious path when making this track and speaks on the problems and dangers that come with life in the hood, “A bunch of hooligans need churching/I’m the Hood Pope, these my children…Bunch of little kids running ’round need nurturing/Lord know that I ain’t really perfect/All of these clowns run around this circus/Lord please what is my purpose” Living in a neighborhood that has a high rate of crime and violence, the youth tend to renounce their religious faiths, in the pursuit of money, Ferg aims to reach out to these children and be the person to look out for them so that they do not go down a wrong path. Ferg realizes that he is not perfect (nobody is) but he still wants to to help as many people as he can from going into a life of violence and crime. While I believe that A$AP Ferg is indeed a better rapper than A$AP Rocky in terms of lyrics, “Trap Lord” was not a great display of all that Ferg is capable of. Overall, this is a great album and a milestone for A$AP Ferg as an artist – while I do not absolutely love this album I do not outright hate it either, this is an album that I really enjoy listening to over and over again and have no problems with hearing the same songs multiple times. A$AP Ferg’s “Trap Lord” is one that showcases how much potential Ferg has an artist, but there is much work to be done before I can say that I love this album.

 

Album Review – Terrace Martin – 3Chordfold – Brilliant Blend of Jazz and Hip-hop

image

Having never heard of Terrace Martin I had a substantial amount of research to do. Terrace is a Los Angeles based producer, who is a world-renowned jazz musician. I had not heard of Terrace Martin, that is until this morning when his latest project “3Chordfold” dropped – and that is because until recent years Terrace remained largely behind the boards helping other artists get famous. What can I say this album starts off great with an intro by Ab-Soul speaking about a former love interest, haunted by the lose of her. As far as intro tracks go this is one of the beat ones that I haven’t heard in recent releases.

The first track is titled “Triangle Ship” featuring Kendrick Lamar, within two tracks I get the impression that Terrace is one if those “I’m torn between two women” types. This is evident in his lyrics, ” Love is no guarantee I got options… It’s me and her, me and she multiple choices no A and B.” Terrace is stuck in a love triangle with two women who most likely don’t know about the other girl. I really enjoy the sound of this album, personally I am a huge fan of hip-hop that is is heavily jazz influenced – and that is exacrly what Terrace has done with this album. While at the beginning of this day I had no idea who this talented artist was I do know, I’ve been listening to this album on repeat all day and I really like everything about it; from the sounds to the lyrics to the features and vocalizations.

If there was a rating system for music on this site I would give Terrace Martin’s “3Chordfold” two thumbs up, or five gold stars,or whatever it is people use to rate things they like. Hip-hop heads and jazz lovers alike can each take something from this album. It is a very good album from someone who is usually behind the scenes. I’ve found a new favorite for my music library and I can see this albumgaining a lot of buzz in the coming months. This album has a brilliant blend of jazz and hip-hop that shows where hip-hop came from.