Tag: poems

THE STUDY OF HUMAN LIFE – JOSHUA BENNETT (PENGUIN POETS)

Bennett has established himself as an intensely patient and deliberate writer capable of upending genre as seamlessly as he upends our understanding of the world. – Ronnie K. Stephens

REPLAYS: FEEL ALRIGHT BY KRIIISPY

This year I been moving different
People acting mad funny – Peter griffin
People shooting for the stars
When they should’ve just stayed wishing
– Reggie Johnson

REPLAYS: ICU BY COCO JONES

You
Yes you
I need you
– Reggie Johnson

REPLAYS: SHIRT BY SZA

Blood again on my cardigan
Yes, we could’ve been more than friends
– Reggie Johnson

REPLAYS: BET BY RUSS

Bet
I’m over here just matching my energy
You sigh in relief
But there ain’t no relief in me
– Reggie Johnson

SPEAK FREELY: MEMORY AND ALTERNATE HISTORIES AS CATHARSIS

Franny Choi’s “Wildlife” and “Demilitarized Zone” both offer excellent frameworks to facilitate lessons that center retrofitted memory and alternate history as a cathartic process. – Ronnie K. Stephens

TPQ20 – S4EP2: COURTNEY FAYE TAYLOR

Join Chris of The Poetry Question in conversation with Courtney Faye Taylor, author of Concentrate (Graywolf Press) and winner of the Cave Canem Poetry Prize, about passions, process, pitfalls, and Poetry!

REPLAYS: MIXY BY QUAVO, TAKEOFF & SUMMER WALKER

I ain’t mixy
If my actions change
Adjusting to your nonsense
Now all of sudden I’m acting strange
– Reggie Johnson

TPQ20 – S4EP1: LUTHER HUGHES

Join Chris of The Poetry Question in a sit down with Luther Hughes, author of Shiver in the Leaves, about passions, process, pitfalls, and Poetry.

TPQ20 Logo in TPQ Green with a Microphone in the middle

TPQ20 – SAIDA AGOSTINI BOSTIC

Join Chris in a sit down with Saida Agostini Bostic, author of Let the Dead In (Alan Squire Publishing), about passions, process, pitfalls, and Poetry!

REPLAYS: OUTSIDE BY BRYSON TILLER

Luckily I clean it up well
Yeah prepare for the tide
Not a stain on me
We take off on our ride
– Reggie Johnson

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TPQ20: S3EP14 – SANDRA CISNEROS

Join Chris in a sit-down with the legendary Sandra Cisneros, author of Woman Without Shame (Alfred A. Knopf), about passions, process, pitfalls, and poetry!

TPQ20: S3EP13 – AURIELLE MARIE

Join Chris in a sit-down with Aurielle Marie, author of Gumbo Ya Ya (University of Pittsburgh Press), about passions, process, pitfalls, and poetry!

REVIEW: A SHIVER IN THE LEAVES – LUTHER HUGHES (BOA EDITIONS)

His use of structure, rhythm and extended metaphor are among the best, and his particular utilization of the crow throughout A Shiver in the Leaves sets this debut apart as one of the most layered, complex collections of the year. – Ronnie K. Stephens

TALK TO ME: NOLCHA FOX

I love putting odd images together, playing with alternate definitions of words, twisting the end. My adult me is the one who figures out where to submit the glorious mess I make of a poem. – Nolcha Fox

Speak Freely: Imperative Voice and the Performance of Womanhood

Xie’s use of the imperative voice, intentionally or not, mirrors the language in Kincaid’s text, and both authors use the imperative specifically to convey expectations to younger generations of women. – Ronnie K. Stephens

REPLAYS: TOXIC BY YG

Dramamine because I’m sick of you
When patience ran thin
Where was thick for you?
What didn’t click for you?
– Reggie Johnson

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TPQ20: S3EP11 – H. MELT

Join Chris in a sit down with H. MELT, about passions, process, pitfalls, and Poetry!

REVIEW: LOTUS & THE APOCALYPSE – AUSTIN DAVIS (OUTCAST PRESS)

It’s a testament to all of us holding depression and joy in both hands, to everyone that has ever felt their world could end before the sun goes down. – Caitie L. Young

REVIEW: THE WET HEX – SUN YUNG SHIN (COFFEE HOUSE PRESS)

At the heart of the poem is an image of the author’s passport, effectively bridging mythos and history to highlight a long and violent legacy of colonialism and its impact on colonized peoples. – Ronnie K. Stephens

REVIEW: SO, STRANGER – TOPAZ WINTERS (BUTTON POETRY)

Winters offers a layered and thoughtful critique of the immigrant experience in America, the nuances of her relationship with her father and how borders operate in our lives. – Ronnie K. Stephens

SPEAK FREELY: MEANING AND METAPHOR IN RACHEL MCKIBBENS’ “THE WIDOWER”

Rachel McKibbens “The Widower” captures students because it’s visceral, emotional, and refuses to be ignored. – Ronnie K. Stephens

REVIEW: DIARIES OF A TERRORIST – CHRISTOPHER SOTO (COPPER CANYON PRESS)

Soto’s poems are meant to be rough, triggering at times, and cut straight to the point. Readers can’t help but understand the message, empathize, and feel like we’re supposed to fix things ourselves.

REPLAYS: THE SIGN BY LIZZO

Hey how you doing?
Are you getting tired yet?
I might forgive you
But I never forget
– Reggie Johnson

REVIEW: LET THE DEAD IN – SAIDA AGOSTINI (ALAN SQUIRE PUBLISHING)

The language, lyrically dispensed in its distinct style, portrays bravery and reveals a poet whose voice is both an ache and a cure. – Martins Deep

REVIEW: TIME IS A MOTHER – OCEAN VUONG (PENGUIN PRESS)

Vuong uses structure to further disrupt linear fluidity. His poems frequently utilize a style of enjambment that eschews natural speech, presenting fragments that time and again force the reader forward. – Ronnie K. Stephens

SATURDAY T-SHIRT ALERT

𝐏𝐎𝐄𝐓𝐑𝐘? 𝐅𝐔𝐂𝐊 𝐘𝐄𝐀𝐇.
It’s the only shirt your kid’s teacher won’t dress code them on.

REVIEW: ALL THE BLOOD INVOLVED IN LOVE (HAYMARKET BOOKS)

Maya Marshall’s debut interrogates the current sociopolitical nature and its threat to reproductive rights, choice, and Blackness. – Caitie L. Young

REPLAYS: SURPRISE BY CHLÖE BAILEY

Not into too many surprises
Unless it’s a special occasion
And whenever I’m with you
It’s a cause for a celebration
– Reggie Johnson

REVIEW: ALL THE FLOWERS KNEELING – PAUL TRAN (PENGUIN POETS)

Paul Tran’s long-awaited debut collection, All the Flowers Kneeling, is a fierce reminder that Tran is one of the most talented and visceral poets writing in America today. – Ronnie K. Stephens

RELEASE DAY: HALF-BRED – ANTHONY SALANDY

Order your copy of A.R. Salandy’s Half-Bred! Only 100 copies available!

SPEAK FREELY: MENTAL HEALTH AND THE POETICS OF COLLECTIVE HEALING

Discussing mental health in the classroom can be incredibly daunting, especially as educators face public criticism and accusations of indoctrinating students. – Ronnie K. Stephens

SPEAK FREELY: NATIONAL POETRY MONTH EDITION

This month, I’m sharing some of my favorite pedagogical practices to introduce during National Poetry Month, as well as some of the poems I return to in my classes year after year. – Ronnie K. Stephens

REPLAYS: LITTLE STORY – KEHLANI

The nightmare is when all the magic stops
Boogeyman syndrome, stay away
– Reggie Johnson

REVIEW: BLOODFRESH BY EBONY STEWART (BUTTON POETRY)

Stewart is at her best, masterfully blending her understanding of craft with her keen ear for orality to offer a collection readers will be talking about for years. – Ronnie K. Stephens

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TPQ20: S2EP5 – JAE NICHELLE

Join Chris and Courtney in a sit down with @CropTopAssassin, author of The Porch (@yesyesbooks), in a conversation about passions, process, pitfalls, and poetry!

EVERYTHING IS A POEM: SPAM AND SOY SAUCE SCRAMBLED EGGS WITH RICE

There’s a deep hurt I feel when I share my food with others and they respond with, “That looks gross!” – Alex Dang

TALK TO ME: CLAIRE TAYLOR

“I wonder if I can write an entire manuscript centered around the lines from [the Growing Pains] theme song. And that is what I did”. – Claire Taylor

REPLAYS: OVER – DRAKE

The song served as a reintroduction for my love for writing. For the first time, I was able to combine my love for both music and writing together.

REPLAYS: SEEING GREEN BY NICKI MINAJ, DRAKE, & LIL’ WAYNE

I been doing this here since Wayne’s dedication
I been doing this here, hear the dedication
I’ve been doing this hair, na look at the transformation
Went bald on everyone
And look how things shaping up
If you ain’t growing with me
Then you had to be cut

REVIEW: DESCANSOS – KATHERINE OSBORNE (SALO PRESS)

Animals burn. Volcanos erupt. We aren’t told the story necessarily as it is; we are told how it feels to live and remember it.

“MY MFA ONLY MADE MY BLENDER WHIR FASTER”: TALK TO ME: CHRISTINE SLOAN STODDARD

I used discarded camera and computer parts to print into clay tablets. I bleached chicken bones, spray-painted various objects, drew large-scale oil pastel scenery, and cut up old books all for art installations.

REVIEW: GOD’S BOY – ANDREW HAHN (SIBLING RIVALRY PRESS)

If this is what it means to be godly, why would anyone stay? And if you are already considered to be straying, why not have some fun with it?

“THE READER THINKS THEY’RE IN ON THE JOKE”. – TALK TO ME: SHAWN BERMAN

I’m inspired a lot by stand-up comedians, so a lot of my work is me pretending I’m on stage telling a joke, trying to draw the audience in. – Shawn Berman

CHAPBOOK CONTEST: SUBMISSIONS OPEN!

CHAPBOOK CONTEST: SUBMISSIONS OPEN!

Submit your chapbook manuscripts to The Poetry Question! Guest Judges: Sofia Fey & Chris L. Butler.

BROWN STUDY: “SELF PORTRAIT AS A MERMAID OR DEAD GIRL” – GAIA RAJAN

BROWN STUDY: “SELF PORTRAIT AS A MERMAID OR DEAD GIRL” – GAIA RAJAN

I started thinking about who owns grief, how memory and grief affect the body, and soon enough, the poem turned into an elegy for someone I’ve lost.

REPLAYS: PEACHES – JUSTIN BIEBER

REPLAYS: PEACHES – JUSTIN BIEBER

We’ll be the one Justin sang about 
saying love was until the end of time.

HUSTLE & BUSINESS OF POETRY – KHALISA RAE AND SOFIA FEY

HUSTLE & BUSINESS OF POETRY – KHALISA RAE AND SOFIA FEY

Ranging from tips & tricks, to gripes, to gratitude, we have a lot to say! Welcome to the Hustle & Business of Poetry.

REVIEW: THE WORLD ISN’T THE SIZE OF OUR NEIGHBORHOOD ANYMORE – AUSTIN DAVIS (WEASEL PRESS)

REVIEW: THE WORLD ISN’T THE SIZE OF OUR NEIGHBORHOOD ANYMORE – AUSTIN DAVIS (WEASEL PRESS)

It’s an age of transition, somewhere between childhood and adulthood, on the blurry path to independence. 

REVIEW: LOOK LOOK LOOK – CALLISTA BUCHEN (BLACK LAWRENCE PRESS)

REVIEW: LOOK LOOK LOOK – CALLISTA BUCHEN (BLACK LAWRENCE PRESS)

There’s a sense of absence in this first section as the mother’s body becomes a singular state once again, but there’s also a slip from autonomy.

REVIEW: YOU WERE SUPPOSED TO BE A FRIEND – ASHLEY ELIZABETH (NIGHTINGALE & SPARROW PRESS)

REVIEW: YOU WERE SUPPOSED TO BE A FRIEND – ASHLEY ELIZABETH (NIGHTINGALE & SPARROW PRESS)

…Dear John letter, ending with the words, “you are hurting me. i am letting you. i do not want to.” There it is, cut and dry: a breakup. Except it’s not.

POWER OF POETRY #65: INK

And sharing is hard; poetry has an awful stigma due to academia’s institutional stranglehold on the concept. Thankfully, however, poetry will always be of, by, and for the people.

REVIEW: TEN POEMS ABOUT HORSES – SELECTED BY ALISON BRACKENURY (CANDLESTICK PRESS)

“…the attitude and actions of horses have not changed. They live, love, falter, get dragged around, manipulated, fed, ridden, and eventually buried. Sound familiar?”

REVIEW: WRITING YOUR NAME ON THE GLASS – JIM WHITESIDE (BULL CITY PRESS)

Directness is difficult. It’s not easy to be bluntly-gentle. But that is exactly what Whiteside has done in his newest collection of poems from Bull City Press.

POWER OF POETRY #35: “Dreams/Facts” – Matthew Mayfield

POWER OF POETRY #35: “Facts/Dreams” – Matthew Mayfield: “….I strive to be that ONE person who keeps you closer to Life and
one step away from the trigger.”