If I wanted someone to switch up on me, I’d take my talents to Nintendo
Opened up to you just to be shut out like a window
The price I paid for your love as you sent it to others like Venmo
See What Life is Like, is dark and brutal, unsparing in ugly detail. But during a first aid course last week, I couldn’t stop thinking about how smart and accurate her writing is.
Because so many false narratives are being told about Black bodies, it is so crucial to tell the truth about what happens to us and the crimes that are committed against us. I think the true art is sharing the horror in a way that isn’t just trauma porn, but it’s art for a purpose.
REPLAYS: MET HIM LAST NIGHT – DEMI LOVATO & ARIANA GRANDE
Bogeyman in my mind
Trying to creep into reality
Defeated him in the past
So right now he mad at me
REPLAYS: PinkPantheress – Pain
And I 99.9% mean when I say
I’m glad I washed my hands of any
And everything surrounding the pain
REVIEW: HOW OFTEN I HAVE CHOSEN LOVE – XIAO YUE SHAN (FRONTIER POETRY)
Shan’s natural metaphors connect the experiences in this collection to a deep relationship with the physical world, grounding these stories into the earth.
REVIEW: PERHAPS THERE IS A SKY WE DON’T KNOW: A REIMAGINING OF SAPPHO – ANNE PEDONE
Pedone’s poems are more demure than a cleverly placed erection joke, however. She unironically uses words like nectar, taste, and swollen…
CHAPBOOK CONTEST: SUBMISSIONS OPEN!
Submit your chapbook manuscripts to The Poetry Question! Guest Judges: Sofia Fey & Chris L. Butler.
“CONFUSION, DESPAIR, OR HOPE” – TALK TO ME: JIYE LEE
I hope to get the same emotions across whether that be confusion, despair, or hope to the readers and to enforce that in such a way it leaves them thinking about the poems for a while.
REVIEW: DUNCE – MARY RUEFLE (WAVE POETRY)
The poem claims to forbid but finds that grief is not powerful enough to truly erase the names of things.
BROWN STUDY: “SELF PORTRAIT AS A MERMAID OR DEAD GIRL” – GAIA RAJAN
I started thinking about who owns grief, how memory and grief affect the body, and soon enough, the poem turned into an elegy for someone I’ve lost.
REVIEW: STRANGERS – ROB TAYLOR (BIBLIOASIS)
Even if it can be painful, love will not settle down into abstraction. It reaches its fingers into the world, pinches and pulls.
REPLAYS: MY TIME IS NOW – TONE
Whether it’s released during an album’s rollout, planned or unplanned, music listeners ultimately hear that the time is now.
REVIEW: WE ARE ALL SOMEBODY: A POETRY ANTHOLOGY WRITTEN BY STREET CHILDREN GLOBALLY (FLY ON THE WALL PRESS)
These are the voices and verses of street children. Their stories of hardship and trauma, their dreams and hopes.
REVIEW: GIRLS LIKE US – ELIZABETH HAZEN (ALAN SQUIRE PUBLISHING)
Hazen has an acute ability to make a reader feel many unwanted things. Like recollection. Like commiseration. Like retroactive fear.
REPLAYS: PEACHES – JUSTIN BIEBER
We’ll be the one Justin sang about
saying love was until the end of time.
REVIEW: NEON HOLLYWOOD COWBOY – MATT MITCHELL (BIG LUCKS)
Made to look like a vinyl, the Neon Hollywood Cowboy fails not to be a soundtrack fit for queering what we know as the cowboy, the body, the wild west as depicted in hollywood.
REPLAYS: HEARTBREAK ANNIVERSARY – GIVEON
I love the emotion as his baritone voice accentuates the rawness and sincerity in its lyrics. The relatability of the song draws people in and you cannot help but sing along.
REPLAYS: BEAUTIFUL MISTAKE – MAROON 5 & MEGAN THEE STALLION
Beautiful Mistakes has just thrown its hat in the ring for Song of the Summer. As the weather warms up, I can bet we will hear this song blast all over the airwaves soon.
REVIEW: BY BUS – ERICA VAN HORN (UGLY DUCKLING PRESSE)
You find yourself next to the man licking the eczema on his arm, or next to the singing bus driver. Some of the people you meet on the bus will be lovely; others will be objectionable.
REVIEW: MUCH LEFT UNSAID – FINOLA SCOTT (RED SQUIRREL PRESS)
Again and again, the poems invite us to follow them into landscapes familiar and foreign, present and past, and observe their colours, textures, atmosphere
“LETTING THE POEMS SAY MORE THAN I WAS AWARE THEY WANTED TO SAY” – TALK TO ME: KATE FOX
I think the rewards of communicating through neurodivergence are not using up energy on masking and hiding. Plus then embodying the fact that humans think/feel/experience the world differently.
REPLAYS: BRYSON TILLER – LIKE CLOCKWORK
In an industry where the price of fame can change a person for better or worse, Bryson Tiller has remained himself through it all.
REVIEW: MEDUSA RETOLD – SARAH WALLIS (FLY ON THE WALL PRESS)
The epic sets apart internal and external narratives through the usage of italic sections, but these lines start to blur as the story unfolds, reinforcing that our internal lives are inseparable from the outside world.
“IT’S RIGHT UNDER OUR FEET THE WHOLE TIME” – TALK TO ME: JENI DE LA O
there are thousands of Amanda Gormans submitting poems right now, being read and rejected right now, by readers and editors who simply haven’t the refined palate to discern a truffle from button mushroom.
REPLAYS: Russ – Misunderstood
I admire his appreciation for the craft. His consistency and his ability to have people relate to him through his songs is why his fanbase goes hard for the rapper.
#TPQ5: TYLER PENNOCK
What will Tyler Pennock include in today’s #TPQ5? Find out inside!
#TPQ5: DAMIAN WARD
What will Damian Ward include in today’s #TPQ5? Find out inside!
POETRY IN CINEMA: POETIC JUSTICE
It is Angelou’s poetry we hear in Justice’s voice, how she is trying to make good choices in a world where bad choices are sometimes the only choice. – Jessica Mookherjee
REVIEW: THE WORLD ISN’T THE SIZE OF OUR NEIGHBORHOOD ANYMORE – AUSTIN DAVIS (WEASEL PRESS)
It’s an age of transition, somewhere between childhood and adulthood, on the blurry path to independence.
#TPQ5: MAGGS VIBO
What’s Maggs Vibo included in today’s #TPQ5? Find out inside!
REVIEW: LESBIAN FASHION STRUGGLES – CAROLINE EARLEYWINE (SIBLING RIVALRY PRESS)
What does it mean to live within a body that has been projected upon and harmed? What does it mean to want to be seen anyway?
“MUCH OF POP CULTURE STEMS FROM MY CULTURE” – TALK TO ME: CHRIS L. BUTLER
I think you have to be a bit selfish if you’re going to employ this style as a writer. When I say selfish I don’t mean greedy, but rather authentic.
REVIEW: TRICKS OF LIGHT – THADDEUS RUTKOWSKI (GREAT WEATHER FOR MEDIA)
He seems to consider care to be of utmost concern, not just for family, but also for strangers.
#TPQ5: ALICE CURLEY
What will Alice Curley include in today’s #TPQ5? Find out inside!
#TPQ5: EVAN WILLIAMS
What will Evan Williams include in today’s #TPQ5? Find out inside!
REPLAYS – What It Feels Like by Nipsey Hussle & Jay Z
In times where open dialogue surrounding different political issues have come to the forefront, the fact the discussion is happening is evident we are witnessing our own revolution in this lifetime.
REVIEW: BREEZE BLOCK – JAKE HAWKEY (LUMPEN/THE CLASS PROJECT)
There’s the story — love, relationships — and the reader follows the dots Hawkey has so carefully placed. In the same poem, the dots are connected between pop culture and the reader
#TPQ5: WALE AYINLA
What will Wale Ayinla include in today’s #TPQ5? Find out inside!
POETRY IN CINEMA: YOU DESERVE MUCH BETTER IN YOUR LIFE
Animal ‘imprinting’ is hard wired, mechanical almost, just like Lorenz’s ducks, humans attach to anything in that critical period of childhood– whatever its shortcomings.
POWER OF POETRY #128: JANE ROSENBERG LAFORGE
Our classmates were the children of rock stars, writers, critics,visual artists, film editors and movie executives. But everyone in the neighborhood seemed famous to us, just for having been there.
REVIEW: LOOK LOOK LOOK – CALLISTA BUCHEN (BLACK LAWRENCE PRESS)
There’s a sense of absence in this first section as the mother’s body becomes a singular state once again, but there’s also a slip from autonomy.
#TPQ5: MIKE HICKMAN
What will Mike Hickman include in today’s #TPQ5? Find out inside!
#TPQ5: HALLE PRENETA
What will Halle Preneta include in today’s #TPQ5? Find out inside!
REVIEW: WISCONSIN DEATH TRIP – JESSIE LYNN McMAINS (BONE & INK PRESS)
They are unafraid to show the awfulness and bitterness, old beliefs and traditions, terrible acts inflicted by the people who inhabit the snowy state.
REVIEW: SELF-PORTRAIT AS A SINKING SHIP – ERICA ABBOTT (TOHO PUBLISHING)
At times, certain stanzas feel like diary entries not meant for us to read– intimate glimpses into tormenting experiences: the illness of a parent, the paralysis of true friendship, the lure of self-harm, the temptation of suicide. –
#TPQ5: KATRINA LIPPOLIS
What will Katrina Lippolis include in today’s #TPQ5? Find out inside!
DISINTEGRATION – PAUL ROBERT MULLEN (ANIMAL HEART PRESS)
Very often I felt as though the poem depicted a moment I was forgetting; frantically trying to remember the details to, as to savor some beautiful moment.
#TPQ5: JADE HURTER
What will Jade Hurter include in today’s #TPQ5? Find out inside!
Review of Worn by Adrienne Christian (Santa Fe Writers Project, 2020)
And when she writes of family, it’s of more exclusion – the striking disconnect from those with whom we are supposed to be connected.
#TPQ5: ERICA ABBOTT
What will Erica Abbott include in today’s #TPQ5? Find out inside!
REVIEW: YOU WERE SUPPOSED TO BE A FRIEND – ASHLEY ELIZABETH (NIGHTINGALE & SPARROW PRESS)
…Dear John letter, ending with the words, “you are hurting me. i am letting you. i do not want to.” There it is, cut and dry: a breakup. Except it’s not.
WORKING ANIMALS – LIAM BATES (BROKEN SLEEP BOOKS)
After reading this body of work, I discuss its topics and subject matter with a respect that I did not expect to have when starting it.
REPLAYS: Streets by Doja Cat
Whether it’s released during an album’s rollout, planned or unplanned, music listeners ultimately choose the success as we see in Doja Cat’s single, ‘Streets’.
#TPQ5: CARSON SANDELL
What will Carson Sandell include inside in today’s #TPQ5? Find out inside!
POETRY IN CINEMA: WE DON’T TRUST THE NATURE INSIDE US
Spoken over the shots of a child spilling milk and a mother in tears, the poem reminds that we are made by moments that can not be undone.
REVIEW: THE SAMURAI – LINDA M. CRATE (YELLOW ARROW PUBLISHING)
Or perhaps she felt this unfamiliarity with her body all along and only made sense of the reason why after her discovery of the reincarnation. – Robin D. Hendricks
REVIEW: SENTIMENTAL VIOLENCE — GABRIELLE HOGAN (GHOST CITY PRESS)
As we all know, though, joy does not exist without violence — not for Tonya, and not for any of us.
YELLOW JOURNALISM: THANK YOU FOR THE CONTENT – REGGIE JOHNSON (RAD PRESS BOOKS)
One of my favorite wordplay moments, in this collection, can be seen in the confidence exuded in lines like “Reciprocation at its simplicity, You was the one taking shots, And now you stay missing me” (I Love Me).
REPLAYS: ESCOBAR – Xponentbeatz featuring Kriiispy & Halfofyou
This column will take a look at songs from week of which I can’t get enough, and deep dive into my own thoughts in regards to them.
#TPQ5: SAMUEL ADEYEMI
What will Samuel Adeyemi include in today’s #TPQ5? Find out inside!
POETRY IN CINEMA: YOU WERE LOST AND GONE FOREVER, OH MY DARLING
Their flaws are immediate; “I’m a vindictive little bitch truth be told” she tells him. While he ruminates that he falls in love with anyone who gives him attention. – Jessica Mookherjee
“WHICH REQUIRES ME TO BEND LANGUAGE TO MY WILL” – TALK TO ME: TAYLOR BYAS
I absolutely code switch because there isn’t an aspect of my life that doesn’t request that sort of labor from me. It’s built into my life, and therefore it manifests in my poetry. – Taylor Byas
REVIEW: IF YOU DISCOVER A FIRE — SHAUN ROBINSON (BRICK BOOKS)
You start in one place—a forest on fire, a restaurant where you’re stacking individual creamers into a tower, falling in love wearing colorful pants—and by the end, you realize you’ve run into yourself.
#TPQ5: GAIA RAJAN
What will Gaia Rajan include in today’s #TPQ5? Find out inside!
@gaia_writes @Nic_Sealey @fannychoir @carmenmmachado @mfernandespoet
#TPQ5: RILEY DANVERS
What will Riley Danvers include in today’s #TPQ5? Find out inside!
REVIEW: LATE SUMMER FLOWERS – JULIAN DAY (ANSTRUTHER PRESS)
Yes, it really is just a ravine, but Day shares the significance of the place, the things that happened there. Place of sport and suicide. Place of celebration.
REVIEW: FOEVERHAUS – KAILEY TEDESCO (WHITE STAG PUBLISHING) – review by Kristin Garth
There is a candy-coated communion of saints inside these poems that encapsulates the terror of treats of childhood. A “peppermint Jesus” and “cinnamon virgin” cohabitate in these pages with the Bloody Mary.
#TPQ5: DAVID HANLON
What will David Hanlon include in today’s #TPQ5? Find out inside!
POETRY IN CINEMA: A MATTER OF LIFE AND DEATH – JESSICA MOOKHERJEE
The long drawn out arguments over life and death, over decisions of who to love – are almost meaningless in the ‘heat of the moment’ and when faced with imminent destruction.
REVIEW: WOUND FROM THE MOUTH OF A WOUND – TORRIN A. GREATHOUSE (MILKWEED EDITIONS)
it is of value, why try to fix the other parts, “…make them/more normal”? Would it be better to embrace the body in its natural state? – Martha Warren
#TPQ5: STEVEN ALEXANDER COUSLER
What will Steven Alexander Cousler include in today’s #TPQ5? Find out inside!
POWER OF POETRY #127: ANNE FRICKE
Sometimes the moments are tense, and the uncomfortable stretching and growing of the audience are palpable. Other times, the open-hearted connections embrace the poet with unshakable support.
POETRY IN CINEMA: THESE HUMANS ARE EXTRAS, EXTRA HUMANS
However, there may well be a responsibility in the storyteller to carry the world’s stories. As Wings of Desire shows who bares witness makes all the difference to the end of the story. – Jessica Mookherjee
#TPQ5: KATE (8) VAN PETTEN
What will Kate (8) Van Petten include in today’s #TPQ5? Find out inside!
REVIEW: WAYS WE VANISH – TODD DILLARD (OKAY DONKEY PRESS)
We are the hopes and dreams of those who would not live to see us get there – because death, and not for any other reason; however, those times where new life beckons as old life waves goodbye can bring light enough to brighten the sky to an otherwise desolate moment.
REVIEW: ELECTRIC SARCASM – DIMITRA IOANNOU (UGLY DUCKLING PRESSE)
Electric Sarcasm is an elegy faithful to the Greek root of the word; a lament for Greece, a country so important for its ancient ruins, facing financial ruin.
#TPQ5: COLLIN JONES
What will Collin Jones include in today’s #TPQ5? Find out inside!
REVIEW: WOUND FROM THE MOUTH OF A WOUND – TORRIN A. GREATHOUSE (MILKWEED EDITIONS)
Her poems don’t just show the reader these issues, they pull the reader into them, making them wear them like a skin.
#TPQ5: TYLER PENNOCK
What will Tyler Pennock include in today’s #TPQ5? Find out inside!
REVIEW: SPECTRUM OF FLIGHT – DAVID HANLON (ANIMAL HEART PRESS)
Utilizing the layout of text on the page, suggestive titles and clever wordplay, he creates an intricate narrative that enhances the reading experience.
REVIEW: RUSTED BELLS AND DAISY BASKETS – ANDREA PANZECA (FINISHING LINE PRESS)
… she shows the grittiness of her fighter self in her dreams, while simultaneously rejecting the idea of men as saviors.
REVIEW: AT FIRST & THEN – DANIELLE ROSE (BLACK LAWRENCE PRESS)
if Rose decided to give a craft talk on titles alone, I would slam my fist, fanning with twenties, on the table and scream, “Here, take my money!” – Lannie Stabile
#TPQ5: JORY MICKELSON
What will Jory Mickelson include in today’s #TPQ5? Find out inside!
POETRY IN CINEMA: IT’S NOT AN EASY THING TO MEET YOUR MAKER – JESSICA MOOKHERJEE
This week I tackle the poetry in Ridley Scott’s Blade Runner and specifically the use of William Blake’s poem, America: A Prophecy.
REVIEW: LIFE IN SPACE – GALINA RYMBU ( TR. JOAN BROOKS) (UGLY DUCKLING PRESSE/AFTER HOURS EDITIONS)
Sex is set against a backdrop of war and politics, so devoid of emotion and joy you can “count the bites and hickeys from dead lovers.”
REVIEW: THE TALES OF FLAXIE CHAR – ELIZABETH HORNER TURNER (DANCING GIRL PRESS)
“…explores the line between the fantastical and insanity in a woman pushed to the brink by tragedy…”
REVIEW: THE TALE OF TURKISH CARPET – JACQUELINE SAPHRA (BAD BETTY PRESS)
The poem is a great tale of how we ‘interpret’ other people’s lives when we go to other’s cultures and yet might forget the constraints on our own, thinking them normal. Until – it all gets too much.
#TPQ5: ALLISON BIRD TREACY
What will Allison Bird Treacy include in today’s #TPQ5? Find out inside!
POETRY IN CINEMA: IT DOESN’T REALLY RHYME THOUGH
Maybe because Paterson stands for more then the poet, he stands for the poetry of a place, the breath, a name, a location inspiring the life that poetry can give a person’s mind. – Jessica Mookherjee
#TPQ5: LINDSEY HEATHERLY
What will Lindsey Heatherly include in today’s #TPQ5? Find out inside!
WOMEN WRITERS OVER 30: REVIEW: LARARIUM – RAY BALL (VARIANT LIT)
She says “snakes always my company” and just like Medusa she apparently has the power to elicit stoicism in her father. In this way, she is taking some of the power back from her father in their difficult relationship. However, also just like Medusa she is mortal, as seen in the line “cannot shed their skins.”
#TPQ5: ROBIN McNAMARA
What will Robin McNamara include in today’s #TPQ5? Find out inside!
#TPQ5: SHAWN BERMAN
What will Shawn Berman include in today’s #TPQ5? Find out inside!
POETRY & CINEMA: MISTAH KURTZ – HE DEAD – JESSICA MOOKHERJEE
Elliot and Coppola, both modernist poets, do the age old job of the poet, to tell tales of war and the heroes of war. They do it, like Kurtz, with awareness of poetry, with images of beauty.
REVIEW: BODEGA NIGHT PIGEON RIOT – AMANDA DEUTCH (ABOVE/GROUND PRESS)
Like riding in the car, riding the subway is a moment where many people wrestle with their thoughts. Sometimes these thoughts are a diagnosis of the self, other times they are external, a commentary on the troubles of the world around us.
WOMEN WRITERS OVER 30: TUNED: SELECTED POEMS – KYLA HOUBOLT (CCCP CHAPBOOKS)
“Ms. Houbolt’s solution to the horror of likely permanent and ever increasing climate change that is necessarily affecting us all, involves the continuing reverence for nature and not throwing away what we all desperately need.”
