Browne has repeatedly asserted herself as one of the most preeminent voices in America, and her work has always been unflinching and vulnerable. – Ronnie K. Stephens
The reader is transported into the heart of myth by Jessica’s uncanny ability to capture its essence, with such depth that it is both haunting and indelible. – Martins Deep
Add Schneberg to the list of authors you turn to, in your own crises and in the crises of others. – Ronnie K. Stephens
Review by Ejiro Edward “I’ve stopped taking pictures of my surviving children. I take pictures of the snow, and what the snow covers”. from Family therapy The author of Church Ladies, Renee Emerson has released yet another engrossing masterpiece to the world. In the poetry collection of The Commonplace
Baird truly pours her heart onto each page, and it can be felt beating in every single word. – Isabella Ciraco
From From offers an opportunity to consider what it means to be an American, to reach inside oneself to critically examine the ways in which western ideology has impacted colonization and racial identity. – Catie L. Young
Su Cho’s The Symmetry of Fish is a summon into experience, adventure, loss, sadness, pain and enlightenment. – Michael Imossan
Siaara Freeman shrieks and wails, but she also knows when to pull back, when to whisper and when to let the blank space reverberate like the ghost of a storm – Ronnie K. Stephens
Join Chris in conversation with Nat Raum, Editor of Fifth Wheel Press, about passions, process, pitfalls, and Poetry!
Bennett has established himself as an intensely patient and deliberate writer capable of upending genre as seamlessly as he upends our understanding of the world. – Ronnie K. Stephens
This year I been moving different
People acting mad funny – Peter griffin
People shooting for the stars
When they should’ve just stayed wishing
– Reggie Johnson
Take it back to the time
To who was really riding with me
And not just in the passenger seat
– Reggie Johnson
Join Chris in conversation with former United States Poet Laureate and author of Musical Tables (Random House), Billy Collins, about passions, process, pitfalls, and Poetry!
Blood again on my cardigan
Yes, we could’ve been more than friends
– Reggie Johnson
Join Chris in conversation with performance poet, advocacy journalist, and teaching artist, Donney Rose, about passions, process, pitfalls, and Poetry!
Bet
I’m over here just matching my energy
You sigh in relief
But there ain’t no relief in me
– Reggie Johnson
Franny Choi’s “Wildlife” and “Demilitarized Zone” both offer excellent frameworks to facilitate lessons that center retrofitted memory and alternate history as a cathartic process. – Ronnie K. Stephens
Join Chris of The Poetry Question in conversation with Courtney Faye Taylor, author of Concentrate (Graywolf Press) and winner of the Cave Canem Poetry Prize, about passions, process, pitfalls, and Poetry!
I ain’t mixy
If my actions change
Adjusting to your nonsense
Now all of sudden I’m acting strange
– Reggie Johnson
The equation is one, in which, survival and domestic intimacy, are constants. It is true then, that emet ezell was first, a witness, before being identified as a poet. – Martins Deep
Join Chris of The Poetry Question in a sit down with Luther Hughes, author of Shiver in the Leaves, about passions, process, pitfalls, and Poetry.
Had to spell it out for you
On my national Scripps
Quiet ones to watch
Since we stay tight lipped
Readying my arsenal
Stay fully equipped
– Reggie Johnson
Olzmann’s choice to fully immerse himself in the epistle offers a chance to display his range of voice, to give space to seemingly disparate social inequities, to remain constantly intimate in his conversation with the reader.
Overdue for a reset
Been climbing mountains and mountains
But I haven’t peaked yet
Still gotta eat yet
– Reggie Johnson
Join Chris of The Poetry Question in a sit down with Jasminne Mendez, Author of City Without Altar (Noemi Press), about passions, process, pitfalls, & Poetry!
Join Chris in a sit down with Saida Agostini Bostic, author of Let the Dead In (Alan Squire Publishing), about passions, process, pitfalls, and Poetry!
Who’s gonna love you
If you can’t love yourself
Because the actions that you did
Were bad for my mental health
– Reggie Johnson
Debut author Jayme Ringleb has mastered the art of language that yearns, of metronomic white space that beats with all the quiet inevitability of an unrequited heart. – Ronnie K. Stephens
Join Chris in a sit down with Dr. Destiny O. Birdsong, author of Nobody’s Magic (Grand Central Publishing) and Negotiations (Tin House), about passions, process, pitfalls, and Poetry!
Luckily I clean it up well
Yeah prepare for the tide
Not a stain on me
We take off on our ride
– Reggie Johnson
Join Chris in a sit-down with the legendary Sandra Cisneros, author of Woman Without Shame (Alfred A. Knopf), about passions, process, pitfalls, and poetry!
“This collection is a testament to love beyond mortal remains, beyond the bleak stillness of nights and days consumed by stages of grief….” – A.R. Salandy
Jones reaffirms his place as one of the most talented living poets writing in English with this collection, demonstrating an ever-evolving mastery of language and a distinct eye for structural balance. – Ronnie K. Stephens
Join Chris in a sit-down with Aurielle Marie, author of Gumbo Ya Ya (University of Pittsburgh Press), about passions, process, pitfalls, and poetry!
His use of structure, rhythm and extended metaphor are among the best, and his particular utilization of the crow throughout A Shiver in the Leaves sets this debut apart as one of the most layered, complex collections of the year. – Ronnie K. Stephens
Join Chris in a sit-down with @ink_just_ink, EiC of @StanzaCannon and author of 61 Central (@FLPress), about passions, process, pitfalls, and poetry!
I love putting odd images together, playing with alternate definitions of words, twisting the end. My adult me is the one who figures out where to submit the glorious mess I make of a poem. – Nolcha Fox
Xie’s use of the imperative voice, intentionally or not, mirrors the language in Kincaid’s text, and both authors use the imperative specifically to convey expectations to younger generations of women. – Ronnie K. Stephens
Dramamine because I’m sick of you
When patience ran thin
Where was thick for you?
What didn’t click for you?
– Reggie Johnson
Join Chris in a sit down with H. MELT, about passions, process, pitfalls, and Poetry!
It’s a testament to all of us holding depression and joy in both hands, to everyone that has ever felt their world could end before the sun goes down. – Caitie L. Young
You’re no longer a need
No longer a want
A picture in my mind
My dreams you won’t haunt
– Reggie Johnson
The poems are clearly the work of someone who has dedicated significant time to craft, & who approaches language like an anthropologist or philosopher might. – Ronnie K. Stephens
At the heart of the poem is an image of the author’s passport, effectively bridging mythos and history to highlight a long and violent legacy of colonialism and its impact on colonized peoples. – Ronnie K. Stephens
No matter the companionship
Friend, coworker or foe
You’ll never catch me banana slip
I literally never think about you
I just stack chips and I dip
– Reggie Johnson
Winters offers a layered and thoughtful critique of the immigrant experience in America, the nuances of her relationship with her father and how borders operate in our lives. – Ronnie K. Stephens
Now we just on the road
No one knows where we going
Has the love come and gone
Did we miss the moment?
– Reggie Johnson
Rachel McKibbens “The Widower” captures students because it’s visceral, emotional, and refuses to be ignored. – Ronnie K. Stephens
I had thoughts
Deep thoughts
Of me, myself and the pen
Replay the moment in my head
Not taking it for granted again
Some people say they family
And they never been a kin
– Reggie Johnson
Soto’s poems are meant to be rough, triggering at times, and cut straight to the point. Readers can’t help but understand the message, empathize, and feel like we’re supposed to fix things ourselves.
Hey how you doing?
Are you getting tired yet?
I might forgive you
But I never forget
– Reggie Johnson
The language, lyrically dispensed in its distinct style, portrays bravery and reveals a poet whose voice is both an ache and a cure. – Martins Deep
The risk of centering a speaker who is, at times, painfully self-involved is significant, but Chen balances these sentiments with frequent moments of grace, desire and appreciation. – Ronnie K. Stephens
There is a fine line
In the root of good and evil
So stop it with this balancing act
– Reggie Johnson
Vuong uses structure to further disrupt linear fluidity. His poems frequently utilize a style of enjambment that eschews natural speech, presenting fragments that time and again force the reader forward. – Ronnie K. Stephens
𝐏𝐎𝐄𝐓𝐑𝐘? 𝐅𝐔𝐂𝐊 𝐘𝐄𝐀𝐇.
It’s the only shirt your kid’s teacher won’t dress code them on.
Maya Marshall’s debut interrogates the current sociopolitical nature and its threat to reproductive rights, choice, and Blackness. – Caitie L. Young
They don’t like us outside
But now we ain’t gonna be inside
From the inside, I can see your insides
Looks like y’all don’t like yourself inside
y’all should’ve kept your opinions inside
– Reggie Johnson
Not into too many surprises
Unless it’s a special occasion
And whenever I’m with you
It’s a cause for a celebration
– Reggie Johnson
Paul Tran’s long-awaited debut collection, All the Flowers Kneeling, is a fierce reminder that Tran is one of the most talented and visceral poets writing in America today. – Ronnie K. Stephens
Running from the fears
When it’s coming from the inside
No more counted out
No where for me to hide
Who knows what happens when
Pain and perseverance collides?
– Reggie Johnson
Order your copy of A.R. Salandy’s Half-Bred! Only 100 copies available!
Discussing mental health in the classroom can be incredibly daunting, especially as educators face public criticism and accusations of indoctrinating students. – Ronnie K. Stephens
Sometimes I feel overwhelmed and I just need to breathe
Inhale exhale put my mind at ease
– Reggie Johnson
Each section speaks to a specific season, emphasizing the passage of time and its effect on our understanding of the world around us. – Ronnie K. Stephens
If I was going to try and convince someone that poetry is our most important verbal art, I would start with The Hurting Kind. – Ronnie K. Stephens
For me it’s sink or swim
Too many people I extended branches
And gone out on a limb
The switch up is contagious
Many do it on a whim
– Reggie Johnson
This month, I’m sharing some of my favorite pedagogical practices to introduce during National Poetry Month, as well as some of the poems I return to in my classes year after year. – Ronnie K. Stephens
Get ready to submit your manuscripts! This year’s submissions are FREE; however, to make that happen we need your help!
This entire collection is a canal–a wrenching chasm opening for rebirth–a witness to the psyche, split apart, in a world ruled by men who abandoned their humanity for the sake of domination. – Melissa Ferrer
“Against Heaven is an ode to blackness with a question mark to Black Christianity. It is a tribute to queerness and transness. It is a love letter to polyamory, and the lovers had and yet to have….” Lyra Thomas
The nightmare is when all the magic stops
Boogeyman syndrome, stay away
– Reggie Johnson
Stewart is at her best, masterfully blending her understanding of craft with her keen ear for orality to offer a collection readers will be talking about for years. – Ronnie K. Stephens
Join Chris and Courtney in a sit down with @CropTopAssassin, author of The Porch (@yesyesbooks), in a conversation about passions, process, pitfalls, and poetry!
“[There is a] willingness to engage space as a living entity, something that is at once incomprehensible and animate”. – Ronnie K. Stephens
There’s a deep hurt I feel when I share my food with others and they respond with, “That looks gross!” – Alex Dang
Chris sits down for a one-on-one with Reagan Myers, author of Afterwards (Button Poetry), to talk about passions, process, pitfalls, poetry… and YA lit!
Chris sits down for a one-on-one conversation with Taylor Byas, author of Bloodwarm (Variant Lit), for a conversation about passions, process, pitfalls, and poetry!
“I wonder if I can write an entire manuscript centered around the lines from [the Growing Pains] theme song. And that is what I did”. – Claire Taylor
“Hendrix does not shy away from the complex, daily horrors that were ushered in, and the microscopic to multidimensional trauma that came from hearing the city cheer nightly, like a ritual or like war”. – Rachael Crosbie
“I have also tried to be somebody that I’m not. It hurts to crack yourself into multiple parts. It is the loudest noise. It breaks you”. – Alex Dang
The song served as a reintroduction for my love for writing. For the first time, I was able to combine my love for both music and writing together.
My love for music dates back to me being a kid, where whenever my mom needed to occupy my time while she was busy, she would turn on the music videos.
Should’ve learned to love me
By asking questions
Instead of taking my actions for granted
And second guessing
My motives
My intentions
All in all, it’s a one for one exchange of the original myth, albeit more fleshed out, modern, and quietly queer. – Lannie Stabile
This chapbook showcases a voice reclaiming words meant to hurt, detailing the traits wanted in a lover, and reminding the reader “not to accept what’s in front of you / at face value.”
She says her time is money
And I don’t have time to waste
Tired of dealing with the same dudes
Done with the copy and paste
Babygirl just like wine and I’m trying to have a taste
What makes The Dandelion Speaks of Survival special is that it is more than a collection by a Black writer, but rather an Ode to Blackness.
In each poem, readers can feel the undeniable aspect that, like nearly all mixtapes, this chapbook is for somebody (at the very least, the amalgamation of “you” that exists in all of our longings).
Filled with positivity
Strengthening my sanity
Took last year
As a moment of clarity
The things you see now
Bask in the rarity
Didn’t know what depression felt like
Until I was nineteen
It took my crown and the jewels
And said it was fit to be king
I been doing this here since Wayne’s dedication
I been doing this here, hear the dedication
I’ve been doing this hair, na look at the transformation
Went bald on everyone
And look how things shaping up
If you ain’t growing with me
Then you had to be cut
I used discarded camera and computer parts to print into clay tablets. I bleached chicken bones, spray-painted various objects, drew large-scale oil pastel scenery, and cut up old books all for art installations.
I can be your new edition
Can you stand the rain
And when the grey clouds roll away
Does the sun reveal your pain
But as the moments move forward, nothing breaking through the quiet, we are met with the release of breath the speaker has been holding for far too long
This week’s #REPLAYS takes on “Love Line,” the newest track from British producer Shift K3Y, featuring Tinashe.
If this is what it means to be godly, why would anyone stay? And if you are already considered to be straying, why not have some fun with it?
“Home-Going Celebration” is a sly poem that bubbles with contradictions. An elegy rooted in mourning, the language pops with the dizzy rush of one sip too many.
I’m inspired a lot by stand-up comedians, so a lot of my work is me pretending I’m on stage telling a joke, trying to draw the audience in. – Shawn Berman
