Tag: THE POWER OF POETRY

REVIEW: ALL THE BLOOD INVOLVED IN LOVE (HAYMAKET BOOKS)

Maya Marshall’s debut interrogates the current sociopolitical nature and its threat to reproductive rights, choice, and Blackness. – Caitie L. Young

REPLAYS: SURPRISE BY CHLÖE BAILEY

Not into too many surprises
Unless it’s a special occasion
And whenever I’m with you
It’s a cause for a celebration
– Reggie Johnson

REVIEW: ALL THE FLOWERS KNEELING – PAUL TRAN (PENGUIN POETS)

Paul Tran’s long-awaited debut collection, All the Flowers Kneeling, is a fierce reminder that Tran is one of the most talented and visceral poets writing in America today. – Ronnie K. Stephens

RELEASE DAY: HALF-BRED – ANTHONY SALANDY

Order your copy of A.R. Salandy’s Half-Bred! Only 100 copies available!

SPEAK FREELY: MENTAL HEALTH AND THE POETICS OF COLLECTIVE HEALING

Discussing mental health in the classroom can be incredibly daunting, especially as educators face public criticism and accusations of indoctrinating students. – Ronnie K. Stephens

SPEAK FREELY: NATIONAL POETRY MONTH EDITION

This month, I’m sharing some of my favorite pedagogical practices to introduce during National Poetry Month, as well as some of the poems I return to in my classes year after year. – Ronnie K. Stephens

REVIEW: BLOODFRESH BY EBONY STEWART (BUTTON POETRY)

Stewart is at her best, masterfully blending her understanding of craft with her keen ear for orality to offer a collection readers will be talking about for years. – Ronnie K. Stephens

REPLAYS: OVER – DRAKE

The song served as a reintroduction for my love for writing. For the first time, I was able to combine my love for both music and writing together.

CHAPBOOK CONTEST: SUBMISSIONS OPEN!

CHAPBOOK CONTEST: SUBMISSIONS OPEN!

Submit your chapbook manuscripts to The Poetry Question! Guest Judges: Sofia Fey & Chris L. Butler.

BROWN STUDY: “SELF PORTRAIT AS A MERMAID OR DEAD GIRL” – GAIA RAJAN

BROWN STUDY: “SELF PORTRAIT AS A MERMAID OR DEAD GIRL” – GAIA RAJAN

I started thinking about who owns grief, how memory and grief affect the body, and soon enough, the poem turned into an elegy for someone I’ve lost.

WE HAVE THE GREATEST COMMUNITY

WE HAVE THE GREATEST COMMUNITY

This is not a post about poetry. This is a post about reaching out to the community for help in a time of need. The outpouring of love and help thus far has been beyond overwhelming. We are humbled and grateful.

THE POWER OF POETRY #29: A.M. O’MALLEY

THE POWER OF POETRY  — A.M. O’Malley I first found poetry when I was nine years old in a beat up paperback copy of Alfred Tennyson’s collected poems that my father had. One Saturday, when no one was around, I stole the book away to my corner of the back

THE POWER OF POETRY #6: “A POND, A STICK” – DIANE SEUSS

  A Pond, a Stick I just finished grading final portfolios for two of my poetry courses, here at the tail end of the academic year when teachers feel foul, ragged, bone-tired, and heartbroken. I have found myself wondering if poetry is in a losing battle with Kim Kardashian’s ass

THE POWER OF POETRY #5 – TONGO EISEN-MARTIN

  The Power of Poetry Tongo Eisen-Martin Poetry does as much as the reader is ready for. Does as much as the writer can walk through her or his walls. Therefore poetry is every stitch of an expanding universe; every stitch of an expanding universe speaking for itself. Or therefore

THE POWER OF POETRY #3: JENNY DRAI

  “The Power of Poetry” by JENNY DRAI 1. I remember the poem that made me want to be a poet—it was Paul Celan’s “Night Ray” (“Nachtstrahl”) from Poppy and Memory. (I first encountered Celan as an undergraduate German major. Up to that point, I had written almost exclusively fiction

POWER OF POETRY #2 – EBONY STEWART

    “Power of Poetry” by EBONY STEWART I remember being eight or nine when my parents finally got divorced. Or should I say, when my mother finally gathered all her strength to leave my father. She took us with her. I wasn’t sad, I knew they shouldn’t be together.