The Daily Prompt – December 2 – The Dog Ate My Homework

Best_Homework_Excuse_Ever_by_Inonibird

Rules:

1. Use the prompt in the way it’s intended (starting a sentence, the title of the piece, theme, etc)

2. You may write in any format you see fit (fiction, non-fiction, poem, song, script, etc.)

3. Post your piece of writing in the comments section of the website to be considered for the ‘Best Of’ section.

The Prompt:

You walk into the classroom, and realize that you’ve forgotten to finish a major essay that is due today. You approach the teacher with your best excuse.

“Mr. Teacher, I _____________________________________________.”

“Retweets and Followers”

Everyone is just a Twitter follower nowadays, “retweeting” each other’s style and actions. So many of us lay dead in the streets, lay spread in the sheets, because our older brother told us that banging was cool, be that gang or… otherwise. Too many have left their morals and beliefs behind because their friends have said “just one hit bro” or “everyone does it, pussy”. As a “straight edge” kid, fuck I hate that term, that hangs out at parties and chills with the “stoner crew” I have seen a lot of peer pressure in my days. This pressure put on to your “friends” should really be pressure that pushes them away from you, not that pushes them into poor choices.

Teachers always told me to follow the leader, but I took that as a temporary suggestion for the lunch line only. My peers seem to have taken this suggestion to heart; their listening skills must be better than mine, however, my interpreting skills must be more efficient. You see, my peers here in the youth culture have found the easiest way to be yourself is by letting MTV tell you who you are. Few of us take claim to our own ideas, follow our own dreams and live our own lives. Singularity is swallowed in the sea of society, waves of media crash into the levee walls around your character until it crumbles and you merge into the ocean of everyone else. You should be the biggest priority in your life, because if you aren’t here and prospering, how will you ever make a positive impact on your family or friends? You are the most important person in your life, period.

One of my favorite sayings is “run from the pack”, it came from one of my mediocre poems that I wrote a while ago, but that line just stuck with me. I think it is because that small phrase embodies everything I’ve written up until now, in four simple words. If you stay with the pack; you’ll go somewhere, don’t get me wrong, you’ll get a job in a cubicle or on the line in a factory, make enough money to support your family of four and pay your two mortgages. But you will be showered in regret, especially after the divorce and bankruptcy, you’ll ask questions like “how did I get here?” and “where did I go wrong?”. You went wrong when you followed the path your parents made for you: go to this college, get this degree, get a job here and retire at this age. You should have ran, far away; to whatever part of the earth that called you, whatever path in life was right for you.

Think about this next time you go to “retweet” someone.

The Bedroom is a Sanctuary for Sleeping, Sex, and Reading.

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It’s 80 degrees in Vancouver, Washington right now. It’s almost 7pm, and it’s finally that time of the year where I regret not having air conditioning, or larger fans, or that the insulation in my attic is too thin and far from up to code. I’m in the process of recovering from surgery, and I’ve been fairly bed-ridden for the last week, and with a few days to go, I think I’ve watched my way through Netflix, caught up in Californication, killed a handful of flies, and stared out my bedroom window enough times to memorize the curves on the gutter down spout that sits almost three feet from the sill. The one thing I’ve yet to do is the one thing that I’ve truly wanted to do this whole time – read.

I thought that given my situation, I’d be drawn to books, but unfortunately that has not been the case. I ordered a lot of them, and as they’ve begun to show up, I’ve definitely been excited to see them – but I haven’t opened them yet. Well, I opened up the autographed copy of Chorus by Saul Williams, and it made me smile to know that I have something I’ve coveted for so long.

I don’t read much beyond my basic curriculum during the school year. For some reason I felt as if reading during the school year made me lose focus on what I was doing in my classroom. It’s a sad excuse, and one that I know is an excuse. I’ve been using it for a long time. The honest truth is that I enjoy the mental shutdown of watching television, and reading at home sounds tedious at times. All that changed over the last couple of days.

I spent the first five days of recovery at my parents’ house, in order to give my fiance an ample opportunity to move around the house a bit. We combined households almost a year ago, but have finally started to make the home ours versus mine. She moved our bedroom into a different room, changed around the living room, and reorganized to truly make this place look like a home for the first time in the three years I’ve lived here. One of the main changes is that we’ve removed the television from the bedroom. It had become a distraction. The bedroom, as she would say, “is a sanctuary for two things: sleeping and sex.” How on earth can I argue with that? That being said, now that I’m home, and confined to the bedroom for a few more days, it’s become a room where I can sit down and read instead of watch movies the entire day.

Last night, I read B by Sarah Kay. It was a short children’s book of a solitary poem, with gorgeous simplistic illustrations. Well worth the read, and a nice way to ease back into things. Tonight I will start on Chorus by Saul Williams. I’m a huge fan of his work – both music and poetry – so I’m truly looking forward to digging into the text. It’s a signed copy, so I’ll take my notes on sticky notes instead of inside the book itself, and unfortunately, this means I won’t be underlining phrases, or highlight things that truly stick out. I’m okay with that. I’ll survive on scattered yellow notes throughout the book.

So, tonight I settle in with a margarita, and a nice book of hard-hitting poetry. Sounds like a fantastic evening to me.

Tonight, We Raise a Tall Glass, Tell Tall Tales, and Talk of Dirty, Dirty Things, in Honor of a Great Man

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When we look back upon our schooling, we don’t often remember specific lessons, or assignments, or even papers we wrote. We might be able to recall a few novels, maybe some graffiti we left in a bathroom, or the time when we got pantsed in the hallway, or laughed at in gym class, but we do remember our favorite teachers. We remember the people who made an immediate impact on us, or who years after hating, we realized that they taught us everything we needed to know about x, y, and z. They were our mentor, our advisor, our oracle, and our leader, but made sure we knew they weren’t our friend. They were tough when needed, kind when warranted, and always there to answer life’s great questions.

I don’t know if my favorite teachers are alive or dead. In fact, I haven’t tried to find any of them in more than a decade. Most of my teachers were in their early 30′s – 40′s when I had them, and I never stopped to think about a time when they wouldn’t be there anymore. Unfortunately, my students will come face to face with that exact thought when they walk through the doors of Evergreen High School tomorrow, and find out that Doug Rogers has passed away.

Mr. Rogers has taught metal tech and shop classes at Evergreen since 1988, and was the most sarcastic, dirty, and matter-of-fact curmudgeon that one could ever meet. Known for sending out his weekly dirty-joke emails – for which anyone else would have been immediately fired – he made you feel like his best friend. He flirted with all the female staff members, poked fun at every student, and made sure that if you were of age, that at some point you shared in a bottle of scotch or a beer from the kegerator in his garage.

Doug was one of the first people I ever met when I joined the Evergreen staff 9 years ago. He immediately offered to take me out for a drink and tell me all the dirty secrets about the school, and everyone who worked there. I’ve received at least a call a week to my classroom phone – typically during class – to ask how to “get these little fuckers in line” or “how do we teach these little shits to read a god damn manual.” He made jokes at every meeting, asked all the pointed questions, and was never afraid to disagree with administration about how the school was being run. He was a fiery little man, who made his presence known in the largest of ways.

Tonight, we raise a tall glass, tell tall tales, and talk of dirty, dirty things, in honor of a great man, because he would have it no other way. Doug Rogers was a legend at Evergreen High School, and he will be forever missed.

INTERVIEW: Margaret Cho On Facing the Future and Chocolate Ice Cream

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From the Margaret Cho Bio: While thrilled with her two Grammy and recent Emmy nod, Margaret has never turned away from the causes that are important to her. She is incredibly active in anti-racism, anti-bullying and gay rights campaigns, and has been recognized for her unwavering dedication. She was the recipient of the Victory Fund’s 2008 Leadership Award and the first ever Best Comedy Performance Award at the 2007 Asian Excellence Awards. She also received the First Amendment Award from the ACLU of Southern California, and the Intrepid Award from the National Organization for Women (NOW). Throughout her career, she has been honored by GLAAD, American Women in Radio and Television, the Lambda Legal Defense and Education Fund, the National Gay and Lesbian Task Force (NGLTF), the Asian American Legal Defense and Education Fund (AALDEF), and PFLAG for making a significant difference in promoting equal rights for all, regardless of race, sexual orientation or gender identity. In June of 2011, Margaret was honored by LA Pride, receiving a Lifetime Achievement Award, recognizing an individual whose lifetime body of work has left a lasting major imprint on the LGBT community.

Through her hard work, Margaret has had the opportunity to be heard, to extend her point of view and become regarded as a true pioneer in her field. She takes none of it for granted. “It’s a wonderful thing to be known as a ‘safe haven’ for people. A lot people who come to my shows don’t necessarily consider themselves traditional comedy fans. I seem to be a safe alternative for people who don’t think they’re being represented in society. They come because my point of view satisfies a lot of what needs to be said out there, and that makes me really proud.”

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TPQ: You grew up with your parents running Paperback Traffic, a bookstore in San Francisco. What types of books did you find yourself gravitating toward, and why?

MC: I loved everything. I read everything. Art and poetry and literature and trash and sci fi. I didn’t know what I would become yet and I needed to read to figure it out.

TPQ: As an educator myself, I’m always curious about arts based high schools. You attended the San Francisco School of the Arts. How do you feel your education differed from what you might have received in a standard high school environment?

MC: Yes we had 4 hours a day of our own chosen field, which was theatre, dance, art, music – then the rest of the time in math and science and history. I loved it, but I dropped out of the classes I didn’t care for which isn’t the best.

TPQ: In the early portion of your career, you had the opportunity to work on Golden Palace with Rue McClanahan, open for Jerry Seinfeld, and work with Bob Hope. What was the best piece of advice you received from those comedians?

MC: Seinfeld told me to quit school and be a comedian, rue taught me how to sing on key, bob showed me you could still do comedy at an age when most people aren’t doing that much.

TPQ: You have never had a problem with unfiltered comedy, and you are always willing to poke fun at things that tend to force people into either conversation or discomfort. Have you ever written jokes that you’ve been uncomfortable performing on stage, or do you feel that everything is fair game?

MC: I am sure I have, but that happens. and I kind of let it go in my mind, as I don’t want to bring myself down to place where there are hard and fast rules. In general I try to be compassionate, but that is dependent on the moment ultimately.

TPQ: Obviously you’ve been a constant activist for the LGBT community. We have a number of high school aged readers, and some of them struggle with the very issues that you campaign for on a regular basis. What advice would you give for teenagers who are struggling with opening up about their sexuality?

MC: I wish that I could give them the freedom to be themselves and the ability to face all of the future unafraid. But that’s something that has to come from within.

TPQ: What is your writing process, and how does it differ when you’re writing for stage versus screen?

MC: There’s no real process, it’s constant. I am always writing no matter what I am doing and no matter what it is for.

TPQ: Since we are The Poetry Question, we have to ask: What is Poetry?

MC: Good words in time.

TPQ: Since you’ve been working with Jim Short on the podcast Monsters of Talk, how do you feel podcasts, and social media outlets like Twitter have changed the face of comedy?

MC: It’s made comedy so accessible and topical and deep. I love all these things and utilize them daily.

TPQ: Do you prefer yogurt, or ice cream? What do you enjoy as toppings?

MC: Chocolate ice cream no toppings.

TPQ: If you could sit down for a conversation with any actor, author, comedian, or musician, dead or alive, who would it be, and what would you want to talk about?

MC: I’d ask Groucho Marx if there were any clubs he would like to go to, but not join as membership wouldn’t be required.

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The Real Poetry Question

As my first contribution to this blog, I thought I should aim high and try to answer the biggest poetry question of all: What exactly is poetry?

Haven’t people been asking that question and answering it—or trying to—for thousands of years? For as long as there has been poetry? Of course, that’s part of the difficulty in answering the question; poetry has been so many different things to so many people over the course of its history that it is impossible to construct a monolithic, one-size-fits-all definition of it that will satisfy everyone. This is what Samuel Johnson meant when he wrote, “To circumscribe poetry by a definition will only show the narrowness of the definer.” You think you’re telling me what poetry is, but actually you’re telling me who you are.

Still, the question gets asked. A lot. Especially if you are, like me, someone who identifies as a poet. Billy Collins, one of my mentors, got so tired of being asked to explain the difference between poetry and prose that he started saying, “Poetry is a bird and prose is a potato.” An answer like that usually provides enough time to get away to the bar and order another drink.

I could answer people by saying, “No one can agree on what poetry is.” But I decided on a different strategy years ago, which resulted in an obsessive search for all the definitions of poetry that I could find. And here’s what I’ve discovered: While it’s true that not everyone can agree on what poetry is, you can find definitions that are similar because they point to the same quality of language that the authors thought was essential to poetry. Emily Dickinson, who famously wrote “Tell all truth, but tell it slant” would probably agree with John Ciardi, who believed that poetry “lies its way to the truth.” If somehow then James Branch Cabell walked into the room and pronounced that poetry is “man’s rebellion against being what he is,” Ciardi and Dickinson would probably nod in polite disagreement and go sit together at the bar.

So here are over a 100 famous definitions of poetry that I have collected over the years and loosely sorted into groups based on the quality of language that the definition appears to be highlighting. Some of the definitions might belong in more than one group. Some you might think I have completely misunderstood. I might be missing your favorite! If you buy the next round of ale, I would love to debate this with you!

—Taylor Mali, New York City 2013

Poetry is Condensed, Distilled, Essential, and Simplifying.

1) “Poetry is a language pared down to its essentials.” Ezra Pound

2) “Each memorable verse of a true poet has two or three times the written content.” Alfred de Musset

3) “An intellectual says a simple thing in a hard way. An artist says a hard thing in a simple way.” Charles Bukowski

4) “Poetry is language at its most distilled and most powerful.” Rita Dove

5) “For poetry is the blossom and 
the fragrancy of all human knowledge, human thoughts, 
human passions, emotions, language.” Samuel Taylor Coleridge

6) “Poetry is life distilled.” Gwendolyn Brooks

Poetry is Fragile, Elusive, and can only be expressed in one way.

7) “Poetry is that which is lost in translation.” Robert Frost

8) “The moment of change is the only poem.” Adrienne Rich

9) ‎”What makes a poem a poem, finally, is that it is unparaphrasable. . . I may try to explain it or represent it in other terms, but then some element of its life will always be missing.” Mark Doty

10) “Poetry is like making a joke. If you get one word wrong at the end of a joke, you have lost the whole thing.”
 W.S. Merwin

11) “Poetry is of so subtle a spirit, that in the pouring out of one language into another it will evaporate.”
John Denham

12) “Good poetry could not have been otherwise written than it is. The first time you hear it, it sounds rather as if copied out of some invisible tablet in the Eternal mind than as if arbitrarily composed by the poet.” Ralph Waldo Emerson

13) “To see the Summer Sky
Is Poetry, though never in a Book it lie—True Poems flee.” Emily Dickinson

14) “Poetry: The best words in the best order.” Samuel Taylor Coleridge

Poetry is Truthful, but not necessarily factual.

15) “Tell all truth, but tell it slant.” Emily Dickinson

16) “Poetry is truth. But it is not necessarily the whole truth. And it is certainly not nothing but the truth. It’s more like the truth, the half truth, and other stuff that goes well with truth.” Taylor Mali

17) “Poetry is, above all, an approach to the truth of feeling…” Muriel Rukeyser

18) “An imaginary garden with real toads.” Marianne Moore

19) “Poetry lies its way to truth.” John Ciardi

20) “Poetry is nearer to vital truth than history.”
 Plato

21) “A poet’s object is not to tell what actually happened but what could or would happen either probably or inevitably …. For this reason poetry is something more scientific and serious than history, because poetry tends to give general truths while history gives particular facts.”
 Aristotle

22) “Poets have a genius for lying and an adoration for the truth, and it may be that the driving impulse of every great poet is to maintain the dynamic interplay of these two passions.” Denise Levertov

Poetry comes from nothingness, namelessness, or silence.

23) “Poetry is an orphan of silence. The words never quite equal the experience behind them.”
Charles Simic

24) “I have nothing to say and I am saying it and that is poetry.” John Cage

25) “It is the job of poetry to clean up our word clogged reality by creating silences around things.” Stephen Mallarme

26) “Poetry makes nothing happen. It survives in the valley of its saying.” Maxine Kumin

27) “Poetry isn’t a profession, it’s a way of life. It’s an empty basket; you put your life into it and make something out of that.” Mary Oliver

28) “. . . it is through poetry that we give name to those ideas which are—until the poem—nameless and formless, about to be birthed, but already felt.” Audre Lourde

29) “There is poetry as soon as we realize that we possess nothing.” John Cage

30) “Poetry is the art of substantiating shadows.” Edmund Burke

Poetry is Alive, Active, a Moment of Being.

31) “A poem should not mean, but be.” Archibald MacLeish

32) “A poem is never finished, only abandoned.” Paul Valéry

33) “Poetry is not the record of an event: it is an event.
” Robert Lowell

34) “I don’t look at poetry as closed works. I feel 
they’re going on all the time in my head and 
I occasionally snip off a length.”
 John Ashbery

35) “Poetry is being, not doing.”
 e. e. cummings

36) “The artist does not tinker with the universe, he recreates it out of his own experience and understanding of life.”
 Henry Miller

37) “Writing poetry is the hard manual labor of the imagination.” Ishmael Reed

Poetry is the Common Made New & the New Made Common.

38) “Poetry lifts the veil from the hidden beauty of the world, 
and makes familiar objects be as if they were not familiar.
” Percy Bysshe Shelley

39) “. . . The poet 
speaks not of peculiar and personal things, but of what in himself is most common, most anonymous, most fundamental, most true of all men.”
 Richard Wilbur

40) “The two most engaging powers of an author are to 
make new things familiar, and familiar things new.”
 Samuel Johnson

41) “If your daily life seems poor, do not blame it; blame yourself that you are not poet enough to call forth its riches; for the Creator, there is no poverty.” Rainer Maria Rilke

42) “[Poetry] must say something significant about a reality common to us all, but perceived from a unique perspective. What the poet 
says has never been said before, but, once he has said it, his readers recognize its validity for themselves.” W. H. Auden

43) “Reality only reveals itself when it is illuminated by a ray of poetry.”
 Georges Braque

44) “The poem . . . is a little myth of man’s capacity of making life meaningful. And in the end, the poem is not a thing we see—it is, rather, a light by which we may see—and what we see is life.” Robert Penn Warren

Poetry is Ineffable, Other Worldly, Indicative of Insanity, Indefinable.

45) “Perhaps no person can be a poet, or can even enjoy poetry, 
without a certain unsoundness of mind.” Thomas Babington Macaulay

46) “Poetry is a packsack of invisible keepsakes.” 
 Carl Sandburg

47) “Language that tells us, through a more or less emotional reaction,
something that can not be said.”
 E. A. Robinson

48) “All poets are mad.” Robert Burton

49) “Defining poetry is like grasping at the wind—once you catch it, it’s no longer wind.” from an article on About.com

50) “Poetry is a bird. Prose is a potato.” Billy Collins

51) “Poetry is an echo, asking a shadow to dance.” Carl Sandburg

52) “For me, poetry is an impish attempt to paint the colour of the wind.” Maxwell Bodenheim

53) “The lunatic, the lover, and the poet are of imagination all compact.” William Shakespeare

Poetry is Liberating, Therapeutic, Catalytic, Necessary, Healing.

54) “Poetry gives you permission to feel.”
James Autry

55) “Of our conflicts with others we make rhetoric; of our conflicts with ourselves we make poetry.” William Butler Yeats

56) “Poetry is the revelation of a feeling that the poet 
believes to be interior and personal which the 
reader recognizes as his own.” Salvatore Quasimodo

57) “Poetry allows one to speak with a power
that is not granted by our culture.” Linda McCarriston

58) “What is a poem but a hazardous attempt at self understanding?
It is the deepest part of an autobiography.” Robert Penn Warren

59) “I write poetry in order to live more fully.” Judith Rodriguez

60) “If there were no poetry on any day in the world, poetry would be invented that day. For there would be an intolerable hunger.” Muriel Rukeyser

61) “When power leads man towards arrogance, poetry reminds him of his limitations. When power narrows the area of man’s concern, poetry reminds him of the richness and diversity of existence. When power corrupts, poetry cleanses.” John F. Kennedy

62) “Poetry heals the wounds inflicted by reason.” Novalis

Poetry is Musical, Structured, Sonic, possessing Rhythmic Beauty.

63) “Poetry is the music of the soul, and, above all, of great and feeling souls.”
 Voltaire

64) “Poetry is plucking at the heartstrings, and making music with them.” 
 Dennis Gabor

65) “Poetry is the rhythmical creation of beauty in words.”
 Edgar Allan Poe

66) “If a poem is written well, it was written with the poet’s voice and for a voice. Reading a poem silently instead of saying a 
poem is like the difference between staring at sheet music
and actually humming or playing the music on an instrument.”
Robert Pinsky

67) “As a tool of cognition, poetry beats any existing form of analysis (a) because it pares down our reality to its linguistic essentials, whose interplay, be it clash or fusion, yields epiphany or revelation, and (b) because it exploits the rhythmic and euphonic properties of the language that in themselves are revelatory.”
Joseph Brodsky

68) “The art which uses words as both speech and song to reveal
the realities that the senses record, the feelings salute, the mind perceives, and the shaping imagination orders.” Babettes Deutsch

Poetry is Simple, Arbitrary, really just a Label.

69) “Empowered words that…you recognize instantly as being some form of subjective truth with an objective reality, because someone realized it… and then you call it ‘poetry’ later.” Allen Ginsberg

70) “A true poet does not bother to be poetical. Nor does a nursery gardener scent his roses.” Jean Cocteau

71) “You have to write one poem that everyone agrees is a poem. After that, if you say it’s a poem, it’s a poem.” Jack McCarthy

72) “Poetry is writing that does not go to the edge of the paper.” Thomas S. Lillard

73) “The gap between verse and poetry is enormous. Between good poetry and good prose the gap is much narrower.” Michael Longley

74) “Poetry is at least an elegance and at most a revelation.” Robert Fitzgerald

Poetry is Observant, Descriptivist, a Celebration of the Imperfect & Human.

75) “The poet doesn’t invent. He listens.” Jean Cocteau

76) “Poetry is the deification of reality.” Edith Sitwell

77) “Poetry is just the evidence of life. If your life is burning well, poetry is just the ash.” Leonard Cohen

78) “Poetry is the language in which man explores his own amazement.” Christopher Fry

79) “Breathe-in experience, breathe-out poetry.” Muriel Rukeyser

80) “Poetry is a way of rescuing the world from oblivion by the practice of attention.” Roger Housden

81) “A poet’s autobiography is his poetry. Anything else is just a footnote.” Yevgeny Yevtushenko

Poetry is Important, Heightened, and Formal.

82) “Poetry is truth in its Sunday clothes.” Joseph Roux

83) “You arrive at truth through poetry; 
I arrive at poetry through truth.” Joubert

84) “We can only approach the gods through poetry.” Thomas Moore

85) “Poets are the unacknowledged legislators of the world.” Percy Bysshe Shelley

86) “The language of crisis.” R. D. Laing

87) “Poetry is the suggestion, by the imagination, 
of noble grounds for noble emotions.” John Ruskin

88) “Poetry is the breath and finer spirit of all knowledge.” William Wordsworth

Poetry is Playful, Delightful, merely Joyous or Beautiful.

89) “Poetry is the journal of the sea animal living on land, wanting 
to fly in the air. Poetry is a search for syllables to shoot at the 
barriers of the unknown and the unknowable. Poetry is a phantom script telling how rainbows are made and 
why they go away.”
Carl Sandburg

90) “Not philosophy, after all, not humanity, just the sheer joyous power of song, is the primal thing in poetry.” Max Beerbohm

91) “Speech framed … to be heard for its own sake and interest even over and above its interest of meaning.” Gerard Manley Hopkins

92) “A speech is poetry: cadence, rhythm, imagery, sweep! A speech reminds us that words, like children, have the power to make dance the dullest beanbag of a heart.” Peggy Noonan

93) “Poetry, like the moon, does not advertise anything.” William Blissett

94) “[Poetry is . . .] a kind of ingenious nonsense.” Issac Barrow

95) “Delight is the chief if not the only end of poetry; instruction can be admitted but in the second place, for poetry only instructs as it delights.” John Dryden

Poetry is Nostalgic.

96) “Poetry is all that is worth remembering in life.” William Hazlitt

97) “All good poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.” William Wordsworth

98) “Poetry … should strike the reader as a wording of his own highest thoughts, and appear almost a remembrance.” 
John Keats

99) “A poem begins with a lump in the throat.” Robert Frost

Poetry is Natural, Born of the Elements of this World.

100) “Like a piece of ice on a hot stove the poem must ride on its own melting.” Robert Frost

101) “I grew up in this town, my poetry was born between the hill 
and the river, it took its voice from the rain, and like the timber, it steeped itself in the forests.”
Pablo Neruda

102) “Poetry must have something in it that is barbaric, vast and wild.”
 Denis Diderot

103) “There is not a particle of life which does not bear poetry within it.” Gustave Flaubert

Poetry is Extraordinary Language about Ordinary Things.

104) “Poetry is ordinary language raised to the N th power.
” Paul Engle

105) ‎”The language beneath the language: That is poetry.” Andrea Pacione

106) “In science one tries to tell people, in such a way as to be 
understood by everyone, something that no one ever 
knew before. But in poetry, it’s the exact opposite.” Paul Dirac

Poetry is Communicative in a way that is New, Authentic, Based in Feeling.

107) “Genuine poetry can communicate before it is understood. 
 T.S. Eliot

108) “The business of the poet is not to find new emotions, but to use the ordinary ones and, in working them up into poetry, to express feelings which are not in actuality emotions at all.” T.S. Eliot

109) “Painting is silent poetry, and poetry is a speaking picture.” Simonides

110) “Poets are soldiers that liberate words from the steadfast possession of definition.” Eli Khamarov

111) “Poetry is a search for ways of communication; it must be conducted with openness, flexibility, and a constant readiness to listen.” Fleur Adcock

112) “The office of poetry is not to make us think accurately, but feel truly.” Frederick William Robertson

113) “Even when poetry has a meaning, as it usually has, it may be inadvisable to draw it out . . .. Perfect understanding will sometimes almost extinguish pleasure.” A.E. Housman

Poetry is a type of union.

114) “Poetry is when an emotion has found its thought and the thought has found words.” 
 Robert Frost

115) “Poetry is the art of uniting pleasure with beauty by calling imagination to the help of reason.” Samuel Johnson

116) “Poetry is a deal of joy and pain and wonder, 
with a dash of the dictionary.” 
 Kahlil Gibran

117) “Poetry is the synthesis of hyacinths and biscuits.” Carl Sandburg

118) “Poetry is thoughts that breathe, and words that burn.” Thomas Gray

Poetry is does more than one thing at a time, sometimes contradictory things.

119) “Good poems always pull in two different directions.” Jane Hirschfield

120) “Poetry begins in delight and ends in wisdom.” 
 Robert Frost

121) “Poets are people who are not content to say only one thing at a time.” Billy Collins

122) “Poetry is the language in which man . . . says heaven and earth in one word.” Christopher Fry

Poetry is a type of mirror.

123) “As to the pure mind all things are pure, 
so to the poetic mind all things are poetical.”
 Henry W. Longfellow

124) “You will find poetry nowhere unless you bring some with you.”
Jobber

125) “Poetry is a mirror which makes beautiful that which is distorted.” Percy Bysshe Shelley

126) “To have great poets there must be great audiences too.” Walt Whitman

Poetry is Carpe Diem, a Rejection of what is.

127) “Poetry, even when apparently most fantastic, 
is always a revolt against artifice, a revolt, 
in a sense, against actuality.” James Joyce

128) “A poet’s work is to name the unnamable, to point at frauds, to take sides, start arguments, shape the world, and stop it going to sleep.” Salman Rushdie

129) “Poetry is man’s rebellion against being what he is.” James Branch Cabell

130) “Poetry has nothing to do with intellect: it is, in fact, a violent and irreconcilable enemy to the intellect. It’s purpose is not to establish facts, but evade and deny them.” H. L. Mencken

Poetry is Bold, Journey of Discovery.

131) “Those who are not very concerned with art want poems or pictures to record for them something they already know as one might want a picture of a place he loves.” George Oppen

132) “Poetry is … the physical enactment of a process
of knowing by means of language.” Mark Doty

133) “I have never started a poem yet whose end I knew. Writing a poem is discovering.” Robert Frost

134) “‘Therefore’ is a word the poet must not know.” André Gide

135) “Everyone has a talent. What is rare is the courage to follow the talent to the dark place where it leads.” Erica Jong

Poetry is a Great Effort, an Achievement, a Miraculous Epiphany.

136) “Great poetry is always written by somebody straining to go beyond what he can do.” Stephen Spender

137) “A poem is an instant of lucidity in which the entire organism participates.” Charles Simic

138) “With this pen I take in hand my selves
and with these dead disciples I will grapple.
Though rain curses the window let the poem be made.” Anne Sexton

139) “A poet is a man who manages, in a lifetime of standing out in
thunderstorms, to be struck by lightning five or six times.” Randall Jarrell

140) “The poem is the point at which our strength gave out.” Richard Rosen

141) “[Poetry is . . ] the intolerable wrestle with words and meanings.” T. S. Eliot

Poetry is Figurative.

142) “Metaphor is the whole of poetry.” Robert Frost

143) “Poetry is simply made of metaphor . . . Every poem is a new metaphor inside or it is nothing.” Robert Frost.

144) “I love metaphor. It provides two loaves where there seems to be one. Sometimes it throws in a load of fish.” Bernard Malamud

Poetry Exists in the body, Produces a Corporeal Reaction.

145) “If I read a book and it makes my whole body so cold no fire can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only way I know it. Is there any other way?” Emily Dickinson

146) “Poetry is a way of taking life by the throat.” Robert Frost

147) “Poetry’s a mere drug, sir.” George Farquhar

148) “Poetry is devil’s wine.” St. Augustine

Other quotations about poetry that are either not really definitions or not easily sortable into my categories:

149) We tend to be so bombarded with information, and we move so
 quickly, that there is a tendency to treat everything on the surface 
level and process things quickly. This is antithetical to the kind of
 openness and perception you have to have to be receptive to poetry.
 Rita Dove

150) A poem is never finished, only abandoned.
 Paul Valery

151) Write drunk, revise sober.
 Miller Williams

152) Poetry is a rich, full bodied whistle, cracked ice crunching in pails, 
the night that numbs the leaf, the duel of two nightingales, 
the sweet pea that has run wild …
 Boris Pasternak

153) When ideas fail, words come in very handy.
 Johann Wolfgang von Goethe

154) “I write first drafts with only the good angel on my shoulder, the voice
that approves of everything I write. This voice doesn’t ask questions
like, Is this good? Is this a poem? Are you a poet? I keep this voice
at a distance, letting only the good angel whisper to me: Trust yourself.
You can’t worry a poem into existence.”
 Georgia Heard

155) We learn to treasure words that people call us; 
we learn to live by words that hurt. We cannot toss 
them aside, so in time they become our dignity.
 Mark Doty

156) “Artists and poets are the raw nerve ends of humanity. By themselves they can do little to save humanity. Without them there would be little worth saving.” a headstone in a Long Island graveyard

INTERVIEW: Taylor Mali is Metaphorically Yours.

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Taylor Mali is one of the best known poets of the last decade. He’s been a part of seven national slam poet teams, four of which have won the competition. He spent nine years as a middle school teacher, and worked to create 1000 teachers through poetry, finally hitting the mark in April of 2012. He has written two books, put out four CDs, and appeared on several other anthologies. He gives lectures, teaches workshops, and will always make sure that you know how to spell “definitely” and “beautiful.” I’ve had the opportunity to take a workshop from Mr. Mali, and the knowledge I gained from those few hours has been absolutely priceless. It was my pleasure to interview Taylor Mali for The Poetry Question.

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1. What are your earliest memories as a reader? Were there books that you remember being read as a child? Was there a favorite reading moment? Maybe a light bulb moment where you realized that you were reading a text that would define your life?

I remember taking a bus ride in New York City with my mother shortly before the first day of first grade and talking with her about the importance of reading and math. I wasn’t one of those kids who knew how to read before first grade; that’s definitely where I learned. But the thing is, I thought I would know how to read when I got home after the first day. I thought they would lock the doors and let us all in on the big secret. “Okay, kids! Here is how you read!” I must have been disappointed to find out it was a slower process than that. Other memories of actually learning how to read include correctly spelling the word THEY in a spelling bee. Later, I remember finishing a certain book with a blue cover and “graduating” to the next book (with a green cover. There was a lot of reading aloud in my family (I’ve written about the subject in a poem called “Reading Allowed”); both my mother and father did it, and they had different things they were good at. My mother was great with voices, and my father could make anything sound suspenseful.

2. Do you remember your first poems? How old were you when you started writing? When did you begin to develop the style upon which you’d build your career?

My mother had an electric typewriter, and I remember pecking out poems at the age of six or seven. A few years later, I wrote a poem called “It,” which was about living your life to the fullest and not waiting for “it” to happen to you. But the earliest poem that I can put my hands on is from when I was 12. It was called “Dawn Life” and it’s about duck hunting at sunrise with my grandparents. That’s not WASPY at all, is it?

3. Who were the poets, or authors, or people, who most influenced you when you were starting out? What was it about their work that made them an influence?

Besides Dr. Seuss and Robert Frost, my biggest poetic influence was my father, Allen Mali, who enjoyed writing “occasional” poems, poems for special events. My mother’s 38th birthday, his parents’ 50th wedding anniversary, his father’s 80th birthday, my mother’s 50th, my sister’s wedding—certain events would elicit from him poems of a dozen or so wonderful rhyming couplets. It was pure doggerel but it was good doggerel, almost Dr. Seussian. He never had any of his poems published in a book, but my mother, Jane Lawrence Mali, wrote and had published many children’s books (maybe five). She won the National Book Award one year for a book called “Oh Boy! Babies!” about a baby-care class that was taught at my school (The Collegiate School for Boys). The boys got to practice diapering and bathing with real babies! (Most of the mothers who “donated” their babies for the period had older sons at the school.) So writing was in my blood. I knew from an early age that words had power.

But to mention a few poets other people will be familiar with: Billy Collins, for sure. In fact, I consider myself the direct descendant of Billy in his poetic lineage, and that was long before a woman told me that I was “just like Billy Collins, except EVEN WORSE.” We read together at the very first pairing of Page Meets Stage in New York City, and it was a blast. I even took a class with him once, and was secretly thrilled when he took me aside and said, “What are YOU doing in this class? I have nothing to teach you!” I love Mary Oliver for the sheer authority with which she writes about matters of the soul. And Tony Hoagland is a hero of mine for the risks he is willing to take and the trouble he gets in as a result. He once told me that if he waited until the poems were perfect before showing them to the world, it would be too late for them to actually DO anything.

4. How has the culture of poetry changed over your time in the industry? Have you found that you’ve needed to adapt your style, or has it felt fairly consistent?

What has changed is what’s required to win a poetry slam. You can’t win with quiet, reflective, beautiful poetry anymore. But perhaps that was bound to happen. As for “the industry” as a whole, it feels pretty consistent. There is still no shortage of folks who can get by writing poems that the average person cannot understand. There is a fear of being too easily understood. Or rather, as a result of this fear, there is a common misconception that you MUST be good if no one can tell what in the hell you mean. Many exceptions, of course. But I’m amazed at how often I read the poems in The New Yorker and think, “WTF?”

5. Pigeon John told me that, to paraphrase, he feels as if 2chainz is the new Bob Dylan. How would you respond to that? Is hip-hop the new poetry?

I don’t know who that is, so it’s probably true. Actually, no; it’s only partially true. Hip-hop is where all the best rhymers are. So if rhyme is important to you (and it should be), then you probably consider hip hop the new poetry. I certainly lament the paucity of rhyme in contemporary poetry, but it is by no means the most important quality of language that I think a poem should have. What is? Well, hard to say. But my favorite definition of poetry currently is Gerard Manley Hopkins who said poetry was ” speech framed . . . to be heard for its own sake and interest, even over and above its interest of meaning.” That doesn’t really describe the hip-hop that I know. I think 2chainz (okay, I just looked him up on YouTube) is more interested in being funny, provocative, and selling records with memorable melodies and beats. And there’s the real difference: poetry on the page doesn’t have a melody or a beat. And those are important! Without the beat or the melody, the lyrics don’t stand up as poetry worthy of our attention. The beat and the melody keep the words from being merely insipid and offensive. “All I want for my birthday is a big-booty ho?” Um, no thanks. I want those night-vision binoculars your brother said he could bring home from Afghanistan.

6. Seeing as two of the founders of The Poetry Question are educators, we’re always curious in how other teachers worked poetry into their classroom. Since your students were middle-schoolers, how did you utilize poetry? How did they react? What was your favorite poem to use in the classroom?

I actually never got to teach poetry when I taught middle school. Sure my MA is in creative writing, and I was an English major in college, but I mostly taught math and history! I made my students memorize poems in history class that were germane to the topics we were studying. In math, I just made them appreciate the pure poetry of a balanced equation.

7. It seems as if the Slam Poetry world has grown a considerable amount over the last few years, and the poets, and audience alike, are getting younger; however, it still seems that it’s very much a word-of-mouth scene. How do expand that? What’s the next step?

I think it’s time to bring a show like Def Poetry Jam back, but this time mix it with The Sing Off/American Idol/Last Comic Standing so it’s interactive and America gets to vote people off the show! Call it American Poet. Can you imagine the conversation that would start about poetry across the country?!

9. If you could have a drink, or a dinner, with any poet, living or dead, who would it be and why?

Probably Rumi, the 13th century Turkish poet. His stuff was so deep and timeless. I’d just like to listen to him (and understand, of course).

10. And finally, since lyrics and poetry are so closely related, who is your favorite lyricist?

I like Fiona Apple, Alanis Morisette, and Ryan Adams. And Jason Mraz has some great turns of phrase and memorable melodies. But the greatest is still Paul Simon for me. I mean, “My life’s so common it disappears. And sometimes even music cannot substitute for tears.” Motherfucker what!

There. How’s that?

Metaphorically yours,

Taylor Mali

QOTD – Even the Masters Found Inspiration Somewhere; How About You?

Inspiration comes to everyone in vastly different ways. It might be a parent, or a sibling, or a teacher, or television star. It might be the mailman, the police officer, the street preacher, or the homeless man on the corner. There’s always a light bulb moment, but never a clear sign that it’s going to turn on, or that you’ll even notice the change in brightness. Inspiration is nowhere near an exact science, but it happens to all of us – just depends on whether or not we are willing to actually see it for what it is.

I’ve asked a lot of celebrities who their main influences are, and while I’m received a lot in return, the ones listed above were ones that caught me off guard. Sadat X, member of Brand Nubian, actually lists someone who’s CD doesn’t even come out for another month. Obviously, he’s looking at current inspiration. Scarface, the rapper, turned to Gene Simmons from KISS as his inspiration. This totally threw me, because they are from completely different worlds. Then I took a moment to realize they are both incredibly theatrical on stage, and understand how to build a marketing machine. It was an important discovery, and lead to my biggest profits ever. The Ralphie May one wasn’t so odd to me. I can definitely see some Sam Kinison in his act. Kinison was a master of timing, and as Ralphie points out, “Controlled Chaos.” Truer words could never have been written about comedy, and writing. It’s all controlled chaos.

My question to you requires a bit of thought beyond the normal go-to answers. I want to know who really inspired you. Don’t give me the “My parents are wonderful” line if they aren’t the ones who actually inspired you to do what you are doing now, or will do in the future.

Who is your biggest inspiration?

The Daily Prompt – May 13th

Rules:

  1. Use the prompt in the way it’s intended (starting a sentence, the title of the piece, theme, etc)
  2. You may write in any format you see fit (fiction, non-fiction, poem, song, script, etc.)
  3. Post your piece of writing in the comments section of the website to be considered for the prizes given
  4. The winner of each daily prompt will be published on the site in “Best of The Daily Prompt” section.

The Daily Prompt:

Twitter has become a force in the world of social media, allowing celebrities to communicate with their fans, teenagers to leave short messages for everyone to see, and news sources to communicate with more immediacy than ever. It’s crazy to think that 140 characters – including spaces – can be the window to so much information. It can be a very difficult task to write the perfect “tweet.”

You must compose a short story in no more than 140 characters – including spaces.

It is best to open up your Twitter account to make sure that your tweet is the correct length. If you don’t have Twitter, you will need to rely on the character count function on whatever Word program you use.